Ursula Laquay-Him

Ursula Laquay-Him with one of her protected houses , 2008.

Ursula Laquay-Ihm (born March 12, 1932 in Karlsruhe ) is a German painter and object artist .

Life

Ursula Laquay-Ihm was born on March 12, 1932 in Karlsruhe as the daughter of the architect, painter and draftsman Ludwig Ihm (1900–1973) and of Gertrud Ihm b. Wahl (1901–1990). The family lived in Speyer (Karlsruhe is the place of birth). Ursula Laquay-Him has three sisters and one brother.

Ursula Laquay-Ihm attended grammar school in Speyer, which she graduated from high school in 1950, and then completed internships in carpentry, ceramics and textile design, which led her to the fine arts. From 1952 to 1956 she studied interior design and building construction at the Stuttgart Art Academy under the tutors Hugo Peters (artistic design), Herta-Maria Witzemann (interior design), Herbert Hirche (building construction), Peter Otto Heim (ceramics), Kurt Wehlte (color theory) and Lily Hildebrandt (fabric print). She then worked as a furniture designer in the furniture industry until 1957 and then established herself as a freelance painter in Stuttgart and Bietigheim . During this time, there were two longer periods of work in the USA and France.

In 1962 she married Heinz Laquay (* 1927), a graduate engineer . The couple lived in Stuttgart until 1964, then in Koblenz and from 1973 until today again in Stuttgart. In 1967 the son Justus Laquay was born, who lives and works as a freelance artist and designer in Berlin.

Works (selection)

After the birth of her son in 1967, Ursula Laquay-Ihm underwent a change in consciousness. She noticed how threatened and fragile our environment is, and how important it is to preserve this world for future generations. She brings "a repertoire of technical forms in her colorful painting into imaginative constellations". From the eighties onwards, she also implemented her ideas in object images and installations, in which she subjects technical remains and packaging waste from civilization to "recycling".

“Her interest,” says art historian Sabine Leutheußer-Holz (1955–2012), “is in the living spaces that humans create - and that interests them even more, those that they deface. The land consumption that industrial society affords itself, the destruction of natural resources, the wasteful use of raw materials, the throw-away mentality - all of this makes the artist look to the future with concern ”.

Hints:

• Work titles are in italics .
• Dimensions: height × width × depth.

painting

image description Outlook on a white land , 1977, oil on canvas on wood, 50 × 50 cm, literature: Döhl 1989. Friendly growth from cavities , 1977, oil on canvas on wood, 35 × 35 cm, Ministry of Culture Rhineland-Palatinate, literature: Döhl 1989. Leaf niches , 1977, oil on canvas on wood, 60 × 60 cm. Blauer Apparat , 1980, oil on canvas on wood, 35 × 46 cm. Gas bloom , 1980, oil on canvas on wood, 32 × 36 cm, private collection. Wasserblüte , 1980, oil on canvas on wood, 32 × 35 cm, private collection. Telescope , 1981, oil on canvas on wood, 48 × 45 cm. Nautilus , 1981, oil on canvas on wood, 60 × 60 cm, private collection. Rotation , 1981, oil on canvas, 32 × 42 cm. Katsura , 1982, oil on canvas on wood, 60 × 60 cm. Blattaufzucht , 1984, oil on canvas on wood, 40 × 40 cm. Lautzelle , 1984, oil on canvas on wood, 40 × 40 cm, private collection. Technik verblümt , 1984, oil on canvas on wood, 35 × 35 cm.

image description Wilting fruits , 1984, oil on canvas on wood, 35 × 35 cm. Illusion plant outgrows the ideology garden , 1986, oil on wood, 66 × 77 cm, cultural office of the city of Sindelfingen, literature: Döhl 1989. Nature conservation in old gardens, latticed I , 1986, oil on canvas, 100 × 90 cm, Ministry of Culture Rhineland-Palatinate, literature: Döhl 1989. Nature conservation in old gardens, Latticed II , 1986, oil on canvas, 100 × 90 cm. White Dome , 1986, oil on panel, 66 × 77 cm. Picture rooms , 1987, oil on wood, 125 × 95 cm, literature: Döhl 1989. Fuse box , 1992, oil on canvas on wood, oval 50 × 65 cm. Blau 1 , 2002, oil on paper, height × width: 18 × 30 cm. Yellow 1 , 2002, oil on paper, 20 × 27 cm. Outlook , 2003, oil on paper, DIN A4. Green hoses , 2003, oil on paper, DIN A4.

