Walter Niedermayr

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Walter Niedermayr (born February 27, 1952 in Bozen ) is an artist / photographer and lives in Bozen.

Since 1985 he has been working on projects in which he examines space as a reality occupied and shaped by people and questions the ephemeral areas between imagination and imagination. This is expressed in the groups of works Alpine Landscapes since 1987, Space Con / Sequences since 1991, Shell Constructions since 1997, Artifacts since 1992, Image-Space since 2001. The latter has to do with architecture, which is about making space and room atmosphere visible . The series Iran was created between 2005 and 2008 . Since 2011 he has been a lecturer for artistic photography at the Faculty of Design and Arts at the Free University of Bolzano .

In 1995 he received the European Photography Award for his series Die Pleichen Berge . In 1997, Niedermayr took part in the project treffpunkt niemandsland by the Berlin artist duo ptt red on the Brenner Pass .

From 2000 he worked with the Japanese architects Kazuyo Sejima and Ryue Nishizawa , who run the SANAA office in Tokyo . The serial works of the Bildraum group, in which he mainly deals with the architecture of SANAA, is about a correspondence between the two visual languages ​​that become visible in joint exhibitions or in publications: Walter Niedermayr | Kazuyo Sejima + Ryue Nishizawa / Sanaa and Novartis Campus-Fabrikstrasse, 4, Sanaa / Sejima + Nishizawa, works by Walter Niedermayr (see bibliography).

Walter Niedermayr is represented by Galerie Nordenhake, Berlin / Stockholm.

reception

The magazine for photography and media art EIKON wrote about Niedermayr's work that “his work with the color, which approximates the pastel tones, is mostly overexposed in contrast to the standard of the photo labs with their dense and saturated colors, which makes the pictures a little more real entranced and made them appear pale and transparent ”.

Jörg M. Colberg, founder and editor of Conscientious , commented on The Aspen Series as follows: “The result is a wonderful hybrid - a German sensibility (which usually is just one step short of the more celebrated, austere designs coming from Scandinavia ) working with the best in Dutch design, making photographs that come in groups of up to six shine - and all that in an unassuming book whose preciousness slowly unfolds, as the reader notices the elegance of the typesetting, say, the qualities of the different papers used, and the binding itself (the square is very small). The Aspen Series is the perfect book for this body of work, which, I must add, is what it is: Photographs of a snowy landscape, with people skiing (for what it's worth, I prefer the landscapes over the photographs of skiers). Some of the spreads in the book are just amazing. Crucially, the book does not attempt to overwhelm with glossy scale (the temptation so many makers of coffee table books sadly give in to). Instead, it opts for elegance, with restraint bordering on the minimal. "

Works in collections

Niedermayr's works are in public collections, including: 21th Century Museum of Contemporary Art, Kanazawa; Albertina Vienna; Center Pompidou, Paris; Denver Art Museum; DG Bank, Frankfurt Fondation Cartier, Paris; Fondazione MAST, Bologna; FRAC, Lower Normandy; FRAC, Upper Normandy; FRAC, Ile de France; FRAC, Limousin; FRAC, Pays de la Loire; FRAC, Normandy; Galleria di Arte Moderna di Bologna; House of Parliament, Oslo; Linea di Confine, Rubiera; Magistrate Graz; MART, Rovereto; MAXXI, Roma; MOMA, New York; Musée Cantonal des Beaux Art, Sion; Musée d'Art moderne et contemporain, Strasbourg; Musée du Chateau d'Annecy; Musées de la Ville de Strasbourg; Museion, Bolzano; Museo Fortuny, Venice; Museum of Fine Arts, Leipzig; Museum der Moderne Rupertinum, Salzburg; Gertsch Bergdorf Museum; MoCa, Los Angeles; Museum of Modern Art, Seoul; New Gallery, Graz; Philadelphia Museum of Art; Saatchi Foundation, London; Städel Museum, Frankfurt; Tate Modern, London; UBS Art Collection, Zurich; West Collection, Philadelphia; World Center, Miami.

