Clemens Gadenstätter

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Clemens Gadenstätter (born July 26, 1966 in Zell am See ) is an Austrian composer and professor of composition and music theory at the University of Music and Performing Arts Graz .

Clemens Gadenstätter 2017.

Life

Gadenstätter studied composition with Erich Urbanner and concert flute with Wolfgang Schulz at the University of Music and Performing Arts Vienna . He then completed postgraduate composition studies at the University of Music and Performing Arts in Stuttgart with Helmut Lachenmann . Gadenstätter has been a lecturer at the music universities in Vienna and Graz since 1995. Since 2003 he has been Professor of Composition, Music Theory and Analysis in Graz.

In the summer semester 2013 he was visiting professor for composition at the Music Academy in Dresden . In 2014 he was a lecturer at the Darmstätter Summer Courses for New Music , in 2013 and 2015 at the Impuls Academy Graz and in 2015 at the Masterclass for Composition in Kiev . From 1995 to 2000 he was editor of the music magazine ton of the IGNM section Austria.

Composition orders

Gadenstätter received composition commissions from the Music Biennale Berlin, the Salzburg Festival, the Witten Days for New Chamber Music / WDR, the Südwestrundfunk (Donaueschinger Musiktage 2001, 2005, 2012), the ULTIMA - Oslo festival, the ORF, the Konzerthaus Berlin, the Wiener Konzerthausgesellschaft, Music of the Centuries - Stuttgart, Wien Modern, the Salzburg Music Biennale, the Styrian Autumn, the Klangforum Wien, the Ensemble recherche, the Neue Vokalsolisten Stuttgart, the Ensemble Modern, the Ensemble Contrechamps Geneva and ensembles such as the Ensemble Recherche, the oenm - Salzburg, the Trio Accanto, the Ensemble L'Instant Donné (Paris), the Ensemble ASAMISIMASA (Oslo), Ensemble Ascolta (Stuttgart), the Ensemble Nikel.

The focus of Gadenstätter's work is the work on the banal, as well as on the musical iconography. Since 2010 the idea of ​​working on “understanding in hearing” has been the focus of his work. His music works on the conditions of possibility for other forms of perception and experience. For him, music is an anthropological project - at the same time a study of human perception and exploration of its possibilities for expansion and change. In this way music becomes political in the sense of a politics of forms of perception and understanding.

Since 1992 there have been various collaborations with artists such as Joseph Santarromana, Rose Breuss, Toni Kay and Lisa Spalt.

Awards

Discography

  • Portrait CD "Clemens Gadenstätter" (ORF, Edition Zeitton 221)
  • Portrait CD "Clemens Gadenstätter" (DURIAN 015-2)
  • Clemens Gadenstätter: "Polyskopie" (Col Legno; CD of the Donaueschinger Musiktage 2001)
  • "Clemens Gadenstätter: COMIC SENSE" (Kairos Music Productions)
  • "Clemens Gadenstätter: SONGBOOK" (Col Legno Contemporary)
  • Portrait CD "Clemens Gadenstätter" (Col Legno 2012)
  • Portrait CD "Clemens Gadenstätter - ICONOSONICS / SEMANTICAL INVESTIGATIONS" (KAIROS RECORDS 2016)
  • Clemens Gadenstätter / Lisa Spalt: Tal para qual - scene based on Francisco Goya: Capriccios Goyescos 1/2 (Jürgen Ruck, Darbinghaus and Grimm)
  • Clemens Gadenstätter: Music for solo flute (Beatrix Wagner, flute. "Spiegelungen"; Edition Zeitklang 2011; orchestral works (Col Legno Contemporary 2012))
  • Clemens Gadenstätter / Lisa Spalt: WEH - Madrigal 2 Col Legno Contemporary.
  • Clemens Gadenstätter / Lisa Spalt tal para qal; on: reciprocity - Nico Couk, guitars champdaction
  • burst / burst; ORF CD 3179 (Zeitton edition; Florian Kitt (Vlc) & Aima Maria Labra-Makk (piano))

Orchestral works

  • Music for orchestral ensembles (1990 / 1993–94)
  • on tact (1997-99)
  • Polyscopy (2000/2001)
  • Powered by Emphasis (2005)
  • Escape / Agorasonia 1 (2009)

Ensemble and chamber music

  • Comic Sense, season I / II / III, concert for piano and keyboard solo and ensemble (2003)
  • Semantical Investigations I, for violin and ensemble (2008)
  • Semantical Investigations II for 11 instruments (2008)
  • Image study: with Ruttmann op.3, for ensemble and light (images) (2011)
  • Figure - Iconosonics I, for clarinet, string trio and piano (2009)
  • bodies, Iconosonics II, for electric guitar and accordion (2009/2010)
  • Pictures of an exhibition - ICONOSONICS III, for 9 instruments (approx. 28 min.)
  • ES, for speaking voice, voice, ensemble, electronics and film (2011)
  • Sad Songs, quartet for saxophone, electric guitar, drums and piano (2012)
  • skin, string quartet No. 1 (2012)
  • schlitzen, String Quartet No. 2 (2013/14)
  • reissen, string quartet No. 3 (2013 - 15)
  • burst, burst, Paramyth 4, for cello and piano (2012)
  • les derniers cris - EPOS 1 for ensemble and light (2013)
  • les cris des lumières - EPOS 2 for ensemble (2014/15)
  • les premiers cris - EPOS 3 - for ensemble (2015/16)

The works of Clemens Gadenstätter are published by Ariadne Verlag, Vienna and Edizioni Musicali Rai Trade, Roma / Milano.

literature

  • Alexander von Nell: Composition is work on the conditions of my hearing - Clemens Gadenstätter. - Kosmos 51 (publication by the Austrian Cultural Forum Berlin)
  • Bernhard Günther: The story is in the sounds. - Program for the festival “rainy days” 2011, Philharmonie Luxembourg, 2011.
  • Michael Rebhahn: Clemens Gadenstätter - Portrait. New music newspaper . - Mainz, autumn 2008.
  • Reinhard Kager : Saving dead things. Booklet for the CD "SONNGBOOK". Col Legno contemporary, Salzburg 2008.
  • Jörn Peter Hiekel : COMIC SENSE - an analysis. - In: Musiktexte 108, Cologne 2005.
  • Jörn Peter Hiekel: "Clemens Gadenstätter: Comic Sense". Booklet for the CD "Comic Sense". - Kairos: Vienna 2004

Web links