Marlies Graf-Datwyler

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Marlies Graf (born October 1, 1943 in Aarburg ; † February 12, 2020 ) was a Swiss filmmaker .

Marlies Graf-Dätwyler became known among other things in 1979 for her documentary “Disabled Love”, which is one of the first films to deal with the sexuality of people with disabilities . Marlies Graf-Daetwyler has worked as a director , author and film editor in the film industry since 1970 . She is one of the founders of the Zurich film collective . From 1967 to 1978 she was married to the filmmaker Urs Graf .

life and work

In 1975 Marlies Graf-Dätwyler's first film The Peasants of Mahembe was made . She often worked as a co-director: in 1970, she co-directed the film "Eg Uniformen" (1970) with Urs Graf, which deals with the attraction of wearing uniforms, and in 1972 "Isidore and the Consequences". Marlies Graf-Dätwyler and Urs Graf also co-directed the documentary “Seriat” (1991). a. was awarded the Film Prize of the Canton and the City of Zurich. In 2001, the three-part series “Islamic Everyday Life in Zurich” (2001) followed again in co-direction.

Marlies Graf's films have received a lot of media attention since the beginning for their differentiated access and formal strength.

In 2005, Marlies Graf-Dätwyler and Rainer W. Trinkler worked as editor for the editing of the film “Klingenhof” by Beatrice Michel (Filmkollektiv Zürich). a. was awarded the Swiss Film Prize for Editing and Concept. As editor, she continued to draw "Peter Schneiders: 36 Existenzen" in 2006, "Jürg Frey: Inaudible Time" in 2007 and "Anette Schmucki: Hagel und Haut" in 2010 by Urs, who, like all her films, has been a director since 1970 at the Swiss Film Show , the Solothurn Film Festival . Marlies Graf-Dätwyler was also the sound designer for the film "Rosmarie, Susanne, Ruth" (1976) by Franz Reichle , which is also known as " Appenzeller sein undremain?" is known.

In the 1980s and 1990s, Marlies Graf-Dätwyler also created various medium-length films on the subject of age in collaboration with the Pro Senectute : “ALT-TAGE” (1987) as well as “Moving Monday” and “Moving Wednesday”. Some of these films can be viewed freely on the website of the Zurich Social Archives. A significant part of her filmography can be viewed on the website of the Zurich Film Collective and on the IMDB film database .

Web links

Individual evidence

  1. ^ Obituary for the work of Marlies Graf-Daetwyler, website Filmkollektiv Zürich and website of Urs Graf. Retrieved April 12, 2020 .
  2. ↑ (hm): Filmmaker Graf has died . In: Pietro Supino (ed.): Tages-Anzeiger . Tamedia, Zurich 2000, ISBN 978-3-11-050602-0 ( tagesanzeiger.ch [accessed February 15, 2020]).
  3. ↑ ebs .: visionary of emancipation . In: Neue Zürcher Zeitung (ed.): Feuilleton . Neue Zürcher Zeitung, Zurich July 29, 2014, p. 36 .
  4. ^ Marlies Graf Daetwyler: "Disabled Love". Retrieved February 15, 2020 .
  5. ^ Because of: professionalism between conciliation and commitment - impressions from the 14th Solothurn Film Festival . Ed .: Neue Zürcher Zeitung. Neue Zürcher Zeitung, Zurich February 2, 1979, p. 65 .
  6. ↑ SWISS FILMS: Marlies Graf Dätwyler. Retrieved February 15, 2020 .
  7. ^ Film collective Zurich: Current issues. Retrieved February 15, 2020 .
  8. ^ Film collective Zurich: On the history of the film collective Zurich. Retrieved February 15, 2020 .
  9. ^ Website of Urs Graf
  10. ^ Marlies Graf Daetwyler: "The farmers of Mahembe". Retrieved February 15, 2020 .
  11. ^ NN: Swiss film scene . Ed .: Neue Zürcher Zeitung. Morning issue 485, October 19, 1970, p. 28 .
  12. ^ Film collective Zurich: Current issues. Retrieved April 12, 2020 .
  13. ↑ Urs Graf and Marlies Graf Daetwyler: «Seriat». Retrieved February 15, 2020 .
  14. ↑ SDA: Zurich award for six films and a TV-DRS editorial team . Bern November 22, 1991.
  15. ^ Marlies Graf Daetwyler and Urs Graf: "Islamic everyday life in Zurich". Retrieved February 15, 2020 .
  16. ^ Roger Anderegg: Festschrift with gaps . Ed .: Sunday newspaper. Tamedia, Zurich January 7, 2007, p. 17 .
  17. ^ SDA: Solothurn Film Festival: Exhibition on two documentaries in the Solothurn Art Museum . Ed .: Swiss dispatch agency SDA. Bern January 23, 1991.
  18. ↑ Stefan Busz: Attempt to get closer (to the film Seriat) . Ed .: Cash. Ringier, Zurich March 15, 1991.
  19. ↑ ebs .: visionary of emancipation . In: Neue Zürcher Zeitung (ed.): Feuilleton . Neue Zürcher Zeitung, Zurich July 29, 2014.
  20. ^ NN: Swiss film scene . Ed .: Neue Zürcher Zeitung. Neue Zürcher Zeitung, Zurich October 19, 1970, p. 28 .
  21. ^ Because of: professionalism between conciliation and commitment - impressions from the 14th Solothurn Film Festival. Ed .: Neue Zürcher Zeitung. Zurich February 14, 1979, p. 65 .
  22. ↑ che .: The Tütüncü family in a foreign country - Seriat - a film by Urs Graf and Marlies Graf Dätwyler . Ed .: Neue Zürcher Zeitung. March 22, 1991, p. 81 .
  23. ↑ Swiss Film Prize . In: Wikipedia . March 23, 2020 ( wikipedia.org [accessed April 12, 2020]).
  24. ↑ artfilm.ch: Rosmarie, Susaanne, Ruth (1976). In: Artfilm.ch. Artfilm.ch, accessed on April 12, 2020 .
  25. ^ Zurich social archive: "Moving Monday" (film). 1996, accessed April 12, 2020 .
  26. ^ Social Archives Zurich: Marlies Graf Daetwyler. Zurich Social Archives, accessed on April 12, 2020 .
  27. ^ Film collective Zurich: Filmography. Retrieved April 12, 2020 .
  28. ↑ IMDB film database: Marlies Graf. Retrieved April 12, 2020 .
personal data
SURNAME Graf-Datwyler, Marlies
ALTERNATIVE NAMES Graf-Daetwyler, Marlies; Graf, Marlies
BRIEF DESCRIPTION Swiss filmmaker
DATE OF BIRTH October 1, 1943
PLACE OF BIRTH Aarburg
DATE OF DEATH February 12, 2020