Exhibitions

Solo exhibitions (selection)

  • 2018: "Walter Niedermayr. A Window onto Contemporary Iranian Photography", Chiostri di San Domenico, Fotografia Europea 2018, Reggio Emilia
  • 2017: "Walter Niedermayr. Coexistences", aut. Architektur und tirol, Innsbruck; Walter Niedermayr. Johann Widauer Gallery, Innsbruck; "Walter Niedermayr. Recollection. Iran - antica Persia e industrializzazione", Tosetti Value, Turin
  • 2016: "Walter Niedermayr. Appropriations of Space - Lech 2015/2016", Allmeinde commongrounds, Lech am Arlberg
  • 2015: "Walter Niedermayr. Projection Spheres and Adventure Realms", Month of Photography, Bratislava
  • 2014: Walter Niedermayr. Nordenhake Gallery, Berlin
  • 2013: "Walter Niedermayr. Appearances", La Filature, Mulshouse
  • 2012: "Conjonctions", Istituto Italiano di Cultura de Paris, Paris; Walter Niedermayr, Galleria Suzy Shammah, Milano
  • 2011: "Walter Niedermayr 2005–2010", ex-ospedale Sant'Agostino, Fondazione Fotografia, Modena
  • 2009: Walter Niedermayr, Robert Miller Gallery, New York; Walter Niedermayr, Galerie Nordenhake, Stockholm
  • 2008: Walter Niedermayr, Galleria Suzy Shammah, Milano
  • 2007: Walter Niedermayr, Galerie Nordenhake, Berlin; Walter Niedermayr, Galleri Opdahl, Stavanger; "Walter Niedermayr / Kazuyo Sejima + Ryue Nishizawa (SANAA)", with SANAA Architects , International Arts Center, Antwerp, Arc en Rêve Center d'architecture Bordeaux, aut. Architektur und tirol, Innsbruck, Accademia di Architettura Mendrisio
  • 2006: Walter Niedermayr, Robert Miller Gallery, New York
  • 2005: Walter Niedermayr, Galleria Suzy Shammah, Milano
  • 2004: "Walter Niedermayr. Civil operations", Museion Museum for modern and contemporary art, Bolzano; Walter Niedermayr, Bob van Orsouw Gallery, Zurich
  • 2003: "Walter Niedermayr. Civil operations", Kunsthalle Wien, Kunstverein Hannover, Museum of Fine Arts Leipzig, Württembergischer Kunstverein Stuttgart; Walter Niedermayr, Galerie Solverget, Stavanger; Walter Niedermayr, Galerie Nordenhake, Berlin
  • 2001: Stadtgalerie Schwaz, Tyrol; Galerie Nordenhake, Stockholm; Angles Gallery, Santa Monica; Galerie Meyer Kainer, Vienna
  • 2000: Center pour l'image contemporaine, Geneva; Koyanagi Gallery, Tokyo; Rhona Hoffmann Gallery, Chicago; Rupertinum, Museum for Modern and Contemporary Art, Salzburger Landessammlung, Salzburg *; Center pour l'image contemporaine, Geneva; Rupertinum, Museum der Moderne , Salzburg
  • 1999: Momentary Resort, Robert Miller Gallery, New York; Musée Château d´Annecy, Annecy; Reserves of the moment , ar / ge art gallery museum, Bolzano *; Walter Niedermayr, Center Photographique d´Ile de France, Pontault-Combault; Angles Gallery, Santa Monica; Fundación BBK, Bilbao
  • 1998: White Cube, London; Gallery Anne de Villepoix, Paris; Galleria Gió Marconi, with Marina Ballo Charmet, Milan; Center Photographique d´Ile de France, Pontault-Combault
  • 1997: Galerie Nordenhake, Stockholm; Ulm Art Association
  • 1996: Galerie Anne de Villepoix, Paris; New Society for Fine Arts, Berlin; Pauhof - observed , gallery in the Stifterhaus, Linz
  • 1995: Phantasm and Phantoms , Offenes Kulturhaus Linz *
  • 1994: The pale mountains , Museum of Design, Zurich; Forum Stadtpark, with Wout Berger, Graz
  • 1993: The pale mountains , ar / ge art gallery museum, Bolzano *; Printemps de Cahors *
  • 1992: Historical industrial architecture in Tyrol, South Tyrol, Vorarlberg; ar / ge Art Gallery Museum, Bolzano, Taxis Palais Innsbruck, Museum Bregenz *
  • 1990: Architecture, nature and technology , Sesto culture, Sesto, Innsbruck University of Technology, University of Artistic and Industrial Design, Linz *
  • (*) denotes publication

