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Judith Clute (born 1942) is a Canadian painter,^[1] graphic designer,^[2] print-maker,^[3] and illustrator^[4] who has created cover art and illustrations for a number of well-known science fiction authors and magazines. Clute has British citizenship and works in London. She is also a tour guide with the Original London Walks.^[5]^[6]

Life and career[edit]

Judith Rosanne Wood James was born in Edmonton, Alberta in 1942, but grew up in Toronto and matriculated from Bishop Strachan School in 1961. In the same year she was invited to be a painting apprentice for two years in Vancouver with Françoise Andre and Charles Stegeman.^[7] She married John Clute in 1964 and they moved to Camden Town in London in 1969.^[7]^[8] From the beginning of her time in London, Clute became involved with the New Arts Lab. In June 1970, she participated in an exhibition with Pamela Zoline entitled "Judith Clute: Diagrams/Similes and Pamela Zoline: Things in the World" at the London New Arts Lab. In the exhibition's press release Clute's paintings were described as having "mount[ed] campaigns against easy reading".^[9]

In 1975, for New Worlds, Clute did an India ink illustration for "Daddy's Girl" by Joanna Russ.^[10] It marked the beginning of the style she is known for: "constructing things from disparate elements".^[11] For the next five decades, Clute continued to produce works in this style, participating in 37 painting exhibitions to date^[12] and creating illustrations for a number of well-known science fiction authors and magazines. Interzone #42 (December 1990), an all-female issue, used illustrations by Clute throughout.^[13]

In Interzone #188, her artwork was displayed on the cover, and her life and work was discussed in an article entitled "Still Turning Motif's Upside Down" by Paul Brazier.^[14] In 2003, Clute acted in the film "A Short Film about John Bolton" directed by Neil Gaiman.^[15] In 2018, Clute participated in the pop-up show 'An Arts Lab Continuum' at Spitalfields Studios, with six of the other artists who had been involved in the 1960s and early 1970s in the arts labs of Drury Lane and Robert Street.^[16] In December 2019, Clute did a radio interview with Chiara Ambrosio for "The Raft, a London Story" on Resonance radio, 104.4 fm.^[17]

Reception[edit]

In 2006, Farah Mendlesohn compiled a festschrift for John and Judith Clute entitled Polder: A Festschrift for John Clute and Judith Clute, saying in the book’s introduction: “Judith Clute has been referred to as a fantasy artist. Within the genre this tends to conjure up images of fantasy illustration, but Judith’s work is not an illustration of fantasy, but part of the fantastic genre itself … Judith turns the world around, exposes the mimetic as gloriously unnatural.”^[18] Later on in the book Candas Jane Dorsey comments that Clute “sees the world with that fresh, slightly sideways glance that imposes no filters, and draws no foregone conclusions. As a result of combining that directness of observation with an accumulation of wordless wisdom, Judith has an eccentric and unique artistic vision, and thus a unique and eccentric body of significant work.”^[19]

In Judith Clute's Tantalizing 37th album Geoff Ryman said about her one-person show at Camden Images Gallery that "this is Judith Clute's 37th exhibition … You could call it expressionist except that works express calm, fluidity, balance, and elegance rather than rage of energy. Even when the content seems to be screaming."^[12]

Awards[edit]

In 2017, Clute won the "Best Artist Award" delivered by the European Science Fiction Society.^[20]

Selected works[edit]

Cover art and illustrations[edit]

1983: Cover for The Entropy Exhibition by Colin Greenland.^[21]
1985: Three book covers for books by Joanna Russ published by The Women's Press The Female Man,^[22] Extra(ordinary) People^[23] and The Adventures of Alex.^[24]
1989: Further Joanna Russ covers for The Women's Press: The Hidden Side of the Moon^[25] and We Who Are About To....^[26]
1990: Cover and all interior images for the science fiction magazine Interzone 42.^[27]
1995: Cover for Look at the Evidence; Essays and Reviews by John Clute.^[28]
2000: Cover for Uncommon Places: Poems of the Fantastic by Judith Kerman and Don Riggs.^[29]
2003: Cover for Scores: Reviews 1993–2003 by John Clute.^[30]
2005: Cover for Surroundings: Reviews 1992–1996 by Gary K. Wolfe.^[31]
2006: Cover and all interior illustrations for Chip Crockett's Christmas Carol by Elizabeth Hand.^[32]
2008: Etchings for Henry Wessells, in his Temporary Culture publication of Forever Peace. Stop War by Joe Haledeman.^[33] (Copies are held in the Morgan Library and Museum, Yale Library and Duke University.)
2009: Cover for Canary Fever: Reviews by John Clute.^[34]
2010: Cover for Bearings: Reviews 1997–2001 by Gary K. Wolfe^[35]
2011: Cover for Sightings: Reviews 2002–2006, also by Gary K. Wolfe.^[36]
2011: Cover for Pardon This Intrusion: Fantastika in the World Storm by John Clute.^[37]
2011: Clute's painting "Bone Scan" was used for the cover of the online magazine, Salon Futura, issue 5.^[38]
2014: Cover for Stay by John Clute.^[39]
2017: Album cover for Amanda Palmer and Edward Ka-Spel's I Can Spin a Rainbow.^[40]
2019: Illustration for a The New York Review of Books article entitled "A Universe of One's Own" by Nicole Rudrick reviewing The Future is Female!: 25 Classic Science Fiction Stories by Women, from Pulp Pioneers to Ursula K. Le Guin.^[41] The illustration was Clutes's cover design for Joanna Russ's Female Man.

