Catherine Queloz

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Catherine Queloz (2018)

Catherine Marie Quéloz (born November 1, 1948 in Geneva ) is a Swiss art historian . She is honorary professor for arts visuels at the Haute École d'art et de design Genève (HEAD - Genève). There she headed the research areas of art history / art theory and cultural studies .

Life

Catherine Queloz has placed her academic focus on contemporary art . She had previously studied in the USA. After her return in 1987, she founded the first curatorial course in Switzerland at what was then the Ecole supérieure des beaux-arts in Geneva. As a cultural scientist, she has dealt with gender studies and postcolonial theories in her teaching assignments and in her curatorial practice .

In 2000, Queloz set up the bilingual (French / English) and transdisciplinary CCC Research-Based Master’s program at HEAD in collaboration with Liliane Schneiter (Professor of History and Theory of Medieval and Modern Art) . 'CCC' stands for Etudes critiques, cross-culturelles, curatoriales, cybermédias, i.e. a degree program that includes art criticism, interculturality , curatorial knowledge and media art . Between 2006 and 2015, the program was expanded to include various seminars for doctoral students and postgraduate courses. Schneiter left the company in 2008. Doreen Mende took over the management of Queloz in 2015. The project was funded by the Swiss National Science Foundation (French: Fonds national suisse de la recherche scientifique (FNS)).

Queloz was awarded the prestigious Swiss Art Prize Prix ​​Meret Oppenheim in 2014. The jury emphasized that their “alternative teaching methods in art are extremely influential internationally”.

Fonts

  • Language and politics as a driving force, , Danse et dessin depuis 1960. JRPIRingier, Zurich 2017th
  • with Sarah Burkhalter and Laurence Schmidlin Laurence: Restoring the Cases Required Nearly as Much Work as Preserving the Artifact. In: Allan McCollum . JRPRingier, Zurich 2012. pp. 80–97.
  • with Liliane Schneiter: Fair-Play Franc-Jeu, Interventionnisme institutionnel. In: CCC Newsletter No. 9, Genève 2010, pp. 33–38.
  • Some Thoughts Regarding Renée Green's Research Methods. In: Renée Green , Ongoing Becoming, retrospective 1989–2009. Musée cantonal des Beaux Arts, Lausanne, JRP Ringier, Zurich 2009. pp. 87–89.
  • Martha Rosler . L'hypertexts de la performance. In: Martha Rosler. Sur / Sous le pavé. Presses universitaires de Rennes, Rennes 2006. pp.19–33.
  • With Liliane Schneiter: Le genre sans garantie. In: Inscriptions / Transgression. Lausanne 2006.
  • The School as a specific site. In: Games, fights, collaborations: The game of border and crossing, art and cultural studies in the 90s. Art space of the University of Lüneburg and Kantz Verlag, Berlin 1996.
  • Déplacé, à propos. In: Rémy Zaugg. You tableau au monde. Les Presses du réel, Dijon 1996.
  • Vito Acconci . Langage in situ. Les cahiers du Musée national d'art modern. No. 48, été 1994, pp. 100-113. ISSN  0181-1525
  • James Welling , photographs 1977–90. Kunsthalle Bern , Bern 1990.

literature

  • Samuel Shellenberg: "Exercice grandeur nature à Genève pour curateurs en herbe.", In: Le Courrier (French, edition of June 2, 2004)

Web links

Commons : Catherine Queloz  - collection of images, videos and audio files

Individual evidence

  1. ↑ DNB : Quéloz, Catherine . (Data set from August 27, 2018)
  2. ↑ HEAD: Catherine Queloz. (accessed on August 27, 2018)
  3. ↑ HEAD: CCC Research-Based Master Program. (accessed August 27, 2018)
  4. ↑ HEAD: Program Master de recherche CCC. ( cursus 2000–2015 , French, as of August 2015)
  5. ^ Prix ​​Meret Oppenheim goes to Rist, Bruhin, Quéloz and Pool . (As of August 30, 2014)
personal data
SURNAME Queloz, Catherine
ALTERNATIVE NAMES Quéloz, Catherine Marie (full name)
BRIEF DESCRIPTION Swiss art historian
DATE OF BIRTH November 1, 1948
PLACE OF BIRTH Geneva