Group exhibitions (selection)

  • 2018: Drive Drove Driven. The car in contemporary art, BTV FO.KU.S, Innsbruck; A Window onto Contemporary Iranian Photography. Genesis of an Opaque Vision, Chiostri di San Domenico, Fotografia Europea 2018, Reggio Emilia
  • 2017: "Snow future. Hansjörg Dobliar, Philipp Messner, Walter Niedermayr", Bozen Nature Museum; "The Power of Images", MAST, Bologna
  • 2016: Les couleurs du paradis perdu, Médiathèque Valais-Martigny, Martigny; Territoires rêvés. En Dialogues 2, Musée des Beaux-Arts, Caen; The force of photography. Works from the Museion Collection, Museion, Bolzano / Bozen; Sport et loisirs - propos d'artistes, Agence culturelle Alsace, Erstein Etappenstall, Alsace Tour / Collection FRAC Alsace; Shared Space: A New Era / Photographs from the Bank of America Collection, McColl Center for Art + Innovation, Charlotte; Extraordinary Visions / l'Italia, MAXXI, Roma; Arte e architettura: punti di vista, MantovArchitettura, Casa del Mantegna, Mantova *; Ceramica, latte, macchine e logistica. Photography dell'Emilia-Romagna al lavoro, MAST, Bologna *; Snow Future. The Alps - Perspectives on a Landscape of Longing in Art + Science, t Philipp Messner, Hansjoerg Dobliar, Walter Niedermayr, ERES Foundation, Munich *
  • 2015: Montagna. Oltre la natura, Palazzo Assessorile, MART, Cles; Italia. Inside Out, Palazzo della Ragione, Milan; Mal di montagna, Studi festival # 1 - MARS Milan Artist Run Space, Milano; Grand Tour, Harley Gallery, Welbeck / Nottinghamshire; Landscape in motion. Cinematic outlooks on an indefinite morning, Universalmuseum Joanneum, Graz; Landscape in my Mind - landscape photography today. From Hamish Fulton to Andreas Gursky, Bank Austria Kunstforum, Vienna
  • 2014: "Fundamentals -14th International Architecture Exhibition", La Biennale, Venezia; "La Collezione di Fotografia Europea.Sguardi contemporanei", Fotografia Europea 014 Festival, Reggio Emilia; "Il sublime e il banale", video screening, Galleria Civica, Trento; "Beyond the picture postcard. The Alps in Photography", Vorarlberg Museum, Bregenz
  • 2013: "Weitblick - Berg. Gesellschaft. Technologie", Innovation Festival, Museion - Museum for contemporary Art, Bolzano; "Pièces Montrées - Frac Alsace, 30 ans de collection" La collection impossible, Fondation Fernet-Branca, Saint-Louis; "Images for Images. Artists for Tichy - Tichy for Artists", Central Bohemian Gallery (GASK), Kutná Hora *; "TAV Bologna Milano - Fotografia, ricerca e territorio", Maxxi, Roma; "CONCRETE - Photography and Architecture", Fotomuseum Winterthur; "Landmark: The Fields of Photography", Positive View Foundation, Somerset House, London *
  • 2012: "Cosa Mentale: Paysage (s) - Paysage-Document", Musèe de La Roche-sur-Yon *; "Views per se - contemporary photographic art from North and East Tyrol, South Tyrol and Trentino", FO.KU.S Photo Art City Forum, Innsbruck; "Peripheral Visions: Italian Photography in Context, 1950s-Present", Hunter College, The City University of New York, New York *
  • 2011: "Black and White - Design of Contrasts", Museum für Gestaltung Zürich; "Tokyo Art Meeting (II) Architectural Environments for Tomorrow - New Spatial Practices in Architecture and Art", Museum of Contemporary Art, Tokyo *; "Imperfect Health", Canadian Center for Architecture, Montréal *; "L'Italia va in vacanza. Photography dalle Collezioni del MAXXI Architettura", MAXXI Museo nazionale delle arti del XXI secolo, Roma; "Lay of the Land", Angles Gallery, Los Angeles; "Alps - Place of Longing & Stage", Residenzgalerie, Salzburg *; "Blink! Light, Sound, & the Moving Image," Denver Art Museum; "Alpine Desire", Austrian Cultural Forum, New York *; "Hafnarhús - Without Destination", Reykjavík Art Museum (RAM) *