Selected bibliography[edit]

The Association of Illustrators: 10th Annual, Rotovision, 1985, page 146, ISBN 2880460530
The Encyclopedia of Fantasy and Science Art Techniques, John Grant & Ron Tiner, Titan Books, 1996, page 163, ISBN 1852867027
Fantasy Art Masters: The Best In Fantasy and SF Art World Wide, Dick Jude, Harper Collins, 2002, page 38-49 inclusive, ISBN 0007137478
Paper Tiger Fantasy Art Gallery, edited by Paul Barnett, Paper Tiger, 2002, pages 30–35 inclusive, ISBN 1855859572
Interzone #188, editor David Pringle, "Still Turning Motifs Upside Down", Paul Brazier, Interzone Science Fiction and Fantasy, 2003, pages 34–36 inclusive, ISSN 0264-3596
Polder: A Festschrift for John Clute and Judith Clute, edited by Farah Mendlesohn, Old Earth Books, 2006. ISBN 1882968344
London's Arts Labs and the 60's Avant Garde, David Curtis, John Libbey Publishing, 2020, pages 117-118 inclusive, ISBN 978-0861967483

References[edit]

^ Grant, John; Tiner, Ron (1996). The Encyclopedia of Fantasy and Science Fiction Art Techniques. Titon Books. p. 163. ISBN 1-85286-702-7.
^ Montegomerie, Lee. "War and/or Peace". Interzone. No. 11: 9. {{cite journal}}: |volume= has extra text (help)
^ "Judith Clute". Thames-Side Print Studio Shop. Retrieved October 29, 2021.
^ The Association of Illustrators: 10th Annual. Rotovision. 1985. p. 146. ISBN 2-88046-053-0.
^ "Old Camden Town". London Walks. Retrieved October 29, 2021.
^ Mallen, Sean (2018-10-13). Falling for London: A Cautionary Tale. Dundurn. p. 109. ISBN 978-1-4597-4196-6.
^ ^a ^b Jude, Dick (2002). Fantasy Art Masters: the best in fantasy and sf art worldwide. London: Collins. p. 38. ISBN 0-00-713747-8.
^ Langford, David (2009-05-01). Starcombing. Wildside Press LLC. p. 21. ISBN 978-0-8095-7348-6.
^ Curtis, David (2020). London's New Arts Labs and the 60's Avant Garde. John Libby Publishing. pp. 117, 118. ISBN 978-0861967483.
^ Bailey, Hilary, ed. (1975). "Daddy's Girl". New Worlds. 9. ISBN 0552100226.
^ Barnet, Paul, ed. (2002). The Paper Tiger Fantasy Art Gallery. Paper Tiger. p. 32. ISBN 1855859572.
^ ^a ^b Judith Clute's Tantalizing 37th Album. Beccon Publications. 2019. p. 1. ISBN 9781870824651.
^ Ashley, Mike (2020-02-29). Science-Fiction Rebels: the Story of the Science-Fiction Magazines from 1981 To 1990: The History of the Science-Fiction Magazine. Oxford University Press. pp. 132–133. ISBN 978-1-78962-171-6.
^ Brazier, Paul (2003). "Still Turning Motifs Upside Down". Interzone. 188: 34–36. ISSN 0264-3596.
^ "A Short Film About John Bolton". IMDb. Retrieved November 4, 2021.
^ Curtis, David (2020). London's New Arts Lab and 60s Avant Garde. John Libby Publishing. pp. Appendix 1, 155. ISBN 978-0861967483.
^ "RAFT on RESONANCE 104.4 fm Episode 20". RAFT - A London Story. Retrieved November 11, 2021.
^ Mendlesohn, Farah, ed. (2006). Polder: A Festschrift for John Clute and Judith Clute. Old Earth Books. p. 8. ISBN 1882968344.
^ Mendlesohn, Farah, ed. (2006). Polder: A Festschrift for John Clute and Judith Clute. Old Earth Books. p. 56. ISBN 1882968344.
^ "2010-2019". European Science Fiction Society. Retrieved November 11, 2021.
^ Greenland, Colin (1983). The Entropy Exhibition: Michael Moorcock & The British 'New Wave' in Science Fiction. Routledge & Kegan Paul. ISBN 0710093101.
^ Russ, Joanna (1985). The Female Man. The Women's Press. ISBN 0704339498.
^ Russ, Joanna (1985). Extra(ordinary) People. The Woman's Press. ISBN 0704339501.
^ Russ, Joanna (1985). The Adventures of Alex. The Women's Press. ISBN 0704339722.
^ Russ, Joanna (1989). The Hidden Side of the Moon. The Women's Press. ISBN 0704341859.
^ Russ, Joanna (1989). We Who Are About To... The Women's Press. ISBN 0704340852.
^ "All Female Issue!". Interzone. 42: 30–35. 1990. ISSN 0264-3596.
^ Clute, John (1995). Look at the Evidence: Essays and Reviews. Liverpool Press. ISBN 0853238200.
^ Kerman, Judith; Riggs, Don (2000). Uncommon Places: Poems of the Fantastic. Mayapple Press. ISBN 0932412173.
^ Clute, John (2003). Scores: Reviews. Beccon Publications. ISBN 1870824482.
^ Wolfe, Gary K. (2005). Reviews: 1992-1996. Beccon Publications. ISBN 1870824504.
^ Hand, Elizabeith (2006). Chip Crockett's Christmas Carol. Beccon Publications. ISBN 1870824490.
^ "Forever Peace. To Stop War. Poem by Joe Haldeman. Etchings by Judith Clute". Temporary Culture. Retrieved November 4, 2021.
^ Clute, John (2009). Canary Fever: Reviews. Beccon Publications. ISBN 978-1870824576.
^ Wolfe, Gary K. (2010). Reviews: 1997-2001. Beccon Publications. ISBN 9781870824583.
^ Wolfe, Gary K (2011). Sightings: Reviews 2002-2006. Beccon Publications. ISBN 9781870824613.
^ Clute, John (2011). Pardon This Intrusion: Fanstistka in the World Storm. Beccon Publications. ISBN 9781870824606.
^ Morgan, Cheryl (18 January 2011). "Issue #5". Salon Futura. Retrieved November 11, 2021.
^ Clute, John (2014). Stay. Beccon Publications. ISBN 9781870824637.
^ "I Can Spin a Rainbow". Bandcamp. Retrieved November 11, 2021.
^ Rudick, Nicole (July 18, 2019). "A Universe of One's Own". The New York Review of Books. 66 (12). Retrieved November 11, 2021.

