Walter Hesse (singer)

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Walter Hesse is studying a new role.

Walter Hesse (born January 7, 1921 in Döllensradung ; † April 26, 1997 in Zurich ) was an opera singer (tenor).

career

Walter Hesse trained himself to be a singer largely self-taught . He began his career in 1949/50 as a bass baritone at the Landestheater Innsbruck as a bass baritone, but his voice soon changed. After a short additional study, he switched to the tenor subject .

Hesse's baritone-tinged, but nevertheless safe, voice was able to convince in a wide variety of roles. Unstable and torn characters who suffered in themselves and in society were particularly appealing to him.

Other early stages in his career:

After a serious accident, Walter Hesse worked as a lathe operator in a Zurich rubber factory before he found a job again at the Zurich Opera House (formerly Stadttheater) from 1969–1985 - now mainly as a character tenor.

Walter Hesse married Margarete Hesse at a young age, with whom he had two children. After seven years, the couple separated.

roll

Zurich successes as:

  • Florestan in Beethoven's Fidelio
  • Don José in Bizet's Carmen
  • Edgardo in Donizetti's Lucia di Lammermoor
  • Hoffmann in Offenbach's Les Contes d'Hoffmann
  • Rodolfo in Puccini's La Bohème
  • Cavaradossi in Puccini's Tosca
  • the title role in Heinrich Sutermeister's Raskolnikow
  • the Verdi roles Don Carlo in Don Carlo , Alvaro in La forza del destino and Manrico in Il Trovatore
  • Erik in Richard Wagner's The Flying Dutchman
  • Max in Weber's Der Freischütz

From 1969, Walter Hesse was able to prove that he also had a comic talent:

  • as Uncle Gustav in Paul Burkhard's Das Feuerwerk
  • Crunchy witch in Humperdinck's Hansel and Gretel
  • Colonel Ollendorf in Millöckers The beggar student
  • Nasoni in Millöckers Gasparone
  • Frick or Domino in Offenbach's La Vie Parisienne and Les Brigands
  • Don Eugenio de Zuniga in Hugo Wolf's The Corregidor

In the world premiere of Rudolf Kelterborn's An Angel Comes to Babylon in 1977 he sang the great general (director: Götz Friedrich, musical director: Ferdinand Leitner).

He was a guest at the Stadttheater Bern

  • 1963/64 as Don José
  • Canio in Ruggero Leoncavallos I pagliacci and
  • Judge Danforth in the Swiss premiere of Robert Ward's The Crucible (director: Walter Oberer, musical director: Max Sturzenegger).

Further guest engagements at the Stadttheater St. Gallen (1962/63 Prinz in Dvořák's Rusalka and Manrico) as well as in Bremen, Düsseldorf, Duisburg, Essen, Cologne, the Salzburg State Theater and in Vienna.

literature

Web links