Markus Kiesel

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Markus Kiesel (2008)

Markus Kiesel (born July 17, 1962 in Mannheim ) is a German musicologist and cultural manager.

Life

Kiesel studied musicology (among others with Ludwig Finscher ), art history (among others with Peter Anselm Riedl ) and German studies (among other things with Dieter Borchmeyer ) in Heidelberg and theater studies and architectural history in the USA. In 1992 he received his doctorate at the suggestion Friedelind Wagner Dr. phil. on the instrumental work of Siegfried Wagner . From 1982 to 1991 he was assistant director and dramaturge at the theaters in Freiburg and Kassel and from 1991 chief dispatcher and operations director at the opera houses in Frankfurt am Main , Cottbus and Dortmund . At the Staatstheater Wiesbaden he was operations director from 2003 to 2005 (and 2012), member of the opera management (International May Festival) and managing director of the Hessian Theater Commission. From 2005 to 2009 he was commercial director and managing director of the Ludwigsburger Schlossfestspiele gGmbH. From 2013 to 2016, Kiesel was artistic director of the Essen Philharmonic at the Aalto-Musiktheater  Essen . Since 2016 he has been in charge of program planning for the International Beethoven Festival in Bonn (director Nike Wagner ). He has taught and given lectures at universities and colleges in Bochum , Saarbrücken , Vienna , the Université de Picardie Jules Verne Amiens and the Humboldt University in Berlin . Since 2008 he has held regular teaching positions at the University of Bayreuth , since 2011 and 2012 also at the Ludwig Maximilians University in Munich , the Ruprecht Karls University in Heidelberg , the University of Zurich , the University of Frankfurt , the University of Bonn , and the Postgarduate Center Art and Law of the University of Vienna . Since 2009 Markus Kiesel has been head of the “Stage and Music Law” forum at the Institute for Art Law (IFKUR), Heidelberg. Until 2018, Kiesel was a member of the advisory board of the Richard Wagner Museum in Haus Wahnfried in Bayreuth .

Publications

  • Studies on the instrumental music of Siegfried Wagner . Lang, Frankfurt am Main [ua] 1994, ISBN 3-631-45323-X , also dissertation, Heidelberg 1991
  • Le séjour de Richard Wagner in Paris en 1839–1843 - “La juive” de Halévy et la constitution du drame musical . In: Richard Wagner: Points de départ et aboutissements. Start and end points. Amiens 2002.
  • Plagiarism, quotation and self-quotation in music . In: Gerte Reichelt (Hrsg.): Original and forgery in the field of tension between protection of privacy, copyright, trademarks and competition law . (= Series of publications by the Ludwigs Boltzmann Institute for European Law, Volume 15), Vienna 2007, pp. 41–49.
  • The Richard Wagner Festspielhaus Bayreuth . nettpress, Cologne 2007.
  • Appearance: 75 years of the Ludwigsburg Festival . Ungeheuer & Ulmer, Ludwigsburg 2007.
  • The right of the theater - the right of art to travel (ed.). (= Proceedings of the VI Heidelberg Art Law Day). Baden-Baden 2011
  • The Festspielhaus in Bayreuth , in: Wagner Handbuch (Ed. By Laurenz Lütteken), Kassel a. a., 2012, pp. 207ff.
  • Cultural foundations: establishment-leadership-control . Edited by Michael Nietsch, Matthias Weller, Markus Kiesel. Baden-Baden (Nomos), 2014
  • "What do I care about all architecture in the world!" Wagner's Munich Festival Theater Projects, in: Richard Wagner in Munich (Ed. By Sebastian Bolz and Hartmut Schick ), Munich, 2015
  • "Wahnfried - the house of Richard Wagner" (Ed. Together with Joachim Mildner), Regensburg 2015
  • " The world is called me a wanderer - on Richard Wagner's footsteps through Europe" (together with Joachim Mildner and Dietmar Schuth ), Regensburg 2019
  • "Magnificent walls - Wagner locations in Zurich, Lucerne, Tribschen and Venice" (Ed. Together with Christian Bührle and Joachim Mildner), Regensburg 2020

Web links