External links[edit]

Official website

[1] Grant, John; Tiner, Ron (1996). The Encyclopedia of Fantasy and Science Fiction Art Techniques. Titon Books. p. 163. ISBN 1-85286-702-7.

[2] Montegomerie, Lee. "War and/or Peace". Interzone. No. 11: 9. {{cite journal}}: |volume= has extra text (help)

[3] "Judith Clute". Thames-Side Print Studio Shop. Retrieved October 29, 2021.

[4] The Association of Illustrators: 10th Annual. Rotovision. 1985. p. 146. ISBN 2-88046-053-0.

[5] "Old Camden Town". London Walks. Retrieved October 29, 2021.

[6] Mallen, Sean (2018-10-13). Falling for London: A Cautionary Tale. Dundurn. p. 109. ISBN 978-1-4597-4196-6.

[:0-7] Jude, Dick (2002). Fantasy Art Masters: the best in fantasy and sf art worldwide. London: Collins. p. 38. ISBN 0-00-713747-8.

[8] Langford, David (2009-05-01). Starcombing. Wildside Press LLC. p. 21. ISBN 978-0-8095-7348-6.

[9] Curtis, David (2020). London's New Arts Labs and the 60's Avant Garde. John Libby Publishing. pp. 117, 118. ISBN 978-0861967483.

[10] Bailey, Hilary, ed. (1975). "Daddy's Girl". New Worlds. 9. ISBN 0552100226.

[11] Barnet, Paul, ed. (2002). The Paper Tiger Fantasy Art Gallery. Paper Tiger. p. 32. ISBN 1855859572.

[:1-12] Judith Clute's Tantalizing 37th Album. Beccon Publications. 2019. p. 1. ISBN 9781870824651.

[13] Ashley, Mike (2020-02-29). Science-Fiction Rebels: the Story of the Science-Fiction Magazines from 1981 To 1990: The History of the Science-Fiction Magazine. Oxford University Press. pp. 132–133. ISBN 978-1-78962-171-6.

[14] Brazier, Paul (2003). "Still Turning Motifs Upside Down". Interzone. 188: 34–36. ISSN 0264-3596.

[15] "A Short Film About John Bolton". IMDb. Retrieved November 4, 2021.

[16] Curtis, David (2020). London's New Arts Lab and 60s Avant Garde. John Libby Publishing. pp. Appendix 1, 155. ISBN 978-0861967483.

[17] "RAFT on RESONANCE 104.4 fm Episode 20". RAFT - A London Story. Retrieved November 11, 2021.

[18] Mendlesohn, Farah, ed. (2006). Polder: A Festschrift for John Clute and Judith Clute. Old Earth Books. p. 8. ISBN 1882968344.

[19] Mendlesohn, Farah, ed. (2006). Polder: A Festschrift for John Clute and Judith Clute. Old Earth Books. p. 56. ISBN 1882968344.

[20] "2010-2019". European Science Fiction Society. Retrieved November 11, 2021.

[21] Greenland, Colin (1983). The Entropy Exhibition: Michael Moorcock & The British 'New Wave' in Science Fiction. Routledge & Kegan Paul. ISBN 0710093101.

[22] Russ, Joanna (1985). The Female Man. The Women's Press. ISBN 0704339498.

[23] Russ, Joanna (1985). Extra(ordinary) People. The Woman's Press. ISBN 0704339501.

[24] Russ, Joanna (1985). The Adventures of Alex. The Women's Press. ISBN 0704339722.

[25] Russ, Joanna (1989). The Hidden Side of the Moon. The Women's Press. ISBN 0704341859.

[26] Russ, Joanna (1989). We Who Are About To... The Women's Press. ISBN 0704340852.

[27] "All Female Issue!". Interzone. 42: 30–35. 1990. ISSN 0264-3596.

[28] Clute, John (1995). Look at the Evidence: Essays and Reviews. Liverpool Press. ISBN 0853238200.

[29] Kerman, Judith; Riggs, Don (2000). Uncommon Places: Poems of the Fantastic. Mayapple Press. ISBN 0932412173.

[30] Clute, John (2003). Scores: Reviews. Beccon Publications. ISBN 1870824482.

[31] Wolfe, Gary K. (2005). Reviews: 1992-1996. Beccon Publications. ISBN 1870824504.

[32] Hand, Elizabeith (2006). Chip Crockett's Christmas Carol. Beccon Publications. ISBN 1870824490.

[33] "Forever Peace. To Stop War. Poem by Joe Haldeman. Etchings by Judith Clute". Temporary Culture. Retrieved November 4, 2021.

[34] Clute, John (2009). Canary Fever: Reviews. Beccon Publications. ISBN 978-1870824576.

[35] Wolfe, Gary K. (2010). Reviews: 1997-2001. Beccon Publications. ISBN 9781870824583.

[36] Wolfe, Gary K (2011). Sightings: Reviews 2002-2006. Beccon Publications. ISBN 9781870824613.

[37] Clute, John (2011). Pardon This Intrusion: Fanstistka in the World Storm. Beccon Publications. ISBN 9781870824606.

[38] Morgan, Cheryl (18 January 2011). "Issue #5". Salon Futura. Retrieved November 11, 2021.

[39] Clute, John (2014). Stay. Beccon Publications. ISBN 9781870824637.

[40] "I Can Spin a Rainbow". Bandcamp. Retrieved November 11, 2021.

[41] Rudick, Nicole (July 18, 2019). "A Universe of One's Own". The New York Review of Books. 66 (12). Retrieved November 11, 2021.

