Annette Tietenberg

Annette Tietenberg (* 1964 in Mönchengladbach ) is professor of art studies with a focus on the 19th and 20th centuries at the Braunschweig University of Fine Arts . Her main research interests are reception aesthetics , art and design in the space age, authentication strategies in art and design, intercultural transfers of patterns and ornament as well as knowledge cultures in post-industrial societies.

Life

Annette Tietenberg studied art history , modern German literature, philosophy , sociology and psychology at the Friedrich-Wilhelms-Universität Bonn, at the Free University of Berlin and at the Technical University of Berlin . In 1992 she completed her studies in art history and modern German philology with a master's thesis on the Grazer Damm housing estate in Berlin at the TU. She was then entrusted with the registration of monuments in the Friedrichshain district and with the inventory of the collection at the Frankfurt Museum of Modern Art on behalf of the Berlin Senate Department for Urban Development and Environmental Protection . From 1996 to 2001 she was a research assistant at the Institute for Art History and Aesthetics at the Berlin University of the Arts . In 2002 she conceived and realized the Eva Hesse conference together with Renate Petzinger . Context - materiality - reception at the Museum Wiesbaden. In 2003 she wrote a dissertation on the subject of constructions of the feminine. Eva Hesse: an artist myth of the 20th century is doing her doctorate at the TU Berlin.

She gained teaching experience as a lecturer and substitute professor at various German universities. Since 2007 she has been a professor of art studies with a focus on contemporary art at the Braunschweig University of Art. From February 2008 to February 2010 she was Vice President for International Affairs of the HBK and as such was involved in the establishment of a scholarship house for students of the HBK in Istanbul (Atelier Galata, operated jointly with the Kunststiftung NRW and the City of Cologne, funded by the Lower Saxony Foundation and the Braunschweigischer Kulturbesitz Foundation). From 2008 to 2013 she was director of the Institute for Art Research there. From September 2013 to August 2017 she was Vice President for Teaching, Studies and Professionalization at the HBK Braunschweig. In 2014 she received a Senior Fellowship at the Alfried Krupp Wissenschaftskolleg Greifswald .

In addition, Annette Tietenberg is active in the fields of art, architecture and design criticism, monument preservation (collaboration on monument preservation reports, for example on the Berlin Olympic Stadium ) and curatorial work.

Publications (selection)

Independent writings and editorships

• Pattern in transfer . Böhlau Verlag, Vienna / Cologne 2015. (Editor)
• The exhibition copy . Medial construct, material reconstruction, historical deconstruction? Böhlau Verlag, Vienna / Cologne 2015. (Editor)
• "Planetary Perspectives." Critical Reports. Journal for art and cultural studies . H. 03/2009. (Co-editor, with Tristan Weddigen)
• Patterns. Patterns in Design, Art and Architecture / Patterns in Design, Art and Architecture. Birkhäuser Verlag, Basel 2005 / 2nd edition 2006. (Co-editor, with Petra Schmidt and Ralf Wollheim)
• Constructions of the feminine. Eva Hesse: an artist myth of the 20th century . Reimer Verlag, Berlin 2005 (dissertation).
• Tai-Jung Um. Sculptures and Drawings , Hatje Cantz Verlag. Ostfildern-Ruit 2005.
• The work of art as a historical document. Festschrift for Hans-Ernst Mittig . Klinkhardt & Biermann Verlag, Munich 1999. (Editor)
• Architectural monuments in Berlin, Friedrichshain district. Monument topography Federal Republic of Germany . Edited by the State Monuments Office Berlin. Nicolai Verlag, Berlin 1996. (co-author)
• Integral art projects . Exhib. Cat. New Society for Fine Arts, Berlin 1993. (Co-editor)
• Preserve - Destroy - Change? Monuments of the GDR in East Berlin . Exhib. Cat. Active Museum Fascism and Resistance e. V. in Berlin / New Society for Fine Arts , Berlin 1990. (Co-editor)