City drawings

Ursula Laquay-Ihm describes a group of drawings as “city drawings”. Sabine Leutheußer-Holz characterized this series of works on the occasion of the award of the Sabine Hoffmann Art Prize to Ursula Laquay-Ihm as follows:

“The starting point for this group of large-format, colored works are city maps. Ursula Laquay-Ihm studies it with the question: How much land does the country have - what for? It creates representation zones and industrial zones; But does it also address people's need for zones of survival, for spaces of illusion? Attracted by the optical diversity to which the information in such a plan condenses, the artist tries to recognize the order systems behind the structures, to find models of coexistence. In order to understand better, she draws the plans. In this way, she intuitively experiences the underlying patterns. She develops a feeling for urban planning situations, for complicated conditions, ingenious solutions and exhausted possibilities. These drawings are the result of strict abstraction processes. "

Note: After the work title, if available, there is a fictitious place name from the book The Invisible Cities by Italo Calvino (1972) in brackets . They point to a quote that Ursula-Laquay-Ihm selected as the motto for the respective city drawing.

image description Chicago drawing board city (IRENE), 1990, drawing and mixed media on paper, 120 × 85 cm, inscribed: Chicago city, signed: 1990 U. Laquay-IHM. Chikago Hafen (CHLOE), 1988, drawing and mixed media on paper, 120 × 85 cm, inscribed: Chikago Harbor, signed: Laquay IHM, Galerie Stihl Waiblingen, permanent loan since 2004, literature: Döhl 1989. Solitude, Stuttgart , 1988, drawing and mixed media on paper, 120 × 85 cm, inscribed: Ihm & Seiner Solitude, private collection, literature: Döhl 1989. Machu Picchu (BAUCI), 1989, drawing and mixed media on paper, 120 × 85 cm, signed: Laquay IHM, Galerie Stihl Waiblingen, permanent loan. Olympia then, and the mutation today? (BAUCI), 1989, drawing and mixed media on paper, 120 × 85 cm, signed: Laquay-IHM, Galerie Stihl Waiblingen, permanent loan since 2004, literature: Döhl 1989; Waiblinger 2005. Karlsruhe, Traum des Groß-Khan , 1990, drawing and mixed media on paper, 120 × 85 cm, Galerie Stihl Waiblingen, permanent loan.

image description Güglingen am Faden (OTTAVIA), 1991, drawing and mixed media on paper, 120 × 85 cm, inscribed: Güglingen, Let it remain a wing being, signed: Laquay IHM 91, Galerie Stihl Waiblingen, permanent loan since 2004. Barcelona I, Olympics 1992 (EUDOSSIA), 1992, drawing and mixed media on paper, 120 × 85 cm, signed: Laquay-Ihm, Galerie Stihl Waiblingen, permanent loan since 2004. Barcelona II, Olympiad 1992 (EUDOSSIA), 1992, drawing and mixed media on paper, 120 × 85 cm. Amsterdam Hafen (SMERALDINA), 1995, drawing and mixed media on paper, 120 × 85 cm, inscribed: Amsterdam, signed: Laquay-Ihm, Galerie Stihl Waiblingen, permanent loan since 2004. Mannheim , 1990, drawing and mixed media on paper, 120 × 85 cm, Ilsfeld municipality.

Cosmic Architectures

Picture wall cosmic architectures .

The series of works Cosmic Architectures presents drawings and collages which, as “future prognoses” (Ursula Laquay-Ihm), provide insights into future worlds. Ursula Laquay-Ihm created the cycle between 1991 and 2004. The partially collaged drawings in A4 format were drawn on paper with colored pencil and tempera. Some of the drawings are owned by the artist, and in 2004 she gave 20 drawings to the Galerie Stihl Waiblingen on permanent loan. The single sheets can be combined to a picture wall with 15 to 20 sheets as shown in the picture.