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+{{Short description|Canadian-British illustrator}}
-Judith Clute (born 1942) is a Canadian painter,<ref>{{Cite book|last=Grant|first=John|title=The Encyclopedia of Fantasy and Science Fiction Art Techniques|last2=Tiner|first2=Ron|publisher=Titon Books|year=1996|isbn=1 85286 702 7|pages=163}}</ref> graphic designer, <ref>{{Cite journal|last=Montegomerie|first=Lee|title=War and/or Peace|journal=Interzone|volume=No. 11|pages=9}}</ref> print-maker, <ref>{{Cite web|title=Judith Clute|url=https://www.thames-sidestudios.co.uk/print-studios/shop/judith-clute|url-status=live|access-date=October 29, 2021|website=Thames-Side Print Studio Shop}}</ref> and illustrator.<ref>{{Cite book|title=The Association of Illustrators: 10th Annual|publisher=Rotovision|year=1985|isbn=2 88046 053 0|pages=146}}</ref> who has British citizenship, and works in London. She is also a tour guide with the Original London Walks.<ref>{{Cite web|title=Old Camden Town|url=https://www.walks.com/our-walks/old-camden-town-alternative-london/|url-status=live|access-date=October 29, 2021|website=London Walks}}</ref>
+'''Judith Clute''' (born 1942) is a Canadian painter,<ref>{{Cite book|last1=Grant|first1=John|title=The Encyclopedia of Fantasy and Science Fiction Art Techniques|last2=Tiner|first2=Ron|publisher=Titon Books|year=1996|isbn=1-85286-702-7|pages=163}}</ref> graphic designer,<ref>{{Cite journal|last=Montegomerie|first=Lee|title=War and/or Peace|journal=Interzone|volume=No. 11|pages=9}}</ref> print-maker,<ref>{{Cite web|title=Judith Clute|url=https://www.thames-sidestudios.co.uk/print-studios/shop/judith-clute|access-date=October 29, 2021|website=Thames-Side Print Studio Shop}}</ref> and illustrator<ref>{{Cite book|title=The Association of Illustrators: 10th Annual|publisher=Rotovision|year=1985|isbn=2-88046-053-0|pages=146}}</ref> who has created cover art and illustrations for a number of well-known science fiction authors and magazines. Clute has British citizenship and works in London. She is also a tour guide with the Original London Walks.<ref>{{Cite web|title=Old Camden Town|url=https://www.walks.com/our-walks/old-camden-town-alternative-london/|access-date=October 29, 2021|website=London Walks}}</ref><ref>{{Cite book |last=Mallen |first=Sean |url=https://books.google.com/books?id=J2ZBDwAAQBAJ&dq=%22Judith+Clute%22+-festschrift&pg=PT109 |title=Falling for London: A Cautionary Tale |date=2018-10-13 |publisher=Dundurn |isbn=978-1-4597-4196-6 |pages=109 |language=en}}</ref>
-In 1975, for [[New Worlds (magazine)]], Judith did an India ink illustration for "Daddy's Girl" by [[Joanna Russ]] .<ref>{{Cite journal|last=|first=|editor-last=Bailey|editor-first=Hilary|title=Daddy's Girl|journal=New Worlds|volume=9|isbn=0552100226}}</ref> It marked the beginning of the style Judith is known for: "constructing things from disparate elements".<ref>{{Cite book|title=The Paper Tiger Fantasy Art Gallery|publisher=Paper Tiger|year=2002|isbn=1855859572|editor-last=Barnet|editor-first=Paul|pages=32}}</ref> For the next four decades, Judith  continued to produce  works in this style for various science fiction authors and magazines.
 == Life and career ==
-Judith Rosanne Wood James was born in Edmonton, Alberta in 1942, but grew up in Toronto and matriculated from [[Bishop Strachan School]] in 1961. In the same year she was invited to be a painting apprentice for two years in Vancouver with Françoise Andre and Charles Stegeman.<ref name=":0">{{Cite book|last=Jude|first=Dick|title=Fantasy Art Masters: the best in fantasy and sf art worldwide|publisher=Collins|year=2002|isbn=0 00 713747 8|location=London|pages=38}}</ref> She married [[John Clute]] in 1964 and they moved to London in 1969.<ref name=":0">{{Cite book|last=Jude|first=Dick|title=Fantasy Art Masters: the best in fantasy and sf art worldwide|publisher=Collins|year=2002|isbn=0 00 713747 8|location=London|pages=38}}</ref> From the beginning of her time in London, Judith became involved with the [[New Arts Lab]]. In June 1970, Judith participated in an exhibition with [[Pamela Zoline]] entitled "Judith Clute: Diagrams/Similes and Pamela Zoline: Things in the World" at the London New Arts Lab. In the exhibition's press release Judith's paintings were described as having "mounted campaigns against easy reading".<ref>{{Cite book|last=Curtis|first=David|title=London's New Arts Labs and the 60's Avant Garde|publisher=John Libby Publishing|year=2020|isbn=0861967488|pages=117,118}}</ref>
+'''Judith Rosanne Wood James''' was born in [[Edmonton]], [[Alberta]] in 1942, but grew up in [[Toronto]] and matriculated from [[Bishop Strachan School]] in 1961. In the same year she was invited to be a painting apprentice for two years in Vancouver with Françoise Andre and Charles Stegeman.<ref name=":0">{{Cite book|last=Jude|first=Dick|title=Fantasy Art Masters: the best in fantasy and sf art worldwide|publisher=Collins|year=2002|isbn=0-00-713747-8|location=London|pages=38}}</ref> She married [[John Clute]] in 1964 and they moved to [[Camden Town]] in London in 1969.<ref name=":0"/><ref>{{Cite book |last=Langford |first=David |url=https://books.google.com/books?id=2RlrUk8-PFkC&dq=%22Judith+Clute%22&pg=PA21 |title=Starcombing |date=2009-05-01 |publisher=Wildside Press LLC |isbn=978-0-8095-7348-6 |pages=21 |language=en}}</ref> From the beginning of her time in London, Clute became involved with the [[New Arts Lab]]. In June 1970, she participated in an exhibition with [[Pamela Zoline]] entitled "Judith Clute: Diagrams/Similes and Pamela Zoline: Things in the World" at the London New Arts Lab. In the exhibition's press release Clute's paintings were described as having "mount[ed] campaigns against easy reading".<ref>{{Cite book|last=Curtis|first=David|title=London's New Arts Labs and the 60's Avant Garde|publisher=John Libby Publishing|year=2020|isbn=978-0861967483|pages=117, 118}}</ref>
