Clifford Jordan

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Clifford Jordan (1980)

Clifford Irving Stanley Jordan (born September 2, 1931 in Chicago , Illinois , † March 27, 1993 in Manhattan , New York ) was an American jazz saxophonist and flutist.

Live and act

Jordan played the piano as a child before switching to the tenor saxophone. He started with classmates of DuSable High School , Johnny Griffin , John Gilmore and John Jenkins occur. He made his first professional appearances with Max Roach , Sonny Stitt and various rhythm and blues bands.

In 1957 he went with Roach to New York City , where he succeeded Sonny Rollins in Max Roach's quintet and recorded three albums on Blue Note , the first, Blowing In from Chicago in 1957 with John Gilmore, Horace Silver , Curly Russell and Art Blakey . He then worked with Horace Silver, JJ Johnson , Kenny Dorham and again with Max Roach from 1962 to 1964, as with his Impulse! -Album It's Time 1962. In 1964 he took part in Charles Mingus ' legendary European tour. In the following years he worked mainly as a band leader and went on several European tours. In 1965 he created an album with Julian Priester , which was dedicated to the blues singer Leadbelly . From 1974 to 1975 he was a member of the Cedar Walton Quartet . He also worked with the Mingus Dynasty .

In his final years Jordan led his own big band ; With almost forgotten musicians like Dizzy Reece , Kiane Zawadi , Jerome Richardson , Charles Davis and Vernel Fournier , his album Down Through the Years was created in the early 1990s . His last work is the album The Mellow Side of Clifford Jordan, published posthumously in 1997, with jazz standards such as Soul Eyes and an Ellington / Strayhorn program, on which long-time companions such as Julian Priester, Larry Willis and Mike LeDonne participated.

Discographic notes

  • Blowing In From Chicago , 1957, Blue Note
  • Cliff Craft , 1957, Blue Note
  • Cliff Jordan , 1957, Blue Note
  • Spellbound , 1960, Riverside
  • Bearcat , 1961, Jazzland
  • Charles Mingus, Cornell 1964 (blue note); The Great Concert, Paris 1964 , 1964, America / MusiDisc
  • These Are My Roots: Clifford Jordan Plays Leadbelly , 1965, Atlantic
  • Glass Bead Games , 1974, Strata-East
  • The Highest Mountain , 1975, Muse
  • Two Tenor Winner! , 1984, Criss Cross

literature

Remarks

  1. According to Richard Cook and Brian Morton, the liaison with Blue Note only lasted for a short time because his backward-looking interest in swing did not fit into the label's hardbop concept at the time; see. Cook / Morton p. 815.