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Installations

image description Filtration ( Can I still trust bottles?) , 1986/1987, wood covered with canvas, oil on canvas, plastic tubes, wall object: 180 × 154 cm, total width approx. 300 cm, signed on the back, owned by Ursula Laquay-Ihm. - The installation consists of a large water object on the wall and bottles filled with water and text on a pedestal on the floor. Artificial tree rearing , 1990, four-part, wooden panels cut into shape, covered with canvas and painted, 110–195 × 300 cm, signed on the back, owned by Ursula Laquay-Ihm. - Large water object on the wall, on the floor on a pedestal with bottles filled with water and text. Der Seidenlaubenvogel , 1991, wood, plastic, oil paint, wall: approx. 250 × 300 cm, signed on the back, owned by Ursula Laquay-Ihm. - Three bird objects on the wall, on the floor a small blue plastic bowl with blue found objects, plus a desk standing in the room with an open picture book. Closed society (men and women, two generations) , 1992, plexiglass, wood, paper, mirror, medical utensils, oil paint, 80/50 × 280 × 200 cm, signed on each head, owned by Ursula Laquay-Ihm. dto. dto. Architectural models at the artificial waterfall , 1994, waterfall: hand-dyed strips of fabric gathered and sewn together, infusion tubes, 250 × 250 cm, architectural models: wood processed with blue paint, height max. 30 cm, signed on the metal grate, owned by Ursula Laquay-Ihm.

image description dto., architecture model 1. dto., architecture model 2. dto., architecture model 3. dto., architecture model 4. dto., architecture model 5. Seven autistic people , 2007, installation in the exhibition: On the subject of “Upside Down”, Galerie in der Zehntscheuer, Möglingen, 2007. dto. Variation waterfall with switching object , 2008, fabric, plastic, wood, metal, oil paint, approx. 300 × 400 cm, signed on the switching object, owned by Ursula Laquay-Ihm.

Objects

image description Water as a reagent , 1987, paper, plastic, glass, oil paint, cotton, 50 × 50 cm. Water as reagent II , 1990, paper, plastic, glass, oil paint, cotton, approx. 80 × 80 × 28 cm, signed on the back, owned by Ursula Laquay-Ihm. Ginkgo rearing manipulable , 1986, 50 × 50 cm, signed: Laquay-IHM 86, private property. Necropolis , 1986, 50 × 50 cm, private collection. Raumziel , 1987, 125 × 95 cm, signed: Laquay-IHM, private collection. Rarities container , 1988, technical assemblage, 50 × 50 cm. Schaltplatte , 1988, technical assemblage, 50 × 50 cm. Empty containers , 1988, technical assemblage, 40 × 40 cm, signed: Laquay-IHM.

image description Ginkgo fan , 1991, plywood covered with canvas, painted, approx. 90 × 500 cm, signed on the back, Bürgerstiftung Kunst für Güglingen, literature: Belting 1991. From nothing to too much , 1992, drawing and paper collage, 100 × 100 cm, signed: U. Laquay-IHM, owned by Ursula Laquay-Ihm. On the subject of planning and destruction of the open landscape areas. Little to nothing , 1992, drawing and paper collage, 100 × 100 cm, signed: U. Laquay-IHM, owned by Ursula Laquay-Ihm. On the subject of planning and destruction of the open landscape areas. Laborhaus, Schutz II , 2001, technical assemblage, acrylic glass, 45 × 40 × 40 cm. From the medicine book: "Neck, Noses, Ears" , 2005, 32 × 30 × 10 cm. Inaccessible places: Industrieplatz I , 2005/2006. Large yellow medicine book , 2006, assemblage, opened, approx. 110 × 85 cm. Findings: Protected under the hood , 2008, 28 × 25 cm.

