Dalibor Matanić

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Dalibor Matanić
Matanić at the Odesa International Film Festival in 2015
Born (1975-01-21) 21 January 1975 (age 49)
NationalityCroatian
EducationAcademy of Dramatic Art
Alma materUniversity of Zagreb
Occupations
  • Screenwriter
  • film director
Years active2000–present
Spouse
(m. 2014)
Children2
AwardsGolden Arena for Best Director
2002 Fine Dead Girls

Dalibor Matanić (Serbo-Croatian pronunciation: [dǎliboːr mǎtanit͡ɕ], born 21 January 1975) is a Croatian filmmaker and screenwriter, known for raising pressing social issues in his films.

Career

Dalibor Matanić was born in Zagreb in 1975 to Tomo, a building engineer, and Anka, who worked as a cashier.[1][2] Matanić graduated from the Academy of Dramatic Art with a degree in Film and Television Directing. In 2000, he wrote and directed his feature debut The Cashier Wants to go to the Seaside. The main theme discussed in the film is the exploitation of workers.[3]

In 2002, he released the feature Fine Dead Girls, a drama about a lesbian couple that suffers from the hands of their landlords and family members. It received wide acclaim and won the Grand Prix, Audience Award and Critics’ Award at the national film festival. The movie also won the Special Jury Prize at the 2003 Sochi film festival.[3][4][5]

In 2004, he released 100 Minutes of Glory, a biographical drama about Slava Raškaj, a turn-of-the-century artist, often described as Croatian Frida Kahlo.[6] His next film, 2005 I Love You received moderate critical acclaim.[7][8] Though praised for effective ambience and visuals, its screenplay was described as awkward and generally unconvincing.[9]

In 2010 Mother of Asphalt was released. By some critics it was called the most satisfying and subtle Matanić's feature.[10]

His 2015 film The High Sun became a great success, it got rave reviews in the international media.[11] Some critics called it ‘the biggest success of Croatian independent cinema’.[12] The High Sun was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where it won the Jury Prize.[13][14]

He is married to Helena Minić and they have two children.[15]

Filmography

Film

Television

  • 2016–20: The Paper (Novine) - director
  • 2021: Silence - director
  • 2021–22: The Last Socialist Artefact (Područje bez signala) - director

References

  1. ^ "Dalibor Matanic". Dalibor Matanic. Retrieved 26 May 2023.
  2. ^ "Dalibor Matanic". Semaine de la critique. Retrieved 24 August 2023.
  3. ^ a b "Zvizdan" (PDF). Festival de Cannes. Retrieved 26 May 2023.
  4. ^ Malašić Lazić, Gordana (17 June 2016). "Pula film festival: Najbolji filmovi u posljednjih 25 godina su…" (in Croatian). Scena.hr. Retrieved 27 May 2023.
  5. ^ "FINE MRTVE DJEVOJKE" (in Croatian). Pula Film Festival. Retrieved 27 May 2023.
  6. ^ Young, Deborah (27 September 2004). "100 Minutes of Glory". Variety. Retrieved 26 May 2023.
  7. ^ Catsoulis, Jeannette (3 January 2007). "In Croatia, an Empty Life in Full View". The New York Times. Retrieved 3 April 2019.
  8. ^ "Volim te" (in Croatian). Croatian Film Association. Retrieved 3 April 2019.
  9. ^ Scheib, Ronnie (9 January 2007). "I Love You". Variety. Retrieved 26 May 2023.
  10. ^ van Hoeij, Boyd (29 December 2010). "Mother of Asphalt". Variety. Retrieved 27 May 2023.
  11. ^ "Croatian Film 'The High Sun' Wins Award in Cannes!". Croatia Week. 24 May 2015. Retrieved 26 May 2023.
  12. ^ Stojiljković, Marko (27 November 2020). "Recensione: The Dawn". CineEuropa. Retrieved 26 May 2023.
  13. ^ "2015 Official Selection". Cannes. Archived from the original on 18 April 2015. Retrieved 16 April 2015.
  14. ^ Rebeccas Ford (23 May 2015). "Cannes: 'Rams' Wins Un Certain Regard Prize". The Hollywood Reporter. Retrieved 27 May 2023.
  15. ^ Mikuličin, Ivana (4 December 2017). "HELENA MINIĆ MATANIĆ 'Mnogi muškarci i u 21. stoljeću svoje supruge tretiraju kao ukras života'". Globus. Retrieved 2 October 2018.

External links