  • 2010: "People meet in Architecture - Arsenale", 12th Mostra Internazionale di Architettura, Venice Biennale *; "Sanaa World of Architecture", DAC | Dansk Arkitektur Center, Copenhagen; Asia Spectrum - 3rd Daegu Photo Biennale; "Landscape without Horizon", Museum Schloss Myland, Bedburg-Hau / Kleve *; Kazuyo Sejima + Ryue Nishizawa / SANAA, Tokyo, Aedes Architecture Forum, Berlin
  • 2009: "Vanishing Landscapes", Ruzicska Gallery, Salzburg; "> Nature <in contemporary art", Kunstmuseum Bonn; "Before Architecture, After Architecture", Tomio Koyama Gallery, Tokyo
  • 2008: "Manifesta7, The Rest of Now", Alumix Bozen / Bolzano, Region Trentino-South Tyrol *; "From the vastness of the ice", Albertina Vienna *; "Art Incorporated - The Role of Art in Urban Development", Kunstmuseet Koge; "LINZ TEXAS A City with Relationships", Az W, Linz; "Museums in the 21st Century", Louisiana Museum of Modern Art, Humlebaek; "Art is for the spirit", Mori Art Museum, Tokyo; "All inclusive. The world of tourism", Kunsthalle Schirn, Frankfurt *; "Rückblende", Neue Galerie, Graz; "Lugares comprometidos. Topografía y actualidad", Photoespaña 2008, XI International Festival of Photography and Visual Arts, Madrid
  • 2007: Photo Art, Museum Essl Klosterneuburg / Vienna; Tourist's Tale, Arhus Kunstbygning; Reality Crossings, 2nd Photo Festival Mannheim / Ludwigshafen / Heidelberg *; Japan and the West, Wolfsburg Art Museum *; There is no border, there is no border, there is no border, no border, no border, no border, I wish, Galerie im Taxispalais Innsbruck *; Fairly high, Kunsthaus Kaufbeuren; Atlante italiano007. Rischio paesaggio, DARC Roma; Northern Lights - Reflecting with Images, Galleria Civica di Modena; Life is stranger than fiction, Albertina, Vienna; Industrial imagery, FO.KU.S Stadtforum, Innsbruck *; Spectacular space, Bob van Orsouw Gallery, Zurich; Under the stars, Museum Franz Gertsch, Burgdorf; White-out, Künstlerhaus Palais Thurn und Taxis, Bregenz; City Gallery, Saarbrücken; Palazzo Margherita, Modena *; Simultan, Fotomuseum, Winterthur; Paola De Pietri - Io parto, Museo di fotografia contemporanea, Cinisello Balsamo
  • 2006: Artists for Tichy. Tichy for Artists, Museum for Modern Art, Passau; East Bohemian Gallery of Fine Arts, Pardubice; Moravian Gallery, Brno *; Sanaa / Walter Niedermayr, with Sanaa architects, Architekturmuseum, Basel *; Out of the camera, Bielefelder Kunstverein *; Peintres de la vie modern, Center Pompidou, Paris; Young Italian artists at the turn of the Millennium, Galleria Continua, Beijing *; Start @ Hangar, Hangar Bicocca, Milano; Linea veloce Bologna-Milano, Linea di Confine, L'Ospitale, Rubiera *; Settimana della fotografia europea, Reggio Emilia *; Trans Emilia, The Linea di Confine Collection: Territorial Reconnaissance of the Region Emila Romagna, Fotomuseum Winterthur, Centro internazionale dell'Infanzia “Loris Malaguzzi”, Reggio Emilia *; Montagnes magiques, Galerie d'Art du Conseil general des Bouches de Rhône, Aix en Provence; Opening up Art, Tate Modern, UBS Art Collection, London; Archit-Action, gallery for contemporary art, Leipzig *; Destroyed Worlds, Kunstraum Dornbirn; Arhus Kunstbygning *; Sguardi da north. Reflecting with images, Galleria Civica, Palazzo Santa Margherita, Modena *