Works in public collections

• City of Boeblingen
• City of Sindelfingen
• Ministry of Culture Rhineland-Palatinate
• Regional Council Stuttgart
• Regional Council Tübingen

Exhibitions

Solo exhibitions

1963, 1967: Gallery in the Zimmertheater, Tübingen 1964: Galerie am Berg, Stuttgart 1973: Galerie Orek, Konstanz 1977: Württembergische Bank, Stuttgart 1981: GEDOK Gallery, Stuttgart 1983: Gallery in the Asemwald, Stuttgart-Birkach 1983: Galerie Café Schwarz, Stuttgart-Untertürkheim 1986: Gallery Dr. Przerwa-Weitzsäcker, Stuttgart 1988: Workshop gallery in the Reuchlinhaus, Stuttgart 1989: Galerie Eva Tent, Koblenz 1990: Gallery in the district court, Stuttgart-Bad Cannstatt 1991: Community Foundation Art for Güglingen, Güglingen Town Hall 1991: "Predominantly blue artificial", Kunstverein Kirchheim unter Teck

1991: Kulturkreis Weilimdorf, Volksbank 1992: Initiative Mahlwerk, Städtische Galerie Plochingen 1992: Gallery in the mill, Schorndorf-Schornbach 1992: Office for Environmental Protection, Stuttgart 1994: Equal Opportunities Office in the Tagblatt Tower in Stuttgart 1995: City drawings, Ilsfeld Town Hall 1997: Karin Gundel Gallery, Freiberg am Neckar 1999: On the subject of “City”, Municipal Gallery in the Ruit Town Hall, Ostfildern-Ruit 2000: Martin Greif Haus, Speyer, Webergasse 1, continuously changing 2005: Atelier and gallery Angelika Flaig, Kornwestheim 2008: On the subject of "Contemporary Positions", Josef Nisters Gallery, Speyer 2008: “Ursula Laquay-IHM. Planned living spaces. Objects - Installations - Drawings ”. On the occasion of the presentation of the Sabine Hoffmann Art Prize, Galerie im Heppächer, Esslingen

Group exhibitions

VBKW = Association of Visual Artists Württemberg

1957, 1960: Pfalzpreis, Kaiserslautern 1959: “Painters see Stuttgart”, Stuttgart 1964: “The small format”, Senatore Gallery, Stuttgart 1965: "Illustrations for UBU ROI", Kleine Galerie Tübingen / Club Estro Armonico, Brussels / Club Voltaire, Stuttgart 1966: Purrmann Prize of the City of Speyer 1966: "Artists of the Teufel Gallery", Koblenz 1966: "Artists of the Teufel Gallery", Trier City Gallery 1966: "Small Formats", Galerie am Berg, Stuttgart. 1966: "Small formats", Modern Art Gallery, Stuttgart-Vaihingen 1966–1971: "Form and Color", Koblenz, Metternich House 1967: "Small Formats", artist from the Teufel Gallery, Koblenz 1967: "European graphics", Teufel Gallery, Koblenz 1968: Christmas exhibition, Kunstverein Speyer / Rhein 1969/1970: Art exhibition of Middle Rhine artists, Weißenthurm 1971: State art exhibition Rhineland-Palatinate, Mainz 1971: Artist community Eifel-Ardennen, Prüm, Eifel 1973: State art exhibition Rhineland-Palatinate, Koblenz 1973: Association of Visual Artists Baden-Württemberg, Stuttgart / Kirchheim 1973: Annual exhibition of the Württemberg Art Association, Stuttgart 1973: Künstlerbund Baden-Württemberg, Stuttgart 1974: Illustrations for "! Alice in Wonderland", Zimmertheater Tübingen 1974: Künstlerbund Baden-Württemberg, Freiburg 1975: State art exhibition Rhineland-Palatinate, Pirmasens 1975: "Landscape - Art Landscape", VBKW, Heidelberg / Mannheim 1975: Künstlerbund Baden-Württemberg, Karlsruhe 1976: VBKW, Stuttgart 1976/1980: "Southern Wine Route", Landau 1976: "Portrait", Sparkasse Karlsruhe 1977/1981: Künstlerbund Baden-Württemberg, Esslingen am Neckar 1977, 1978: Art Basel, Galerie Fischer-Rothfuß 1978: "Self-portrait", Sparkasse Karlsruhe 1979: Three artists at Schulze / Simco, Winnenden 1980–1988: New Sindelfingen Group, Sindelfingen City Gallery 1979: "Technology and work in the mirror of Württemberg art", Württembergische Bank, Stuttgart 1979: Künstlerbund Baden-Württemberg, 25th annual exhibition, Stuttgart 1979: Annual exhibition of the Württemberg Art Association in Stuttgart 1980: “Creation of the Palatinate Artists”, Wilms Gallery, Bergzabern 1980: Sickinger Art Prize, Kaiserslautern 1980: Landtag Rhineland-Palatinate, Mainz 1980: State art exhibition Rhineland-Palatinate, Trier 1981: Daniel Kahnweiler Prize, Rockenhausen 1981: VBKW, Stuttgart 1981: "Art in Haigerloch Castle", 14 artists from Baden-Württemberg 1982: “Man in his environment”, Federal GEDOK exhibition, Kirn 1983: State Art Exhibition Rhineland-Palatinate, Mainz 1983: Three artists in the town hall of Steinenbronn 1984: 60 years of the Association of Visual Artists, Stuttgart Art Association 1984: Art and artists in Rhineland-Palatinate, Koblenz and Lincoln / Great Britain 1984: Horvath Gallery San Francisco, European and American Contemporary Art 1984: "hand drawings", VBKW, Stuttgart group, gallery in the Burgenland center, Stuttgart-Feuerbach 1984: "Subject Nature", VBKW, State Garden Show in Reutlingen

