Hans-Reinhard Lehmphul

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Hans-Reinhard Lehmphul (* 1938 in Minden , † 2009 in Beziers , Languedoc ) was a German painter of modernity .

Life

Lehmphul completed his first artistic training in Münster in 1959/60 , then studied art history in Munich from 1960 to 1964 and then worked as a freelancer in Munich. Since 1973 he has increasingly oriented himself towards France , from 1981 to 1984 in Milan and until his death in 2009 lived longer periods of the year in Munich and in his house in Servian in southern France.

plant

Lehmphul's artistic work is determined by abstract expressive color compositions. Inspired by Art Informel in the 1960s , he later found a luminous, non-representational color style that “is certainly also due to the experience of Mediterranean light”, as the painter encountered in his adopted home in the south of France. 1985/86 Lehmphul was represented at Art Cologne , his works can be found today (2011) a. a. in the Städtische Galerie im Lenbachhaus in Munich, in the State Collection of Graphics in Munich , in the Kunsthalle Bremen and in the art museum in Heidenheim an der Brenz .

Catalog raisonné

Birk Ohnesorge (Ed.): Hans-Reinhard Lehmphul. Monograph and catalog raisonné of paintings, Berlin (Gebr.Mann Verlag) 2013. ISBN 9783786127000

literature

  • Hans-Reinhard Lehmphul: Oil paintings, watercolors. Galerie Rolf Ohse, Bremen 1980.
  • Guido Boulboullé: The obstinacy of art - The pictures by Hans-Reinhard Lehmphul. In: Catalog Hans-Reinhard Lehmphul, works 1982–1986. Galerie Rolf Ohse, Bremen 1986.
  • Hans-Wolf Jäger: HR Lehmphul - personally. In: Birk Ohnesorge (Ed.): Hans-Reinhard Lehmphul. Monograph and catalog raisonné of the paintings, Berlin (Gebr. Mann Verlag) 2013.
  • Exhibition catalog Kunstmuseum Heidenheim 1990.
  • Paint like paint cherubim. Hans-Reinhard Lehmphul. Early and late pictures. Galerie Rolf Ohse, Bremen 2011.

Individual evidence

  1. Dieter Begemann: The light of the south. In: Weserkurier. Bremen March 20, 2011
  2. Painting like cherubim painting, Bremen 2011, p. 2