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Revision as of 00:02, 3 April 2014

Giuseppe Bartolomeo Chiari (10 March 1654 – 8 September 1727), also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.

Born in either Lucca or Rome, he was one of the main assistants, along with Giuseppe Passeri and Andrea Procaccini, in the studio of an elder Carlo Maratta.[1] He frescoed rooms in the Palazzo Barberini to allegorical sketches of Bellori of Aurora leading Apollo and chariot with time and seasons with extensive interweaving of heraldic symbols, including bees (symbol of Barberini); two-headed eagle alighting on globe with blue and white stripes (symbol of the family of Vittorio Ottoboni;[2] crossed keys under baldachin (symbol of Alexander VIII); a golden fleece (symbol of award given to Taddeo Barberini; a column (symbol of the Colonna family);[3] sun and laurels (symbols of Urban VIII), and post (symbols of the Pignatelli family[4]).

He also frescoed the Palazzos Colonna and Spada with scenes based on Ovid's Metamorphoses. He additionally frescoed the Villa di Marchese Torri outside of Porta San Pancrazio in collaboration with landscape artist Jan van Bloemen; as well as the church of San Silvestro in Capite with Madonna and child with Saint Anthony performing miracles and Pope Stephen I destroying temple of Mars with lightning (1696) for Santa Maria del Suffragio (where he completed a Niccolò Berrettoni's fresco). He also painted for Santa Maria in Posterola,[5] Santa Maria di Loreto, San Salvatore in Lauro, and an Assumption for Santa Maria del Montesanto. For Basilica di San Clemente, he painted a St Clement in Glory for pope Clement XI. He also prepared the cartoons for the mosaics in the lateral nave of the Basilica of Saint Peter’s and San Giovanni Laterano with the oval of Prophet Obdiah listening to trumpet of Judgement Day. He also painted a Vision of St John in the chapel of the presentazione for the Duomo di Urbino.[6]

He was a teacher of William Kent, Paolo Anesi, and Giovanni Andrea Lazzarini. He became director or principe of the Accademia di San Luca (1723–25).

Partial Anthology of Works in Rome

References

  1. ^ Documentation for a Little-Known Work by Carlo Maratti, Jean K. Westin. The Burlington Magazine (1973) p738-40
  2. ^ Ottoboni became Gonfalienori de la Chiesa for the pope.
  3. ^ The Barberini had acquired Palestrina from the Colonna
  4. ^ Pope Innocent XII was a member of the Pignatelli family
  5. ^ Santa Maria in Posterola, originally in central Rome on the shores of the Tiber, no longer exists.
  6. ^ Also now lost.

Sources

  • Giuseppe Bartolomeo Chiari, by Bernhard Kerber; Renate Franciscono(1968) The Art Bulletin p75-86.
  • Getty Museum site
  • Romecity entry

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