Nele Lipp

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Nele Lipp , actually Cornelia Gabriele Müller (born May 14, 1948 in Hamburg ), is an interdisciplinary artist, art and dance scholar.

Life

Nele Lipp was born as the daughter of the doctor Alexander Müller and the fashion illustrator Henriette Müller. She is the granddaughter of the pharmacist and manufacturer Alexander Müller . From 1968 to 1975 she studied acting at Studio Frese and free art at the Hochschule für Bildende Künste (HFBK) in Hamburg with Gerhard Rühm , Franz Erhard Walther and Bazon Brock . In 2013 she was at the HFBK with the subject of fine arts and dance. Aspects of interaction with Michael Diers and Gabriele Brandstetter is doing her doctorate.

In 1976 their son Lauritz Lucian Lipp was born.

In 1990 she started working on a lexicon on dance / visual arts. From 1990 onwards, independent dance / art productions were created in the Hamburger Kunsthalle , the Osthaus Museum Hagen and at the EXPO2000 in Hanover.

From 1993 she wrote free journalistic texts. From 2000 to 2008 she organized the symposium series * BAU * KÖRPER * BEWEGUNG on the subject of the connection between dance and architecture. In 1997 she was co-founder of the association "KOÏNZI-DANCE interdisciplinary art Hamburg". From 2001 to 2006 she organized AUFTAUCHEN, a festival of the independent dance scene. From 2001 to 2005 she was the first chairwoman of the Society for Dance Research e. V. In 2010 she curated the exhibition “Dance in Hamburg in the 1920s” and staged the world premiere of The Broken Mirrors (1926), a dance pantomime by Klaus Mann . In 2013, the exhibition Treffpunkt Tante Clara was curated . Hamburg's Sphinx in the Hamburg State and University Library . In 2014 she developed the “KOÏNZI box” format. Sometimes madness is wisdom was created in this series . In 2016, she curated an exhibition in Hamburg about the life of the dancer Jean Weidt and created a new version of his choreography The Cell and wrote a monograph about him. In 2016 she created - as a summary of her previous dance performances - O Tempora O Mores. Grand Défilé des Masques (UA Factory of the Arts, Hamburg). In 2019 she curated the Valises et Passages culture week , with contributions by Ralf Beil, Michael Diers, Jasmin Schaitl and Simon Wassermann, among others.

Nele Lipp is a member of the German Dance Film Institute Bremen .

plant

  • 1966: Hamlet Montage (own version of Shakespeare's drama, Amerikahaus Hamburg)
  • 1972–1975: Institute the Last Rumor (performance series)
  • 1972/1973: Last moult (Super8 film)
  • 1973: Life is dead (performance)
  • 1974: Get yourself a double in time (photo work)
  • 1985–1990: Dancing pictures / barefoot in the museum (workshop series in the Hamburger Kunsthalle, among others)

Transformances / TanzPerformances / Lecture-Performances

  • 1991: The Shawl , Solo Transformance for Francisco de Goyas Las camas de la muerte
  • 1993: Between the gates , Transformance to pictures of the Admont Bible (exhibition hall, Munich)
  • 1994: Dance in the data dress , transformance for the conference "Platon's Cave" (Ernst-Osthaus Museum, Hagen)
  • 1995: No Entrance - Entrée interdite , Transformance to stucco work in the Gnadenkirche, Hamburg
  • 1996: Aber Maria , Transformance to representations of Mary by Max Ernst, Edvard Munch and Paul Klee (including St. Johannis , Hamburg)
  • 1998: white… black , dance of death based on Jean Cocteau's film Orphée (Museum for Sepulchral Culture, Kassel)
  • 1999: More and more cloths , expanded version of Das Tuch
  • 2000: The Credit , Transformance to Genesis, EXPO 2000
  • 2007: Malewitsch's Mattress (Lecture-Performance, Hamburger Kunsthalle)
  • 2009: Nijinska speaks (lecture performance, Hamburger Kunsthalle)
  • 2011: Systematists on the threshold of Romanticism: Carlo Blasis / Philipp Otto Runge (Lecture-Performance, Hamburger Kunsthalle)
  • 2017: O TEMPORA O MORES. - Grand Défilé des Masques for the listening program of the same name (Factory of the Arts, Hamburg)
  • 2019: Positions Posen Parallels - Lecture-Performance on four paintings from the Maike Brühns Collection (Marktkirche Blankenese)

