God, holy creator of all stars
God, holy creator of all stars is an Advent song that the reformer and revolutionary Thomas Müntzer (1489–1525) created in 1523. It is a rhyming translation of the Latin hymn Conditor alme siderum , which is sung at Vespers in Advent . In addition to the book of hours , the hymn can also be found in the Praise of God under number 230 ( GL old 116) and in the Evangelical Hymnal (EG 3).
The Latin hymn
The basic holdings of the Conditor alme siderum go back to late antiquity . After a profound redesign for Breviary Urban VIII (1632), it is used again in the liturgical books of the Catholic Church in the versionattested toin the 10th century in the Kempten Monastery .
The hymn, originally with six stanzas and later expanded to include stanza 5, addresses Christ and praises him as the eternal Son of God , identical with the Father , who became man from the Virgin Mary in order to redeem humanity and thus all of creation to submit to his rule. The penultimate stanza asks Christ, the coming world judge, for guidance and preservation in faith. The hymn ends with the doxology .
The rewrite of Müntzer
Müntzer translates literally over long distances, but also clearly sets its own accents. The original address addressed to the second person of the Trinity, the creator logos, refers Müntzer to the father. So he makes the Christological hymn praise God, whose appearance through Christ by the people in apocalyptic reference recognized (M 1 M .; 3) is to be. (M 4.) extends God's domain beyond heaven and earth to hell . In M 5. Müntzer placed a concise summary of his theology, so to speak, whereby he took up the original text of a fifth cosmologically tinged stanza, which in turn was a later addition to the original Latin text of the hymn, at best associatively. His mariology and incarnation doctrine also go beyond the original through attributes such as tenderness (M 3 .; M 7). M 6. asks - unlike the submission - not protection from the enemy, but an increase in faith. The final stanza (M 7.) takes up the reference to the All Creator (M 5.).
The current form of the Müntz text has been carefully adapted to modern linguistic usage and the sense of rhythms. The otherwise identical versions of the Evangelical Hymnbook and the Praise of God differ in stanza 2, line 4, which is formulated as a salutation in the Praise of God (as in Müntzer), but in the EC is turned into the third person, otherwise, through Müntzer's shifting of addressees, incarnation and vicarious suffering would apparently be predicated by God the Father.
melody
The melody is handed down in a hymn of the Kempten monastery around 1000. It is composed in the 4th church tone . The well-known German version is a counterfactor . The Advent song Praise be to Almighty God by Michael Weisse, based on the hymn, was sung regionally with this melody. It is based on Johann Sebastian Bach's arrangement in the Little Organ Book ( ).
text
Kempten (10th century) | translation | Thomas Müntzer | Evangelical hymn book |
---|---|---|---|
Conditor alme siderum, |
Exalted Creator of the stars, |
God, heylger schöpffer aller stern, |
God, holy creator of all stars, |
literature
- Siegfried Bräuer : 3 - God, holy creator of all stars . In: Gerhard Hahn , Jürgen Henkys (Hrsg.): Liederkunde zum Evangelisches Gesangbuch . No. 5 . Vandenhoeck & Ruprecht, Göttingen 2002, ISBN 3-525-50326-1 , pp. 5–8 ( limited preview in Google Book search).