1984: “Werden und Gestalten”, GEDOK, Reutlingen Group, Reutlingen, Spitalhof 1984: Edition Camu, Schellenkönig, Stuttgart 1984: "Diversity". State art weeks in Rottweil 1985: Artist in Stuttgart City Hall, GEDOK Stuttgart 1985: Artist in the Neustadt / Weinstrasse regional council 1986: Heide Göller, Ursula Laquay-Ihm and Alida Treichler, three artists in the Euskirchen Rathausgalerie 1986: Artist from Baden-Württemberg, VBKW, Osnabrück 1986: "Nature and Technology", Eislingen Art Association 1986: "26 artists from Stuttgart"; Stuttgart / Luxembourg 1986: State art exhibition Rhineland-Palatinate, Pirmasens 1987: "Water", Stuttgart / Hamburg 1987: "Clothes from Artists", Gallery in Heppächer, Esslingen 1988: "Güglinger Palmtuch", Güglingen 1988: Nine artists in Schwäbisch Gmünd, VBKW 1988: On the subject of "drawing", member exhibition in the Reuchlinhaus Stuttgart, Artists Association of Baden-Württemberg 1988: Annual exhibition of the Württembergischer Kunstverein, Stuttgart 1989: "Black and White", Rhineland-Palatinate artist in Prüm 1991: Laquai-IHM / Magel, Kunstkreis Feuerbach Flaig, gallery in the Burgenland center, Stuttgart-Feuerbach 1992: "Scenes from the Laborinth", Bopp / Fohrer / Garry / Laquay-IHM, Alpirsbacher Galerie 1992: New Sindelfinger Group, Sindelfingen Town Hall 1993: Art in the country, time-critical environmental images, State Gallery Stuttgart 1993: “On site”, VBKW, Stuttgart region, gallery under the tower, Stuttgart 1993: "On paper", Artists Association of Baden-Württemberg, Kunstverein Heidelberg 1993: Annual exhibition of the Württemberg Art Association, Heidelberg 1993: 23 years of the Neue Sindelfinger Group, Schönaich Town Hall 1994: “Outside the frame”, art and artists from Rhineland-Palatinate, cultural summer, Germersheim art association 1995/1999: Städtische Galerie Fruchthalle Rastatt, Günther Westermann collection 1996: “For a short time”, GEDOK Wuppertal, Kunsthalle Barmen 1996: “Another library”, GEDOK Stuttgart, gallery under the tower, Stuttgart 1996: “Variation 2000”, cultural summer, art prize of the city of Kirn 1996: Drawing, City of Bühl Art Prize 1997: "Im Quadrat", Art Circle, Municipal Gallery Tuttlingen 1997: New Sindelfinger Group, Sindelfingen Town Hall 1997: "I think of ..." (1990, 1993, 1995), Karin Gundel Gallery, Freiberg am Neckar 1998: "Mixed Media", gallery in Heppächer, Esslingen am Neckar 1999: Artists born before 1940, Kunstverein Germersheim im Zeughaus, Federal Association of Visual Artists Rhineland-Palatinate (BBK Rhineland-Palatinate) 1999: Perron Art Prize of the City of Frankenthal (Palatinate) 2001: “10 years of female artists in the tower”, Geno-Haus, Stuttgart 2003: New Sindelfingen Group, Sindelfingen Municipal Gallery 2005: Künstlerbund Baden-Württemberg, Municipal Gallery Karlsruhe 2006: On the subject of “booked”, gallery in the Zehntscheuer, Möglingen 2007: On the subject of “Upside Down”, gallery in the Zehntscheuer, Möglingen 2008: On the subject of “booked”, gallery in the Zehntscheuer, Möglingen