+In 1975, for [[New Worlds (magazine)|''New Worlds'']], Clute did an India ink illustration for "Daddy's Girl" by [[Joanna Russ]].<ref>{{Cite journal|last=|first=|editor-last=Bailey|editor-first=Hilary|title=Daddy's Girl|journal=New Worlds|date=1975|volume=9|isbn=0552100226}}</ref> It marked the beginning of the style she is known for: "constructing things from disparate elements".<ref>{{Cite book|title=The Paper Tiger Fantasy Art Gallery|publisher=Paper Tiger|year=2002|isbn=1855859572|editor-last=Barnet|editor-first=Paul|pages=32}}</ref> For the next five decades, Clute continued to produce works in this style, participating in 37 painting exhibitions to date<ref name=":1" /> and creating illustrations for a number of well-known science fiction authors and magazines. [[Interzone (magazine)|''Interzone'']] #42 (December 1990), an all-female issue, used illustrations by Clute throughout.<ref>{{Cite book |last=Ashley |first=Mike |url=https://books.google.com/books?id=L5SzDwAAQBAJ&dq=%22Judith+Clute%22&pg=PA133 |title=Science-Fiction Rebels: the Story of the Science-Fiction Magazines from 1981 To 1990: The History of the Science-Fiction Magazine |date=2020-02-29 |publisher=Oxford University Press |isbn=978-1-78962-171-6 |pages=132–133 |language=en}}</ref>
-In 1983, Judith was commissioned to design the cover of the book ''[[The Entropy Exhibition]]'' by [[Colin Greenland]].<ref>{{Cite book|last=Greenland|first=Colin|title=The Entropy Exhibition: Michael Moorcock & The British 'New Wave' in Science Fiction|publisher=Routledge & Kegan Paul|year=1983|isbn=0710093101}}</ref> In 1985, Judith was commissioned by [[The Women's Press]] to do three book covers for the above mentioned writer, Joanna Russ: [[The Female Man|''The Female Man'']],<ref>{{Cite book|last=Russ|first=Joanna|title=The Female Man|publisher=The Women's Press|year=1985|isbn=0704339498}}</ref> [[Extra(ordinary) People]] <ref>{{Cite book|last=Russ|first=Joanna|title=Extra(ordinary) People|publisher=The Woman's Press|year=1985|isbn=0704339501}}</ref> and ''The Adventures of Alex''.<ref>{{Cite book|last=Russ|first=Joanna|title=The Adventures of Alex|publisher=The Women's Press|year=1985|isbn=0704339722}}</ref> Then in 1989, two more Joanna Russ covers for the Women's Press: [[The Hidden Side of the Moon]]<ref>{{Cite book|last=Russ|first=Joanna|title=The Hidden Side of the Moon|publisher=The Women's Press|year=1989|isbn=0704341859}}</ref> and [[We Who Are About To...]].<ref>{{Cite book|last=Russ|first=Joanna|title=We Who Are About To...|publisher=The Women's Press|year=1989|isbn=0704340852}}</ref> In 1990, she designed the cover and all interior images for the science fiction magazine [[Interzone (magazine)|Interzone]] 42.<ref>{{Cite journal|date=1990|title=All Female Issue!|journal=Interzone|volume=42|pages=30-35|issn=02643596}}</ref> In 1995, Judith designed the for ''Look at the Evidence; Essays and Reviews'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Look at the Evidence: Essays and Reviews|publisher=Liverpool Press|year=1995|isbn=0853238200}}</ref> In 2000, she designed the cover for ''Uncommon Places: Poems of the Fantastic'' by Judith Kerman and Don Riggs.<ref>{{Cite book|last=Kerman|first=Judith|title=Uncommon Places: Poems of the Fantastic|last2=Riggs|first2=Don|publisher=Mayapple Press|year=2000|isbn=0932412173}}</ref> In 2003, Judith designed the cover for Scores: Reviews 1993-2003 by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Scores: Reviews|publisher=Beccon Publications|year=2003|isbn=1870824482}}</ref> In addition in Interzone 188, Judith's artwork was displayed on the cover, and her life and work was discussed in an article entitled "Still Turning Motif's Upside Down" by Paul Brazier.<ref>{{Cite journal|last=Brazier|first=Paul|date=2003|title=Still Turning Motifs Upside Down|journal=Interzone|volume=188|pages=34-36|issn=02643596}}</ref> In 2003, Judith acted in the film "[[A Short Film About John Bolton|A Short Film about John Bolton]]" directed by [[Neil Gaiman]].<ref>{{Cite web|title=A Short Film About John Bolton|url=https://www.imdb.com/title/tt0420181/fullcredits?ref_=tt_ov_st_sm|url-status=live|access-date=November 4, 2021|website=IMBd}}</ref> In 2005, Judith designed the cover for Surroundings: Reviews 1992-1996 by [[Gary K. Wolfe]].<ref>{{Cite book|last=Wolfe|first=Gary K.|title=Reviews: 1992-1996|publisher=Beccon Publications|year=2005|isbn=1870824504}}</ref> In 2006, she did the cover and all interior illustrations for Chip Crockett's Christmas Carol by [[Elizabeth Hand]].<ref>{{Cite book|last=Hand|first=Elizabeith|title=Chip Crockett's Christmas Carol|publisher=Beccon Publications|year=2006|isbn=1870824490}}</ref> In 2008, she created etchings for Henry Wessells, in his Temporary Culture publication of Forever Peace. Stop War by [[Joe Haldeman|Joe Haledeman]].