Alexander Pavlovich Mogilevsky

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Alexander Pawlowitsch Mogilewskij (born December 1, 1885 in Mariupol , Russian Empire ; died 1980 in Moscow ) was a Ukrainian-Russian painter.

Life

Alexander Mogilewskij was a student at the Munich Debschitz School from 1907 , which he attended until 1911, and also a student of Simon Hollósy at his private school. In 1910 he stayed in Italy and in 1912 in Paris. His painting style was influenced by Hans von Marées and later by Henri Matisse . In 1910 he was involved in the second exhibition of the New Artists' Association Munich (NKVM) founded in 1909 , he was accepted as a member in early 1912, but immediately got caught up in the vortex of resignations around the Blue Rider . August Macke and Franz Marc considered inviting him to an exhibition in mid-1912. In 1913 Herwarth Walden showed six works by Mogilewski in the First German Autumn Salon in Berlin : The Comet , The Roses , Landscape , Landscape with Two Figures , By the Stream and Still Life .

When war broke out in 1914, he returned to Russia. In the aftermath of the Russian Revolution, he moved to Moscow in 1920 . There he could only work as a book illustrator for the next few decades. The templates were created using watercolors or pen drawings; they were used to illustrate books by more than seventy Soviet authors. A self-creative artistic activity was limited to bookplates .

Pictures by Mogilevsky are in St. Petersburg and in Russian provincial museums. His painting Harvest , which the Szczecin City Museum acquired in 1912 , was taken down as Degenerate Art in 1937 and is considered destroyed.

literature

  • D. Aranowitsch: Mogilewskij, Alexander Pawlowitsch . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 25 : Moehring – Olivié . EA Seemann, Leipzig 1931, p. 17 .
  • Mogilevsky, Alexander. In: Emmanuel Benezit [ed.]; Jacques Busse [arr.]: Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays. Volume 9. 4th edition. Paris: Gründ, 1999, p. 698.
  • Annegret Hoberg, Helmut Friedel (ed.): The Blue Rider and the new picture. Exhibition catalog. Städtische Galerie im Lenbachhaus, Prestel Munich 1999, ISBN 3-7913-2065-3 , p. 390 (short biography).
  • Ėnciklopedija russkogo avangarda. Part 2. L - Yes. Biografii živopiscev, architekturov, grafikov, skzulʹptorov, chudožnikov knigi, teatra i kino, fotografov, istorikov iskusstva i architektury, chudožestvennych kritikov, muzejnych rabotnikov, kollekcionerov. Moscow: Global Expert & Service Team, 2013 ISBN 978-5-902801-11-5 , p. 138 (transcribed title in SWB online catalog).

Individual evidence

  1. Deviating information on the year of birth for ThB with 1888
  2. Letter from Macke to Marc, June 5, 1912, excerpt from: Andreas Hüneke (ed.), The blue rider: Documents of a spiritual movement. Afterword by Andreas Hüneke, Leipzig: Reclam 1986, p. 203.
  3. ^ First German Autumn Salon. Berlin 1913. Berlin: The Storm, 1913, p. 26.
  4. Dariusz Kacprzak: Moderna - sztuka zwyrodniała ze zbiorów Muzeum Miejskiego w w Szczecinie świetle źródeł archiwalnych. In: SP Kubiak (ed.): Sztuka zwyrodniała ze zbiorów Muzeum Miejskiego w Szczecnie wśwetle źródeł archiwalnych / Classical Modernism - Degenerate Art from the holdings of the Szczecin City Museum in the light of the archival sources. Szczecin, 2017 (PDF, academia.edu pl / de)