Memberships

• Artists Association of Baden-Württemberg (since 2003)
• BBK, Professional Association of Visual Artists Rhineland-Palatinate (until 2002)
• AKM, Association of Visual Artists on the Middle Rhine (until 2002)
• GEDOK Stuttgart (until 2002)
• BBK, State Association of Visual Artists Baden-Württemberg (until 2002)
• Württembergischer Kunstverein Stuttgart (until 2002)
• Künstlerhaus Stuttgart (until 2002)
• New Sindelfingen group (until dissolution in 2003)

Prices

• 2008: Sabine Hoffmann Art Prize

literature

life and work

• Painter Ursula Laquay-Him . In: Daniela-Maria Brandt (editor): Directory of Artists Baden-Württemberg / Artists Association of Baden-Württemberg , Volume 1, Stuttgart 1982, 1 page without numbering.
• Gert K. Nagel : Swabian artist lexicon. From the Baroque to the Present , Munich 1986, page 75.
• Saur General Artist Lexicon. Bio-bibliographical index A– Z , Volume 7, Munich 2008, page 823.
• Günther Wirth : Art in the German Southwest. From 1945 to the present , Stuttgart 1982, page 169.

Works

• Elke Eberle: Repressed worlds. “Planned living spaces” by Ursula Laquay-IHM in the Esslingen gallery in Heppächer . In: Esslinger Zeitung from November 19, 2008.
• Gabriele Hoffmann: Introduction to the exhibition by Ursula Laquay-Ihm "Predominantly blue artificial" on September 7th, 1991 in Kirchheim , manuscript [1] .
• Gabriele Hoffmann: Living spaces under the hood. The Esslingen gallery in Heppächer shows works by Ursula Laquay-Ihm . In: Stuttgarter Zeitung from? 2008.
• (jns): Ambivalence between nature and technology. “Contemporary positions”: Ursula Laquay-Ihm presents exhibits from 15 years of creativity . In: [Hockenheim] from? 2008.
• Wenzel Nemec: Selection of contemporary German painting and graphics , Ingolstadt 1986, page 94–96.
• Monika Portenlänger: Technology means creativity. Ursula Laquay-Ihm shows “contemporary positions” in the Nisters gallery in Speyer . In: Die Rheinpfalz, Speyer from April 19, 2008.
• Heinz Rall ; Peter Anselm Riedl : Das Güglinger Palmtuch , Güglingen 1988, pages 44-45.
• Joachim Schindelbeck: A positive vision on the way to yourself. As of today, Galerie Nisters is showing “contemporary positions” by Ursula Laquay-Ihm. Your work demands the examination of technology . In: Speyerer Morgenpost from April 19, 2008, page 3.
• City images by Laquay-IT. In the museum of the city of Waiblingen . In: Staufer courier from? 2005.
• Ulrich Stolte: Computer hearts under Plexiglas. Ursula Laquay-Ihm receives an award for her work on the condition of the human . In: Stuttgarter Zeitung of November 17, 2008.
• For the exhibition in the Waiblingen City Museum . In: Waiblinger Kreiszeitung from January 25, 2005.
• The outline of the city plot. Drawings by Ursula Laquay in the museum . In: Waiblinger Kreiszeitung from January 25, 2005.

Catalogs

Note: Information in round brackets = factory images.