<ref>{{Cite web|title=Forever Peace. To Stop War. Poem by Joe Haldeman. Etchings by Judith Clute|url=https://temporary-culture.com/books/forever-peace-to-stop-war-poem-by-joe-haldeman-etchings-by-judith-clute/|url-status=live|access-date=November 4, 2021|website=Temporary Culture}}</ref> Copies are held in the [[Morgan Library & Museum|Morgan Library and Museum]], [[Yale University Library|Yale Library]] and [[Duke University]]. In 2009 Judith designed the cover for Canary Fever: Reviews by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Canary Fever: Reviews|publisher=Beccon Publications|year=2009|isbn=1870824571}}</ref> In 2010, she designed the cover for Bearings: Reviews 1997-2001 by [[Gary K. Wolfe]]<ref>{{Cite book|last=Wolfe|first=Gary K.|title=Reviews: 1997-2001|publisher=Beccon Publications|year=2010|isbn=9781870824583}}</ref> and in 2011, the cover for Sightings: Reviews 2002-2006, also by Gary K. Wolfe.<ref>{{Cite book|last=Wolfe|first=Gary K|title=Sightings: Reviews 2002-2006|publisher=Beccon Publications|year=2011|isbn=9781870824613}}</ref> In the same year she designed the cover ''Pardon This Intrusion: Fantastika in the World Storm'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Pardon This Intrusion: Fanstistka in the World Storm|publisher=Beccon Publications|year=2011|isbn=9781870824606}}</ref> Also in 2011, her painting "Bone Scan" was used for the cover of the online magazine, Salon Futura,  issue 5.<ref>{{Cite web|last=Morgan|first=Cheryl|title=Issue #5|url=https://www.salonfutura.net/2011/01/issue-5/#more-1113|url-status=live|access-date=November 11, 2021|website=Salon Futura}}</ref> In 2014, she designed the cover for ''Stay'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Stay|publisher=Beccon Publications|year=2014|isbn=9781870824637}}</ref> In 2017, Judith was commissioned to do a painting for [[Amanda Palmer]] which was used as the album cover for Amanda Palmer and Edward Ka-Spel's album "[[I Can Spin a Rainbow|I Can Spin a Rainbow"]].<ref>{{Cite web|title=I Can Spin a Rainbow|url=https://amandapalmer.bandcamp.com/album/i-can-spin-a-rainbow|url-status=live|access-date=November 11, 2021|website=Bandcamp}}</ref> In 2018, Judith participated in the pop-up show ''<nowiki/>'An Arts Lab Continuum''' at Spitalfields Studios, with six of the other artists who had been involved in the 1960s and early 1970s in the arts labs of Drury Lane and Robert Street.<ref>{{Cite book|last=Curtis|first=David|title=London's New Arts Lab and 60s Avant Garde|publisher=John Libby Publishing|isbn=0861967488|pages=Appendix 1, 155}}</ref> In 2019, [[The New York Review of Books]] published an illustration by Judith Clute for an article entitled "A Universe of One's Own" by Nicole Rudrick reviewing ''The Future is Female!: 25 Classic Science Fiction Stories by Women, from Pulp Pioneers to [[Ursula K. Le Guin]]''.<ref>{{Cite web|last=Rudick|first=Nicole|date=July 18, 2019|title=A Universe of One's Own|url=https://www.nybooks.com/articles/2019/07/18/universe-of-ones-own-women-science-fiction/|url-status=live|access-date=November 11, 2021|website=The New York Review of Books}}</ref> The illustration was Judith's cover design for Joanna Russ's ''Female Man''. In December 2019, Judith did a radio interview with Chiara Ambrosio for "The Raft, a London Story" on Resonance radio, 104.4 fm. <ref>{{Cite web|title=RAFT on RESONANCE 104.4 fm Episode 20|url=https://raftalondonstory.com/page/2/|url-status=live|access-date=November 11, 2021|website=RAFT - A London Story}}</ref>
+In ''Interzone'' #188, her artwork was displayed on the cover, and her life and work was discussed in an article entitled "Still Turning Motif's Upside Down" by Paul Brazier.<ref>{{Cite journal|last=Brazier|first=Paul|date=2003|title=Still Turning Motifs Upside Down|journal=Interzone|volume=188|pages=34–36|issn=0264-3596}}</ref> In 2003, Clute acted in the film "[[A Short Film About John Bolton|A Short Film about John Bolton]]" directed by [[Neil Gaiman]].<ref>{{Cite web|title=A Short Film About John Bolton|url=https://www.imdb.com/title/tt0420181/fullcredits?ref_=tt_ov_st_sm|access-date=November 4, 2021|website=IMDb}}</ref> In 2018, Clute participated in the pop-up show ''<nowiki/>'An Arts Lab Continuum''' at Spitalfields Studios, with six of the other artists who had been involved in the 1960s and early 1970s in the arts labs of Drury Lane and Robert Street.<ref>{{Cite book|last=Curtis|first=David|title=London's New Arts Lab and 60s Avant Garde|year=2020 |publisher=John Libby Publishing|isbn=978-0861967483|pages=Appendix 1, 155}}</ref> In December 2019, Clute did a radio interview with Chiara Ambrosio for "The Raft, a London Story" on Resonance radio, 104.4 fm.<ref>{{Cite web|title=RAFT on RESONANCE 104.4 fm Episode 20|url=https://raftalondonstory.com/page/2/|access-date=November 11, 2021|website=RAFT - A London Story}}</ref>
-== Style and Influences ==
-In 2006, [[Farah Mendlesohn|Farah Mendleson]] compiled a [[festschrift]] for John and Judith Clute entitled ''Polder: A Festschrift for John Clute and Judith Clute''. In one of the essays contained in this work [[Candas Jane Dorsey]] describes Judith: "she sees the world with that fresh, slightly side-ways glance that imposes no filters and draws no foregone conclusions".<ref>{{Cite book|title=Polder: A Festschrift for John Clute and Judith Clute|publisher=Old Earth Books|year=2006|isbn=1882968344|editor-last=Mendlesohn|editor-first=Farah|pages=56}}</ref>
+== Reception ==