  • 2005: Simultaneous. Two collections of Austrian photography, Museum der Moderne, Salzburg Mönchsberg *; La dolce crisi, Villa Manin, Passariano-Codroipo *; The view of Dresden, the Frauenkirche and the development of the Dresden city silhouette, Staatliche Kunstsammlungen, Dresden *; Kazuyo Sejima + Ryue Nishizawa Sanaa, Basilica Palladiana, with Sanaa architects, Vicenza *; Trans Emilia, Fotomuseum Winterthur *; Landscape as a metaphor, Ursula Blickle Foundation, Kraichtal *; From the photo collection. New acquisitions, State Gallery at the Upper Austrian State Museum, Linz; After Rokynik: The Collection of Evn, Mumok, Vienna *; Berg, I hate you - Berg I love you, Museé cantonal des beaux-arts, Sion *; Sanaa, 21st Century Museum of Contemporary Art, with Sanaa architects, Kanazawa *; Multiple rooms (2) Park, Kunsthalle, Baden-Baden *; De Natura, Center d'art contemporain, Meymac; Repérages, Frac d'Ile-de-France à l'Ecole d'Architecture de Paris-Belleville; Artissima 12: Tutta la fotografia, Torino
  • 2004: Support 2 - The new gallery as a collection, Neue Galerie, Graz; Yet Untitled, Kunsthalle, Nuremberg; National Museum of Photography, Copenhagen; White wonderware snow, Bündner Kunstmuseum, Chur *; Metamorph, 9th Mostra Internazionale di Architettura, Biennale di Venezia *; An eye for the city - Italian contemporary photography and the view of the city, South East Museum of Photography, Daytona Beach *; Public Record, Museum of Contemporary Art, Los Angeles; Collège Lyee Honore Daumier, Frac Paca, Marseille; Reality Real - works on paper, Gebrüder Lehmann Gallery, Dresden; Support 1 - The new gallery as a collection, Neue Galerie, Graz
  • 2003: Yet Untitled, Suermondt Ludwig Museum, Aachen *; The Spirit of White, Fondation Beyeler, Basel; Montagna. Arte, scienza, mito da Dürer a Warhol, MART, Rovereto *; Naturally built. The landscape between construction and narration, Helmhaus, Zurich *; Regarde, il neige (schizogéographie de la vie quotidienne), Center national d'art et du paysage, Vassivière; Tombe la neige, Anne de Villepoix Gallery, Paris; La montagna incantata, Fondazione Sandretto Re Rebaudengo, Torino; L´idea di paesaggio nella fotografia italiana dal 1850 ad oggi, 8 ° ed. Modena per la Fotografia, Galleria Civica Modena *; Des voisinages, Le Plateau Fonds Régional d'Art Contemporain d'Ile-de-France; Platsen's politics, Länsmuseet Västernorrland, Härnösand; Paikan Politicat. Politics of Sense, Suomen valokuvataiteen museo. Finnish Museum of Photography, Helsinki *
  • 2002: Schöne Aussicht, Meran Art in the Sparkasse building, Meran *; Der Berg, Heidelberger Kunstverein *; Paysages, 4th Biennale d'Art contemporain, Enghien-les-Bains; Mon (u) mental, Tiroler Landesmuseum Ferdinandeum, Innsbruck *; Le bati et vivant. Semaines Européennes de l'Image, Chapelle du Rham, Luxembourg; "Landscape Views" - artfinder / Phoenix factory, Hamburg-Harburg; Stanze II, Museum for modern and contemporary art, Bolzano *; Naviguer entre les lignes, Collège Joseph Vernet, Avignon; Berge, Galerie Six Friedrich / Lisa Ungar, Munich; The Politics of Place, Umea Picture Museum, Edsvik Konst och Kultur, Stockholm; Finnish Museum of Photography, Helsinki; Västernorrlands Länsmuseum, Härnösand *; L´art d´aujourd´hui: un choix dans the collection du Fnac, Musée de Grenoble
  • 2001: An eye for the city, University of New Mexico Art Museum, Albuquerque *; Conversation, Musée Départemental de Gap, Marseille; The Waste Land, Center for Contemporary Art of the Austrian Belvedere Gallery, Vienna *; Sense of space, stichting fotografie noorderlicht, Groningen *; Unlimited, ArtBasel Art Fair