• Klaus Basset: 26 artists from Stuttgart. An exhibition of the cultural office of the state capital Stuttgart , Stuttgart 1986, pages 34–35 (survival pyramid).
• Hans Belting (text); Justus Laquay (photos): Ursula Laquay-IHM. Art in the town hall. 10 years of community foundation. Art for Güglingen , Güglingen 1991.
• Esther Bloch (editor): The world is beautiful. Is the world beautiful. An exhibition by GEDOK, Munich 1982 , page 53 (Fern von Katsura), 136.
• Doris Cordes-Vollert (editor); Sylvia Kornmacher (collaboration), Sibylle Berger (collaboration): Water. Documentation of a tender of the International Society of Fine Arts, Section Federal Republic , Bonn 1986, page 51 (Filtration).
• Reinhard Döhl (text); Justus Laquay (photos): Ursula Laquay-Him. Oil paintings, drawings, objects , Stuttgart 1989.
• Nature and technology. Painting, graphics, objects, video installations. 27 artists are exhibiting from April 12 to May 4, 1986 in the old post office building in Eislingen , 2 pages without a page number (steam hammer).
• Angelika Fellmer (editor); Renate Theilacker (editor); Sigrid Baumann-Senn (illustration): A completely different library. An exhibition by the city of Stuttgart in cooperation with GEDOK Stuttgart from November 21, 1996 to January 5, 1997 in the gallery under the tower, Stuttgart , Stuttgart 1996, 2 pages without page number (a book with 6 seals).
• Angelika Flaig (editor): On site. Artist from Stuttgart. An exhibition of the Stuttgart region in the Association of Visual Artists Württemberg in the gallery Unterm Turm Stuttgart 1993 , Stuttgart, 1993, pages 20-21 (closed society), 41.
• Angelika Flaig; Ingeborg Bosch: Stuttgart meets Durban, Durban meets Stuttgart, Baden-Württemberg meets KwaZulu Natal. Art between localization and network , Stuttgart 1998, 1 page without page number (illustration).
• Monika Graen (editor): State art exhibition Rhineland-Palatinate, Trier 1980, September 5 to October 12, 1980 , Trier 1980, 1 page without page number (Palais).
• Heinz E. Hirscher: About the oil paintings and graphics by Ursula Laquay-Ihm in our gallery on the mountain . In: Stuttgarter Jugendhäuser in December 64 , Stuttgart 1964, 2 pages without page number (lace doilies).
• International art exhibition Kirn 82 , No. 40–41 (clamped).
• Form + Farbe 66th art exhibition of the working group of visual artists on the Middle Rhine. Koblenz, Metternich House, September 24 to October 23, 1966 , Koblenz 1966, No. 32, 33 (garden still life).
• Form + Farbe 71. 23rd annual exhibition of the Association of Visual Artists on the Middle Rhine. Koblenz, Metternich House, October 23 - November 28, 1971 , Koblenz 1971, No. 64 (illustration).
• State art exhibition Rhineland-Palatinate 1973, Koblenz, Electoral Palace, September 1 - October 28, 1973 , Koblenz 1973, 1 page without a page number (technical monster at the lake).
• Ursula Laquay-Him. Galerie Orek, Konstanz, November 16-24 , 1973, Konstanz 1973.
• Monika Kron (editor); Wolfgang Venzmer (editor): kunst 83rd Landeskunstausstellung Rheinland-Pfalz, Mainz 1983 , no. 193–194 (bridge without a path).
• Künstlerbund Baden-Württemberg, 19th annual exhibition, Stuttgart 1973 , No. 180, 181 (Winter gear).
• Künstlerbund Baden-Württemberg, 20th annual exhibition, Freiburg 1974 , No. 185, 186 (steam hammer).
• Artists Association of Baden-Württemberg V., 21st annual exhibition, Karlsruhe 1975 , No. 146 (bordered by green).
• Künstlerbund Baden-Württemberg, 23rd annual exhibition, Esslingen 1977 , No. 150 (view of a white country).
• Künstlerbund Baden-Württemberg, 25th annual exhibition, Stuttgart 1979 , No. 265–266 (snow wheel).
• Künstlerbund Baden-Württemberg, 27th annual exhibition, Esslingen 1981 , No. 168 (served on the tray).
• Artists Association of Baden-Württemberg V., 34th annual exhibition, drawings, Stuttgart 1988 , no. 132-133 (Solitude).
• Artists Association of Baden-Württemberg V., 39th annual exhibition, Heidelberg 1993 , No. 92 (From little to nothing).
• Bernd Künzig: Art Prize 1996 of the city of Bühl for drawing , 1 page without page number (Satellite I).
• Sabine Leutheußer-Holz: Ursula Laquay-Ihm. Planned living spaces. Objects - Installations - Drawings , Stuttgart 2008.
• State exhibition BBK Rhineland-Palatinate, Pirmasens 1986 , No. 121 (Nature conservation in old gardens I).
• Art and artists from Rhineland-Palatinate 1984. An exhibition of panel paintings in the Middle Rhine Museum Koblenz 1984 , page 8 (Blätterwald).
• Bernd Goldmann (Editor): Black & White, Art and Artists from Rhineland-Palatinate 1989 , page 97 (vacant houses).
• “Art outside the frame”, 11th exhibition Art and Artists from Rhineland-Palatinate 1994, Kultursommer Rheinland-Pfalz, Germersheim, Zeughaus and Fronte Beckers , pages 64–65 (waterfall dream).
• Pictures & sculptures. A fortnight in Schwäbisch Gmünd. 9 artists from Stuttgart exhibit from 1988 , 3 pages without page number (ginkgo-like).
• Sickingen Art Prize 1980, district of Kaiserslautern, exhibition of the Pfalzgalerie Kaiserslautern , 1 page without page number (blue illusion).
• Neue Gruppe Sindelfingen 1992 , pages 28-30 (container releases material, flight connection, served on the tray, wing motor).
• Ten years of female artists in the tower from 1991 to 2001 , Stuttgart 2001, 2 pages without a page number (Labor-Haus I).
• H. Teufel: Ursula Laquay-Him. Oil paintings and graphics. Gallery in the Zimmertheater Tübingen, July 2, 1967 to July 29, 1967 , Tübingen 1967.
• Oil paintings by Ursula Laquay-Ihm in the foyer of the room theater in Tübingen, Dec. 30, 1963 to Jan. 23, 1964 , Tübingen 1963, 2 pages without number (lace doilies).
• “Im Quadrat”, Kunstkreis, Städtische Galerie Tuttlingen 1997 , page 96 (Transformation of a city).
• Association of Visual Artists Württemberg '76. An exhibition by members of the Association of Visual Artists Württemberg e. V. under the general topic “Quality of Life”, Stuttgart 1976 , 1 page without page number (illustration).
• 60 years of the Association of Visual Artists Württemberg , Stuttgart 1984, page 56 (television program 9).
• Hand drawings. An exhibition by artists of the VBKW, Stuttgart group, gallery in the Burgenland center Stuttgart-Feuerbach, June 16 - July 1, 1984 , Stuttgart 1984, 1 page without page number (rarities in different colors).
• Association of Visual Artists Württemberg in the Dominican Church Osnabrück February 1986 , 2 pages without page number (remote controlled).
• Wolfgang Venzmer (editor); Monika Kron (editor): Art Exhibition Rhineland-Palatinate, Mainz 1971, Mittelrheinisches Landesmuseum Mainz, March 12 - April 25, 1971 , Mainz 1971 (pair of leaves).

