No wave cinema: Difference between revisions
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'''No Wave Cinema''' was a nearly nine year boom (1976-1985) in [[underground film|underground filmmaking]] on the [[Lower East Side]] neighborhood of [[New York City]]. Its name, much like its cousin [[No Wave]] music, was a stripped down style of guerilla/[[punk]] filmmaking that emphasized mood and texture above everything else. This brief movement, also known as |
'''No Wave Cinema''' was a nearly nine year boom (1976-1985) in [[underground film|underground filmmaking]] on the [[Lower East Side]] neighborhood of [[New York City]]. Its name, much like its cousin [[No Wave]] music, was a stripped down style of guerilla/[[punk]] filmmaking that emphasized mood and texture above everything else. This brief movement, also known as '''New Cinema''' (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the [[Cinema of Transgression]] ([[Beth B]], [[Richard Kern]], [[Nick Zedd]], Tessa Hughes Freeland and others) and a new generation of independent feature filmmaking in New York ([[Jim Jarmusch]], [[Tom DiCillo]], [[Steve Buscemi]] and [[Vincent Gallo]]), as well as the new movement of [[Remodernist film]]. |
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The filmmakers mainly associated with the movement included [[Amos Poe]], [[Eric Mitchell]], [[Beth B and Scott B]], [[Vivienne Dick]], [[John Lurie]], [[Becky Johnston]], and [[James Nares]]. |
The filmmakers mainly associated with the movement included [[Amos Poe]], [[Eric Mitchell]], [[Beth B and Scott B]], [[Vivienne Dick]], [[John Lurie]], [[Becky Johnston]], and [[James Nares]]. |
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Revision as of 08:03, 13 July 2006
No Wave Cinema was a nearly nine year boom (1976-1985) in underground filmmaking on the Lower East Side neighborhood of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerilla/punk filmmaking that emphasized mood and texture above everything else. This brief movement, also known as New Cinema (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the Cinema of Transgression (Beth B, Richard Kern, Nick Zedd, Tessa Hughes Freeland and others) and a new generation of independent feature filmmaking in New York (Jim Jarmusch, Tom DiCillo, Steve Buscemi and Vincent Gallo), as well as the new movement of Remodernist film.
The filmmakers mainly associated with the movement included Amos Poe, Eric Mitchell, Beth B and Scott B, Vivienne Dick, John Lurie, Becky Johnston, and James Nares.