The Buttercup Chain: Difference between revisions
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| cinematography = [[Douglas Slocombe]] |
| cinematography = [[Douglas Slocombe]] |
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| editing = [[Thelma Connell]] |
| editing = [[Thelma Connell]] |
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| studio = Columbia British Productions |
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| distributor = [[Columbia Pictures]] |
| distributor = [[Columbia Pictures]] |
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| released = {{film date|1970|9|24|df=yes}} |
| released = {{film date|1970|9|24|df=yes}} |
Revision as of 16:06, 11 February 2021
The Buttercup Chain | |
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Directed by | Robert Ellis Miller |
Written by | Peter Draper Janice Elliott |
Produced by | Leslie Gilliat Philip Waddilove John Whitney |
Starring | Hywel Bennett Leigh Taylor-Young Jane Asher |
Cinematography | Douglas Slocombe |
Edited by | Thelma Connell |
Music by | Richard Rodney Bennett |
Production company | Columbia British Productions |
Distributed by | Columbia Pictures |
Release date |
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Running time | 95 minutes |
Country | United Kingdom |
Language | English |
The Buttercup Chain is a 1970 British drama film directed by Robert Ellis Miller and starring Hywel Bennett, Leigh Taylor-Young and Jane Asher. It was entered into the 1970 Cannes Film Festival.[1]
Plot
France and Margaret are cousins, born on the same day to twin sisters. They grow up feeling a bond as if brother and sister. When he returns to London from boarding school, France and Margaret make a pact in which each finds a suitable romantic partner for the other. But when they go away to the countryside with Manny and Fred, a strange incestuous impulse seems to exist between the cousins, while Manny also must deal with a pregnancy.
Cast
- Hywel Bennett as France
- Leigh Taylor-Young as Manny
- Jane Asher as Margaret
- Sven-Bertil Taube as Fred
- Clive Revill as George
- Roy Dotrice as Martin Carr-Gibbons
- Michael Elphick as The Driver
- Jonathan Burn as Alberto
- Yutte Stensgaard as Ullah
- Susan Baker as Kate
- Jennifer Baker as Ursula
Reception
Vincent Canby of The New York Times wrote: "(Director) Miller and his screen writer, Peter Draper, avoided any revealing psychological confrontations in favor of making one of those depressingly modish movies in which the sensations created by things like slick photography, beautiful nudes and intrusive soundtrack music become the substance of the film, instead of its context."[2]
References
- ^ "Festival de Cannes: The Buttercup Chain". festival-cannes.com. Retrieved 10 April 2009.
- ^ "Screen: Sudsy, Sentiment:Robert Miller Directs 'Buttercup Chain'". New York Times. Retrieved 8 April 2017.