media

• Ursula Laquay-Him. Packaging architecture , film by Justus Laquay, 2001, duration: approx. 5 minutes, recorded at the opening of the exhibition in the Karin Gundel gallery in Freiberg am Neckar in 1997, text contributions from the opening speech by Martina Siebeck and the catalog text by Reinhard Döhl.
• Interview by Lerke von Saalfeld with Ursula Laquay-IHM. In: Süddeutscher Rundfunk (radio), Journal am Morgen , June 5, 1997, 8:10 a.m.

Web links

Commons : Ursula Laquay-Ihm  - Collection of pictures, videos and audio files

• Website of Ursula Laquay-Ihm [2]
• Reinhard Döhl on Ursula Laquay-Ihm [3]

Individual evidence

1. ↑ Information from Ursula Laquay-Him.
2. ↑ # Döhl 1989 .
3. ↑ # Leutheußer-Holz 2008 .
4. ↑ # Döhl 1989 .
5. ↑ # Leutheußer-Holz 2008 , information from Ursula Laquay-Ihm.
6. ↑ Information from Ursula Laquay-Him.
7. ↑ Information from Ursula Laquay-Him.
8. ↑ #Wirth 1982 .
9. ↑ # Leutheußer-Holz 2008 .
10. ↑ # Leutheußer-Holz 2008 .