-In ''Judith Clute's Tantalizing 37th album'' [[Geoff Ryman]] noted in his comments on her one person show at Camden Images Gallery that "this is Judith Clute's 37th exhibition" and he described her work as follows. "You could call it expressionist except that works express calm, fluidity, balance, and elegance rather than rage of energy. Even when the content seems to be screaming."<ref>{{Cite book|title=Judith Clute's Tantalizing 37th Album|publisher=Beccon Publications|year=2019|isbn=9781870824651|pages=1}}</ref>
+In 2006, [[Farah Mendlesohn]] compiled a [[festschrift]] for John and Judith Clute entitled ''Polder: A Festschrift for John Clute and Judith Clute'', saying in the book’s introduction: “Judith Clute has been referred to as a fantasy artist. Within the genre this tends to conjure up images of fantasy illustration, but Judith’s work is not an illustration of fantasy, but part of the fantastic genre itself … Judith turns the world around, exposes the mimetic as gloriously unnatural.”<ref>{{Cite book|title=Polder: A Festschrift for John Clute and Judith Clute|year=2006 |publisher=Old Earth Books|isbn=1882968344|editor-last=Mendlesohn|editor-first=Farah|pages=8}}</ref> Later on in the book [[Candas Jane Dorsey]] comments that Clute “sees the world with that fresh, slightly sideways glance that imposes no filters, and draws no foregone conclusions. As a result of combining that directness of observation with an accumulation of wordless wisdom, Judith has an eccentric and unique artistic vision, and thus a unique and eccentric body of significant work.”<ref>{{Cite book|title=Polder: A Festschrift for John Clute and Judith Clute|publisher=Old Earth Books|year=2006|isbn=1882968344|editor-last=Mendlesohn|editor-first=Farah|pages=56}}</ref>
+In ''Judith Clute's Tantalizing 37th album'' [[Geoff Ryman]] said about her one-person show at Camden Images Gallery that "this is Judith Clute's 37th exhibition … You could call it expressionist except that works express calm, fluidity, balance, and elegance rather than rage of energy. Even when the content seems to be screaming."<ref name=":1">{{Cite book|title=Judith Clute's Tantalizing 37th Album|publisher=Beccon Publications|year=2019|isbn=9781870824651|pages=1}}</ref>
-== Awards ==
-In 2017, Judith won the "Best Artist Award" delivered by the [[European Science Fiction Society]].<ref>{{Cite web|title=2010-2019|url=https://www.esfs.info/esfs-awards/2010-2/|url-status=live|access-date=November 11, 2021|website=European Science Fiction Society}}</ref>
-== Selected Bibliography ==
+=== Awards ===
+In 2017, Clute won the "Best Artist Award" delivered by the [[European Science Fiction Society]].<ref>{{Cite web|title=2010-2019|url=https://www.esfs.info/esfs-awards/2010-2/|access-date=November 11, 2021|website=European Science Fiction Society}}</ref>
-The Association of Illustrators: 10th Annual, Rotovision, 1985, page 146, ISBN 2880460530
+== Selected works ==
-The Encyclopedia of Fantasy and Science Art Techniques, John Grant & Ron Tiner, Titan Books, 1996, page 163, ISBN 1852867027
+=== Cover art and illustrations ===
+* 1983: Cover for ''[[The Entropy Exhibition]]'' by [[Colin Greenland]].<ref>{{Cite book|last=Greenland|first=Colin|title=The Entropy Exhibition: Michael Moorcock & The British 'New Wave' in Science Fiction|publisher=Routledge & Kegan Paul|year=1983|isbn=0710093101}}</ref>
+* 1985: Three book covers for books by [[Joanna Russ]] published by [[The Women's Press]] ''[[The Female Man]]'',<ref>{{Cite book|last=Russ|first=Joanna|title=The Female Man|publisher=The Women's Press|year=1985|isbn=0704339498}}</ref> [[Extra(ordinary) People]]<ref>{{Cite book|last=Russ|first=Joanna|title=Extra(ordinary) People|publisher=The Woman's Press|year=1985|isbn=0704339501}}</ref> and ''The Adventures of Alex''.<ref>{{Cite book|last=Russ|first=Joanna|title=The Adventures of Alex|publisher=The Women's Press|year=1985|isbn=0704339722}}</ref>
+* 1989: Further Joanna Russ covers for The Women's Press: ''[[The Hidden Side of the Moon]]''<ref>{{Cite book|last=Russ|first=Joanna|title=The Hidden Side of the Moon|publisher=The Women's Press|year=1989|isbn=0704341859}}</ref> and ''[[We Who Are About To...]]''.<ref>{{Cite book|last=Russ|first=Joanna|title=We Who Are About To...|publisher=The Women's Press|year=1989|isbn=0704340852}}</ref>
+* 1990: Cover and all interior images for the science fiction magazine [[Interzone (magazine)|''Interzone'']] 42.<ref>{{Cite journal|date=1990|title=All Female Issue!|journal=Interzone|volume=42|pages=30–35|issn=0264-3596}}</ref>
+* 1995: Cover for ''Look at the Evidence; Essays and Reviews'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Look at the Evidence: Essays and Reviews|publisher=Liverpool Press|year=1995|isbn=0853238200}}</ref>
+* 2000: Cover for ''Uncommon Places: Poems of the Fantastic'' by Judith Kerman and Don Riggs.<ref>{{Cite book|last1=Kerman|first1=Judith|title=Uncommon Places: Poems of the Fantastic|last2=Riggs|first2=Don|publisher=Mayapple Press|year=2000|isbn=0932412173}}</ref>
+* 2003: Cover for ''Scores: Reviews 1993–2003'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Scores: Reviews|publisher=Beccon Publications|year=2003|isbn=1870824482}}</ref>
+* 2005: Cover for ''Surroundings: Reviews 1992–1996'' by [[Gary K. Wolfe]].<ref>{{Cite book|last=Wolfe|first=Gary K.|title=Reviews: 1992-1996|publisher=Beccon Publications|year=2005|isbn=1870824504}}</ref>
