Charles Labelle

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Charles William Labelle (born August 15, 1849 in Champlain / New York , † March 21, 1903 in New York City ) was a Canadian composer, choir director, conductor and music teacher.

Life

Labelle attended the Collège de Montréal , where he was accepted into the solfège class at the age of twelve and was also a school organist. He studied law and worked in the office of George-Étienne Cartier , François-Pierre Pominville and Louis Bétournay before opening his own law firm in 1873. He ran this until the end of the 1880s, initially with François-Xavier-Anselme Trudel and Louis-Olivier Taillon , and later with Benjamin-Antoine Testard de Montigny .

He began his musical career in 1873 as a choir director as the successor to Guillaume Couture at the Church of St-Jacques ; from 1876 to 1879 he was choirmaster at St-Henri . In 1878 he appeared as a singer in a performance of François-Adrien Boieldieu's opera La dame blanche under the direction of Calixa Lavallée . Around 1880 he traveled to Paris, where he is said to have had singing lessons from Romain Bussine .

On his return to Canada he was first choirmaster at Saint-Jacques (1881–84), then at Notre-Dame (1884–91) and finally until his death at the Church of St-Louis-de-France . Here he founded the Association chorale Saint-Louis-de-France , as a singing teacher Labelle worked at the Hochelaga Convent , the Collège de Montréal and the Collège Ste-Marie-de-Monnoir ; from 1895 he also taught solfège and choral singing at the Canadian Artistic Society's Conservatory . In addition to his children Gustave and Adrienne , his private students also included the singer Celine Marier .

In 1889, Labelle founded the Société philharmonique canadienne-française , with which he performed Gioachino Rossini's Stabat mater and choirs from Charles Gounod's Mass à la mémoire de Jeanne d'Arc in the Queen's Hall in 1890 . From 1882 to 1884 he was the editor of L'Album musical , and in 1888 of L'Écho musical . He also published articles in other music magazines. In 1892 his Petit traité de solfège was published . His compositions include a Funeral Mass , a Pie Jesu , Dies Irae and O Salutaris , two Ave Marias , as well as songs, piano and cello pieces. Around 1895 he became an honorary member of the Institut populaire de France .

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