  • 2000: Anti Memory, Yokohama Museum of Art *; Luoghi come paesaggi, Galleria degli Uffizi, Firenze *; Mapping Territory Connections, Galerie Anne de Villepoix Paris; Contemporary Art of Europe, European Central Bank Frankfurt *; Places which I never visited, Museum of Contemporary Art Zagreb *; Uncertainty relation, Heidenheim Art Museum, Saarbrücken City Gallery *; Fondazione Ado Furlan, Spilimbergo
  • 1999: Uncertainty relation, Kunstverein Freiburg *; Gallery Brothers Lehmann, Dresden; Kerlin Gallery, Dublin; Insight out, Kunstraum Innsbruck, Kunstverein Baselland *; Tomorrow For Ever, Kunsthalle Krems, Museum Küppersmühle, Bonn *; Art Club, Chicago; CCA Canadian Center of Architecture, Montreal; The Promise of Photography, DG Bank Collection, Hara Museum of Contemporary Art Tokyo, Kestnergesellschaft Hanover, Center National de la Photographie Paris, Akademie der Künste Berlin, Schirn Kunsthalle Frankfurt, Museum Oldenburg *
  • 1998: 1968-1998. Fotografia e arte in Italia, Palazzo Santa Margherita, Modena; A sense of place, Angles Gallery, Santa Monica; About Painting III, Robert Miller Gallery, New York; Pagine di fotografia italiana 1900-1998, Fondazione Galleria Gottardo, Lugano *; Dissin´ the real, Lombard Freid, New York, Galerie Krintzinger, Vienna; Le sentiment de la montagne, Musée de Grenoble *; Reserves of Longing, Union Brewery, Dortmund *
  • 1997: The great Outdoors, Gallery Gimpel Fils, London; Motivation Landscape, Museum for Photography Braunschweig; The 90s: A Family of Man, Casino Luxembourg *; Paysages critiques, Le Triangle, Rennes; Alpenblick, Kunsthalle, Vienna *; Artist in Residence, Neue Galerie, Graz *; Venezia contemporanea Marghera, Pilkington Pavillion, Marghera, Biennale di Venezia *; Europe, Encontros de Fotografia de Coimbra *; No man's land, Brenner *; La Collection de la Fondation Cartier, 1er volet, Fondation Cartier, Paris
  • 1996: Grande Galerie, Ecole Régionale des Beaux Arts, Rouen; Campo, Kunstmuset, Malmö; Prospect '96, Schirnhalle, Frankfurt *; Young Eva + A, City Art Gallery, Limerick; Obiettivi / Soggettivi, Fondazione Bevilacqua La Masa, Venezia *; Photography d´une collection, Caisse des Dépots et Consignations, Paris; Homeland. The silence in the forest, Kunsthaus Kaufbeuren *
  • 1995: Campo, Corderie dell'Arsenale, Venezia *; Campo, Fondazione Re Rebaudengo, Torino; Morceaux Choises, Le Magasin, Center national d'art contemporaine, Grenoble *; City in Latency, Open Culture House, Linz *; European Photography Award 1995, Deutsche Leasing AG, Bad Homburg
  • 1994: Center Saint-Louis: Institut français, Roma; Museum of Photography, Helsinki
  • 1993: Direzioni, Galleria Eos Arte Contemporanea, Milano; Mai de la photo, Reims; Banca Credito Valtellinese, Sondrio; Palazzo Bentivoglio, Gualtieri / Reggio Emilia; Studio Marangoni, Firenze
  • 1992: Frontiera 1'92, Forum of Young Art in Europe, Exhibition Hall, Bolzano *
  • 1991: Archivio dello spazio II - Olona Lambro Martesana - Beni architettonici ed ambientali della Provincia di Milano *; Westfoto, Gmunden *; Appunti di viaggi ordinari, Studio Marangoni, Firenze; Agorá, Torino *
  • 1990: Archivio dello spazio - Beni architettonici ed ambientali della Provincia di Milano, Palazzo Isimbardi, Milano *
  • 1989: L´insistenta dello sguardo - photography italiane 1839-1989, Palazzo Fortuny, Venezia; Palazzo Ruscellai, Firenze *; Zeitbilder - Photography in Tyrol - South Tyrol - Trentino, Museion Museum for modern and contemporary art, Bolzano; Palazzo delle Albere, Trento *
  • 1988: Artist project Bergwerk Schneeberg '87, ar / ge Kunst Galerie Museum, Bolzano; Retzhof Leibnitz, 1991 *

