Elstree Calling

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Movie
Original title Elstree Calling
Country of production Great Britain
original language English
Publishing year 1930
length 86 minutes
Rod
Director André Charlot ,
Jack Hulbert ,
Paul Murray ,
Alfred Hitchcock
script Adrian Brunel ,
Walter C. Mycroft ,
Val Valentine
production John Maxwell
for British International Pictures
music Reginald Casson , Vivian Ellis , Chick Endor , Idris Lewis , Lawrence Wright (music)
Ivor Novello , Jack Strachey (lyrics)
camera Claude Friese-Greene
occupation

Elstree Calling is the original title of an English feature film from 1930 . This is a revue film that consists of individual musical sketches and a connecting framework. The reason for this film was the introduction of the sound film . Many film studios used this for compilation films with a mostly musical and comedic focus in order to introduce the audience to the new possibilities of cinema and to promote the marketing of the sound film. The production company British International Pictures (BIP) hired its contract directors to contribute to this revue. Alfred Hitchcock was one of the four directors who shot scenes under the overall direction of director Adrian Brunel . The film has not yet had a German title; translated the title means "Here speaks Elstree".

action

The film consists of a revue of 19 numbers, comedic skits, musical performances and dance performances. These are strung together in the form of a show that is broadcast on television. The framework story shows, among other things, a family tinkering with their television set in order to watch the show on the TV screen.

background

Reviews

While Elstree Calling is meaningless as a Hitchcock film - Hitchcock himself called the film in conversation with François Truffaut in Mr. Hitchcock, how did you do that? “Devoid of any interest” - it is interesting as a document of musical shows in the tradition of vaudeville and English music halls. Frank Cullen, founder of the American Vaudeville Museum , editor of the Vaudeville Times Quarterly, and author of Vaudeville, Old and New: An Encyclopedia of Variety Performers, calls the film a “wonderful revue for anyone able to see eras other than their own appreciate "and emphasizes that the strength of the film lies" in the peculiarities of the 'variety stars'. "

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