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Jacqueline Cambas was born in New York City.<ref name="HIS">Luis Reyes, Peter Rubie: ''Hispanics in Hollywood: A Celebration of 100 Years in Film and Television''. Lone Eagle Publishing, 2000, {{ISBN|978-1580650250}}, p. 433.</ref> From 1972 until 1976 she studied education and psychology at the [[University of California, Los Angeles]]. Cambas was working as a teacher before she started to work in the film industry.<ref name="HIS" />
Jacqueline Cambas was born in New York City.<ref name="HIS">Luis Reyes, Peter Rubie: ''Hispanics in Hollywood: A Celebration of 100 Years in Film and Television''. Lone Eagle Publishing, 2000, {{ISBN|978-1580650250}}, p. 433.</ref> From 1972 until 1976 she studied education and psychology at the [[University of California, Los Angeles]]. Cambas was working as a teacher before she started to work in the film industry.<ref name="HIS" />


Since the mid 1970s Cambas was active as a film editor. In the beginning she was assistant editor for [[Tom Rolf]], with whom she worked on films such as ''[[Hardcore (1979 film)|Hardcore]]'', ''[[The Great Outdoors (film)|The Great Outdoors]]'' or ''[[Black Rain (1989 American film)|Black Rain]]''. Soon she started to work on her own. Since ''[[Racing with the Moon]]'' (1984) she often worked with director [[Richard Benjamin]] on films such as ''[[City Heat]]'', ''[[The Money Pit]]'', ''[[Little Nikita]]'', ''[[My Stepmother Is an Alien]]'', ''[[Downtown (film)|Downtown]]'', ''[[Mermaids (1990 film)|Mermaids]]'', ''[[Made in America (1993 film)|Made in America]]'', ''[[Milk Money (film)|Milk Money]]'', ''[[Mrs. Winterbourne]]'', ''[[The Shrink Is In]]'' or ''[[Marci X]]''.
Since the mid-1970s Cambas was active as a film editor. In the beginning she was assistant editor for [[Tom Rolf]], with whom she worked on films such as ''[[Hardcore (1979 film)|Hardcore]]'', ''[[The Great Outdoors (film)|The Great Outdoors]]'' or ''[[Black Rain (1989 American film)|Black Rain]]''. Soon she started to work on her own. Since ''[[Racing with the Moon]]'' (1984) she often worked with director [[Richard Benjamin]] on films such as ''[[City Heat]]'', ''[[The Money Pit]]'', ''[[Little Nikita]]'', ''[[My Stepmother Is an Alien]]'', ''[[Downtown (film)|Downtown]]'', ''[[Mermaids (1990 film)|Mermaids]]'', ''[[Made in America (1993 film)|Made in America]]'', ''[[Milk Money (film)|Milk Money]]'', ''[[Mrs. Winterbourne]]'', ''[[The Shrink Is In]]'' or ''[[Marci X]]''.


Cambas is a member of [[American Cinema Editors]] (ACE), where she is a life member in the [[Board of Directors]] since 2017.<ref>''[https://americancinemaeditors.org/board-of-directors/ Board of Directors]''. In: americancinemaeditors.org, access date 25 September 2020.</ref><ref>''[https://americancinemaeditors.org/author/admin33/page/33/ ACE board installation luau]''. In: americancinemaeditors.org, 25 November 2017.</ref>
Cambas is a member of [[American Cinema Editors]] (ACE), where she is a life member in the [[Board of Directors]] since 2017.<ref>''[https://americancinemaeditors.org/board-of-directors/ Board of Directors]''. In: americancinemaeditors.org, access date 25 September 2020.</ref><ref>''[https://americancinemaeditors.org/author/admin33/page/33/ ACE board installation luau]''. In: americancinemaeditors.org, 25 November 2017.</ref>

Revision as of 03:12, 6 February 2024

Jacqueline C. Cambas (born in New York City) is an American film editor.

Life

Jacqueline Cambas was born in New York City.[1] From 1972 until 1976 she studied education and psychology at the University of California, Los Angeles. Cambas was working as a teacher before she started to work in the film industry.[1]

Since the mid-1970s Cambas was active as a film editor. In the beginning she was assistant editor for Tom Rolf, with whom she worked on films such as Hardcore, The Great Outdoors or Black Rain. Soon she started to work on her own. Since Racing with the Moon (1984) she often worked with director Richard Benjamin on films such as City Heat, The Money Pit, Little Nikita, My Stepmother Is an Alien, Downtown, Mermaids, Made in America, Milk Money, Mrs. Winterbourne, The Shrink Is In or Marci X.

Cambas is a member of American Cinema Editors (ACE), where she is a life member in the Board of Directors since 2017.[2][3]

Selected filmography

References

  1. ^ a b Luis Reyes, Peter Rubie: Hispanics in Hollywood: A Celebration of 100 Years in Film and Television. Lone Eagle Publishing, 2000, ISBN 978-1580650250, p. 433.
  2. ^ Board of Directors. In: americancinemaeditors.org, access date 25 September 2020.
  3. ^ ACE board installation luau. In: americancinemaeditors.org, 25 November 2017.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Jacqueline_Cambas&oldid=1203972605"