Wilbur goods

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Wilbur Bernard goods (* 8. September 1923 in Chicago ; † 9. September 1979 in Philadelphia ) was an American jazz - bassist .

Wilbur Ware was one of the most important innovators in bass playing in the 1950s. His role models were Jimmy Blanton and Israel Crosby . He accompanied Thelonious Monk and Sonny Rollins , among others .

Live and act

Ware began playing the banjo and drums , tutored by his foster father. Soon he switched to bass; this was followed by appearances in amateur groups and local bands. He had his first professional engagements with Big Bill Broonzy and in the late 1940s with Sidney Bechet , Stuff Smith , Roy Eldridge and Sonny Stitt . Ware played in Chicago together with Eddie "Cleanhead" Vinson 1954-55, then with Art Blakey 1956. From 1956 he was based in New York and worked with Buddy DeFranco , Sonny Rollins and Thelonious Monk (1957) and JR Monterose (1959) or own bands. Ware also worked on recordings by Johnny Griffin , Hank Mobley , Lee Morgan , Zoot Sims , Sonny Clark , Kenny Dorham and Elvin Jones .

In 1957 the LP The Chicago Sound was released under his own name . Drug problems and illnesses as a result frequently interrupted his musical career in the 1960s and 1970s. He played with Blue Mitchell , Monk, Mobley, Archie Shepp and Clifford Jordan during this period . Most recently Wilbur Ware lived in Philadelphia, where he made his own records with Walt Dickerson .

Ware influenced musicians like Charlie Haden with his bass style , who described him as "the most underrated, fantastic musician of all time". Bassist Buell Neidlinger said: "Wilbur Ware made little more than any bassist I have ever heard". Ware played the bass neither like a wind nor a guitar, but instrument-specific, concentrating on those finger positions that sound good (and long), or often on empty pages.

Selection discography

With Thelonious Monk

With Sonny Rollins

More shots as a sideman

  • Zoot Sims: Zoot! (Riverside / OJC, 1956)
  • Ernie Henry: Presenting Ernie Henry (Riverside / OJC, 1956)
  • Kenny Dorham: 2 Horns, 2 Rhythms (Riverside / OJC, 1957)
  • Kenny Drew: Pal Joey (Riverside / OJC, 1957)
  • Matthew Gee: Jazz by Gee (Riverside / OJC, 1957)
  • Toots Tielemans: Man Bites Harmonica (Riverside / OJC, 1957)
  • Johnny Griffin: Way Out and Johnny Griffin Sextet (both Riverside / OJC, 1958)
  • Blue Mitchell: Big 6 and Blues on My Mind (both Riverside / OJC, 1958)
  • Grant Green: Standards (Blue Note, 1961)
  • Clifford Jordan: Mosaic (Milestone, 1992)

swell

  1. Kunzler, Jazzlexikon, p. 1243
  2. dto.

literature