(*) denotes publication

literature

Monographic editions

  • 2017 Walter Niedermayr | Coexistences, texts by Florentina Hausknotz, Giorgio Falco and Arno Ritter, Hatje Cantz, Berlin
  • 2017 Walter Niedermayr | Raumaneignungen, Lech 2015-2016, text Catherine Grout and a conversation between Gerold and Katia Schneider, Walter Niedermayr and Arno Ritter, Hatje Cantz, Berlin
  • 2013 Walter Niedermayr | The Aspen Series, with texts by Chris Byrne and Catherine Grout and a conversation between Paula Crown and Walter Niedermayr, Hatje Cantz, Ostfildern
  • 2012 Walter Niedermayr | Conjonctions, text by Catherine Grout, Istituto Italiano di Cultura de Paris, Paris
  • 2011 Walter Niedermayr | Mose, edited by Linea di Confine per la Fotografia Contemporanea, William Guerrieri and Tiziana Serena, text by Tiziana Serena, Koenig Books Cologne
  • 2011 Walter Niedermayr | Appearances, Editors Filippo Maggia and Francesca Lazzarini, Skira, Milano
  • 2010 Walter Niedermayr | Recollection, Editors Amir Cheheltan and Lars Mextorf, Hatje Cantz, Ostfildern
  • 2009 Station Z Sachsenhausen, Editors HG Merz + Walter Niedermayr, Hatje Cantz, Ostfildern
  • 2007 Walter Niedermayr | Kazuyo Sejima + Ryue Nishizawa / Sanaa, Editors Moritz Küng and deSingel Antwerp, Hatje Cantz, Ostfildern
  • 2006 Walter Niedermayr | TAV, Linea di Confine, Rubiera / Schlebrügge, Vienna
  • 2004 Walter Niedermayr | Titlis, Codax publisher Zurich
  • 2003 Walter Niedermayr | Civil operations, Kunsthalle Wien, Hatje Cantz, Ostfildern
  • 2001 Room sequences 1991-2001, texts by Martin Prinzhorn, Editors Carl Aigner and Andrea Domesle, Eikon, Vienna
  • 1998 Reservate of the moment, ar / ge Art Gallery Museum, Hatje Cantz, Ostfildern
  • 1993 The pale mountains; ar / ge Art Gallery Museum, Raetia, Bolzano

Web links

  • FE 2006_Reggio Emilia. Molte città, diversi sguardi_parte2 "Il limite e il confine: la città come luogo fisico" Marco Zanta, Anne Tallentire, Walter Niedermay
  • Architecture Biennale - Walter Niedermayr (NOW interviews): Walter Niedermayr intervistato da Hans Ulrich Obrist alla Biennale Architettura 2010. Produced by the Institute of the 21st Century with support from ForYourArt, The Kayne Foundation, Brenda R. Potter, Catharine and Jeffrey Soros
  • GUARDARE IL SILENZIO _ trailer: Cosa pensano artisti ed architetti quando devono realizzare un lavoro da collocare in un paesaggio alpino, caratterizzato da una natura mozzafiato? So le montagne cercano uno stile internazionale? E chi vive in montagna che ne pensa? Cerchiamo le risposte in luoghi speciali, il Parco d'Arte di Egidio Marzona in Carnia, le 100 statue collocate in Austria tra i 2000 ed i 3000 metri dall'artista britannico Antony Gormley, le fotografie di Walter Niedermayr, il pensiero di Getulio Alviani, che montanaro non è, ma saggio si. Sviluppato con il Contributo del Fondo Regionale per l'Audiovisivo del Friuli Venezia Giulia si ringrazie la Regione Autonoma Friuli Venezia Giulia

Individual evidence

  1. ^ Biographical data from Walter Niedermayr in Enzyklo
  2. Kunstmarkt.com
  3. meeting point no-man's country ( memento from November 19, 2004 in the Internet Archive )
  4. ^ Walter Niedermayr - Between tradition and dissolution. In: EIKON - International Magazine for Photography and Media Art.
  5. ^ Review: The Aspen Series by Walter Niedermayr