Cooperations

  • 1990: Out of the ordinary (Transformance to paintings by Robert Delaunay, Willy Baumeister, Honoré Daumier and Francis Picabia, Thalia Theater in the Hamburger Kunsthalle)
  • 1992 Flowing standstill (Transformance to sculptures by Henry Moore, Thalia Theater in the Hamburger Kunsthalle)
  • 1994: Body Buildings (Transformance to the Hamburg Stock Exchange, Thalia Theater in the Hamburger Kunsthalle)
  • 2010 The Broken Mirrors ( Klaus Mann , world premiere, University of Fine Arts, Hamburg)
  • 2016 The Cell ( Jean Weidt , new production, Lola Rogge School, Hamburg)

Publications

Author

Editor

Contributions

  • When the sculpture seems to be flying, it meets the dance . In: dance movement gesture image . Göppingen 2019
  • Floating figures between the art forms of painting and dance . In: Hanns-Werner Heister (Ed.): Moving and Moving. The motif term in arts and sciences . Berlin 2017.
  • Geo-choreography - or relationships of dance to the earth and its spatio-temporal states and processes . In: Hanns-Werner Heister (Ed.): Layers, History, System. Geological metaphors and forms of thought in the arts . Berlin 2016.
  • Dance with the invisible. How death came to dance . In: dance & death . Kassel 2013. (cat.)
  • When the sculpture seems to be flying, it meets the dance . In: Gabriele Klein / Christa Zipprich (eds.): Dance theory text . Münster 2012.
  • Musicless dance to the rhythm of time . In: Thomas Phleps / Wieland Reich (eds.): Music contexts. Festschrift for Hanns-Werner Heister . Münster 2011.
  • Landing and stranding - artistic dance . In: Dirk Hempel / Friederike Weimar (ed.): Heaven on time. The culture of the 1920s in Hamburg . Neumünster 2010.

Web links

Individual evidence

  1. ↑ Membership Directory . In: DfdK. Retrieved March 2, 2019 .
  2. ↑ HFBK: Dr. phil. in art. Nele Lipp. Retrieved March 2, 2019 .
  3. ↑ WORLD: Tips of the day: 20 years of “Koïnzi Dance” . September 28, 2017 ( welt.de [accessed March 2, 2019]).
  4. ^ Exhibition meeting point Aunt Clara (18.1. - 10.3.). In: Stabi blog. January 3, 2013, accessed March 2, 2019 .
  5. ↑ PETRA SCHELLEN: “Your soul was far away” . In: The daily newspaper: taz . February 4, 2013, ISSN  0931-9085 , p. 23 ( taz.de [accessed on March 2, 2019]).
  6. ↑ Hamburg commemorates Hans / Jean Weidt. Retrieved March 2, 2019 .
  7. ↑ Gabriele Endo, Gerold Eppler, Stefanie Hamann, Nele Lipp, Marc L.Moskowitz, Garnet Schuldt-Hiddemann, Christina Schöner, Reiner Sörries and Thomas Thorausch u. a .: dance & death . Ed .: Museum for Sepulchral Culture. Kassel 2013, p. 84 .
  8. ^ Hamburger Abendblatt- Hamburg: In the beginning there was dance. August 10, 2000, accessed on March 2, 2019 (German).
  9. ↑ Nele Lipp: Dancing Pictures: Barefoot in the Museum: Exhibition of six paintings, with sketches by “dancing draftsmen” from September 14 to November 11, 1990 in the old café of the Hamburger Kunsthalle; Out of the ordinary: dance evening to four paintings, with improvisations by “drawing dancers” on May 13th and 15th, 9190 at TIK; an interdisciplinary project of the pedagogical department of the Hamburger Kunsthalle ... Museumspädagogischer Dienst Hamburg, 1990 ( google.de [accessed on March 2, 2019]).
  10. ↑ Anonymus AC02119759: Flowing standstill: dance sculptures and sculpture dances for four works by the sculptor Henry Moore with eighteen dancers from the Lola Rogge School . Ed .: Hamburger Kunsthalle. Hamburger Kunsthalle, museum educator. Dienst, Hamburg 1992 ( google.de [accessed on March 2, 2019]).
  11. ^ Idea: Yearbook of the Hamburger Kunsthalle . Prestel, 1990, pp. 291 ( google.de [accessed on March 2, 2019]).
personal data
SURNAME Lipp, Nele
ALTERNATIVE NAMES Müller, Cornelia Gabriele
BRIEF DESCRIPTION interdisciplinary artist, art and dance scholar and author
DATE OF BIRTH May 14, 1948
PLACE OF BIRTH Hamburg