+* 2006: Cover and all interior illustrations for ''Chip Crockett's Christmas Carol'' by [[Elizabeth Hand]].<ref>{{Cite book|last=Hand|first=Elizabeith|title=Chip Crockett's Christmas Carol|publisher=Beccon Publications|year=2006|isbn=1870824490}}</ref>
+* 2008: Etchings for Henry Wessells, in his Temporary Culture publication of ''Forever Peace. Stop War'' by [[Joe Haldeman|Joe Haledeman]].<ref>{{Cite web|title=Forever Peace. To Stop War. Poem by Joe Haldeman. Etchings by Judith Clute|url=https://temporary-culture.com/books/forever-peace-to-stop-war-poem-by-joe-haldeman-etchings-by-judith-clute/|access-date=November 4, 2021|website=Temporary Culture}}</ref> (Copies are held in the [[Morgan Library & Museum|Morgan Library and Museum]], [[Yale University Library|Yale Library]] and [[Duke University]].)
+* 2009: Cover for ''Canary Fever: Reviews'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Canary Fever: Reviews|publisher=Beccon Publications|year=2009|isbn=978-1870824576}}</ref>
+* 2010: Cover for ''Bearings: Reviews 1997–2001'' by [[Gary K. Wolfe]]<ref>{{Cite book|last=Wolfe|first=Gary K.|title=Reviews: 1997-2001|publisher=Beccon Publications|year=2010|isbn=9781870824583}}</ref>
+* 2011: Cover for ''Sightings: Reviews 2002–2006'', also by Gary K. Wolfe.<ref>{{Cite book|last=Wolfe|first=Gary K|title=Sightings: Reviews 2002-2006|publisher=Beccon Publications|year=2011|isbn=9781870824613}}</ref>
+* 2011: Cover for ''Pardon This Intrusion: Fantastika in the World Storm'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Pardon This Intrusion: Fanstistka in the World Storm|publisher=Beccon Publications|year=2011|isbn=9781870824606}}</ref>
+* 2011: Clute's painting "Bone Scan" was used for the cover of the online magazine, ''Salon Futura'', issue 5.<ref>{{Cite web|last=Morgan|first=Cheryl|title=Issue #5|url=https://www.salonfutura.net/2011/01/issue-5/#more-1113|access-date=November 11, 2021|website=Salon Futura|date=18 January 2011 }}</ref>
+* 2014: Cover for ''Stay'' by John Clute.<ref>{{Cite book|last=Clute|first=John|title=Stay|publisher=Beccon Publications|year=2014|isbn=9781870824637}}</ref>
+* 2017: Album cover for Amanda Palmer and Edward Ka-Spel's ''[[I Can Spin a Rainbow]]''.<ref>{{Cite web|title=I Can Spin a Rainbow|url=https://amandapalmer.bandcamp.com/album/i-can-spin-a-rainbow|access-date=November 11, 2021|website=Bandcamp}}</ref>
+* 2019: Illustration for a ''[[The New York Review of Books]]'' article entitled "A Universe of One's Own" by Nicole Rudrick reviewing ''The Future is Female!: 25 Classic Science Fiction Stories by Women, from Pulp Pioneers to [[Ursula K. Le Guin]]''.<ref>{{Cite journal|last=Rudick|first=Nicole|date=July 18, 2019|title=A Universe of One's Own|url=https://www.nybooks.com/articles/2019/07/18/universe-of-ones-own-women-science-fiction/|access-date=November 11, 2021|journal=The New York Review of Books|volume=66 |issue=12 }}</ref> The illustration was Clutes's cover design for Joanna Russ's ''Female Man''.
+== Selected bibliography ==
-Fantasy Art Masters: The Best In Fantasy and SF Art World Wide, Dick Jude, Harper Collins, 2002, page 38-49 inclusive, ISBN 0007137478
+* The Association of Illustrators: 10th Annual, Rotovision, 1985, page 146, {{ISBN|2880460530}}
-Paper Tiger Fantasy Art Gallery, edited by Paul Barnett, Paper Tiger, 2002, pages 30-35 inclusive, ISBN 1855859572
+* The Encyclopedia of Fantasy and Science Art Techniques, John Grant & Ron Tiner, Titan Books, 1996, page 163, {{ISBN|1852867027}}
+* Fantasy Art Masters: The Best In Fantasy and SF Art World Wide, Dick Jude, Harper Collins, 2002, page 38-49 inclusive, {{ISBN|0007137478}}
-Interzone #188, editor David Pringle, "Still Turning Motifs Upside Down", Paul Brazier, Interzone Science Fiction and Fantasy, 2003, pages 34-36 inclusive, ISSN 02643596
+* Paper Tiger Fantasy Art Gallery, edited by Paul Barnett, Paper Tiger, 2002, pages 30–35 inclusive, {{ISBN|1855859572}}
+* Interzone #188, editor David Pringle, "Still Turning Motifs Upside Down", Paul Brazier, Interzone Science Fiction and Fantasy, 2003, pages 34–36 inclusive, {{ISSN|0264-3596}}
-Polder: A Festschrift for John Clute and Judith Clute, edited by Farah Mendlesohn, Old Earth Books, 2006. ISBN 1882968344
+* Polder: A Festschrift for John Clute and Judith Clute, edited by Farah Mendlesohn, Old Earth Books, 2006. {{ISBN|1882968344}}
+* London's Arts Labs and the 60's Avant Garde, David Curtis, John Libbey Publishing, 2020, pages 117-118 inclusive, {{ISBN|978-0861967483}}
-London's Arts Labs and the 60's Avant Garde, David Curtis, John Libbey Publishing, 2020, pages 117-118 inclusive, ISBN 0861967483
-----
 == References ==
-<!-- See https://en.wikipedia.org/wiki/Help:Referencing_for_beginners on how to create references. -->
 {{Reflist}}
 == External links ==
+*{{official|https://www.judithclute.com/}}
+{{authority control}}
+{{DEFAULTSORT:Clute, Judith}}
-* https://www.judithclute.com/
+[[Category:1942 births]]
-*https://www.instagram.com/clutejudith/
+[[Category:Living people]]
-*https://www.facebook.com/judith.clute
+[[Category:20th-century Canadian women artists]]
-*https://www.twitter.com/JudithClute
+[[Category:21st-century Canadian women artists]]
-*https://www.thames-sidestudios.co.uk/print-studios/shop/judith-clute
+[[Category:Artists from Edmonton]]
-*http://www.judithclute.com/prints-on-somerset-paper/
+[[Category:Canadian women illustrators]]
-<!-- Categories -->
+[[Category:Canadian women painters]]
+[[Category:Bishop Strachan School alumni]]

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