Articles in anthologies and exhibition catalogs

• "From the mold to photography - and vice versa". In: Bogomir Ecker , Raimund Kummer , Herbert Molderings (eds.): Lens-based sculpture. The change in sculpture through photography . Exhibition catalog Akademie der Künste Berlin. Cologne 2014, pp. 126–143.
• “The signature as an authentication strategy in art and author design”. In: Uta Daur (Ed.): Authenticity / Repetition: Artistic and cultural manifestations of a paradox . Conference proceedings. Bielefeld 2013, pp. 19–34.
• "Design ≠ Art? First, second and ... third ”. In: Annette Geiger , Michael Glasmeier (Ed.): Art and Design. An affair . Bremen 2012, pp. 25–36.
• “Visits. The Portrait of the Orient Traveler Jean-Baptiste Tavernier (1678) by Nicolas de Largillière ”. In: Victoria von Flemming, Alma-Elisa Kittner (ed.): Barock-modern? , Salon Verlag, Cologne 2010, pp. 136–163.
• "Rest in motion - the rocking chair as an aesthetic construct". In: Rainer Schönhammer (ed.): Body, things and movement. The sense of balance in material culture and aesthetics , fakultas.wuv, Vienna 2009, pp. 155–164.
• “The imaginary documenta”. In: Michael Glasmeier, Katrin Stengel (eds.): 50 years of documenta 1955–2005. Archives in Motion . Steidl Verlag, Göttingen 2005, pp. 35–45.
• “The unfulfilled promise of immediate perception or how Minimal Art fell into disrepute”. In: Michael Hauskeller (Ed.): Art of Perception. Contributions to a philosophy of sensual knowledge . Zug 2003, pp. 362-379.
• “Everything, but different. Models of Reception and Participation in Eva Hesse ”. In: Eva Hesse . Exhib. Cat. Museum Wiesbaden. Wiesbaden 2002, pp. 239-247.
• “Reunion with the old masters. On the use of photography in contemporary art ”. In: Heinz-B. Heller / Matthias Kraus, Thomas Meder (eds.): Talking about pictures. Positions and perspectives in media studies . Schüren Verlag, Marburg 2000, pp. 151-167.
• “The Grazer Damm housing estate on the Schöneberger Südgelände”. In: Yearbook of the Berlin State Archives . 1994, pp. 207-230.

Publications in professional journals

• “Live creatively. On the role model function of interior photography ”. In: Photo history. Contributions to the history and aesthetics of photography. 132/2014, pp. 15-24.
• “Beyond good form. Kitsch for Connoisseurs ”. In: form. The Making of Design . 234/2010, pp. 26-33.
• "Hedonistic, transnational and multi-cultural: Patterns as a sign for a new economy of vision". In: RES . 2/2008, pp. 16-27.
• “'We have to try to be ahead of the times.' Max Hollein develops a new model of museum and power concentration ”. In: critical reports . 4/2005, pp. 11-20.
• "Performance". In: Art History Worksheets . 9/02, pp. 31-38.
• "On dealing with questions of gender difference in art criticism". In: critical reports . 3/1998, pp. 62-65.

Exhibitions (selection)

• 2013/14 "The pattern that connects", Kunsthalle Lingen (co-curator, with Meike Behm)
• 2011 “Young-Jae Lee. Ceramics ”, M 6, Braunschweig
• 2008 "Zero G. Der Artronaut Charles Wilp " exhibition room of the HBK Braunschweig (co-curator, with Ingrid Schmidt-Winkeler, Marie-Luise Heuser )
• 2005 "Tai Jung Um. Sculptures and Drawings “ Georg-Kolbe-Museum , Berlin
• 2001 “Frankfurter Kreuz. Transformation of the everyday in contemporary art ”, Schirn Kunsthalle , Frankfurt am Main
• 2001 “Joan Jonas. Performance video installation ”, New Society for Fine Arts Berlin in cooperation with the Stuttgart City Gallery
• 1997 “Virtuality of Disappearance. Vera Frenkel –Christin Lahr “, New Society for Fine Arts Berlin (co-curator)
• 1992 "37 rooms" in Berlin's Auguststrasse, kunstwerke eV (overall concept: Klaus Biesenbach )
• 1988 Thomas Mass, Hans-Jörg Wiegner Pollstudio, Berlin

Web links

• Literature by and about Annette Tietenberg in the catalog of the German National Library
• Annette Tietenberg on hbk-bs.de
• Homepage of Annette Tietenberg