Organs of the main church Sankt Michaelis
|
|
General
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place
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St. Michaelis main church
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Organ builder
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Steinmeyer
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Construction year
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1962 (large organ) 2009 (Fernwerk) 1914 ( Marcussen organ) 2010 (Bach organ) 1917 (Mendelssohn-Bartholdy organ)
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The main church Sankt Michaelis in Hamburg has five organs: the Marcussen organ on the concert gallery (north gallery), the large Steinmeyer organ on the west gallery, above in the attic a remote work , in the crypt the romantic Felix-Mendelssohn-Bartholdy organ and since the Carl-Philipp-Emanuel-Bach-Organ on the south pore in Advent 2010 . There is also a central console on the concert gallery.
Steinmeyer organ
The large organ was built between 1960 and 1962 by the organ building company GF Steinmeyer & Co. (Oettingen) as Opus 2000 and replaced the former Walcker organ. The design of the prospectus is largely based on this predecessor. It is the main organ of the Hamburg main church St. Michaelis and an important testimony to the organ building of the 1960s. In 2009/2010, the Steinmeyer organ was restored to its original state by the company Freiburger Orgelbau Hartwig and Tilmann Späth with only small changes (addition of a pedal register Subbass 16 '). Because of its special timbre it is classified as an important neo-baroque sound monument.
The instrument has 86 registers with a total of 6674 pipes, distributed over five manuals and pedal . The game actions are mechanical, the stop actions are electropneumatic. In contrast to the Marcussen organ, the great organ is arranged in the neo-baroque style. During the restoration of the organ in the years 2009-2010, the previous mechanical cord action was exchanged for a wooden action.
I positive C-g 3
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01. |
Quintadena |
16 ′
|
02. |
Principal |
08th'
|
03. |
Pointed flute |
08th'
|
04th |
octave |
04 ′
|
05. |
Reed flute |
04 ′
|
06th |
octave |
02 ′
|
07th |
Flat flute |
02 ′
|
08th. |
Nasat |
2 2 ⁄ 3 ′
|
09. |
Mixture VI – VIII0
|
1 1 ⁄ 3 ′
|
10. |
Cimbel III |
01 ⁄ 6 ′
|
11. |
bassoon |
16 ′
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12. |
Trumpet |
08th'
|
13. |
Vox humana |
8th'
|
|
Tremulant
|
|
II Hauptwerk C – g 3
|
14th |
Principal |
16 ′
|
15th |
octave |
08th'
|
16. |
octave |
04 ′
|
17th |
octave |
02 ′
|
18th |
Fifth |
5 1 ⁄ 3 ′
|
19th |
Fifth |
2 2 ⁄ 3 ′
|
20th |
Mixture VI – VIII |
02 ′
|
21st |
Scharff IV |
02 ⁄ 3 ′
|
22nd |
Cornett V (from f)0
|
08th'
|
23. |
Trumpet |
16 ′
|
24. |
Trumpet |
08th'
|
25th |
Trumpet |
04 ′
|
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III Swell C – g 3
|
26th |
Bourdon |
16 ′
|
27. |
Principal |
08th'
|
28. |
Viol flute |
08th'
|
29 |
Beat (from c)0
|
08th'
|
30th |
octave |
04 ′
|
31. |
Flute travers |
04 ′
|
32. |
octave |
02 ′
|
33. |
Fifth |
2 2 ⁄ 3 ′
|
34. |
third |
1 3 ⁄ 5 ′
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35. |
Seventh |
1 1 ⁄ 7 ′
|
36. |
Mixture IV-VI |
1 1 ⁄ 3 ′
|
37. |
Bombard |
16 ′
|
38. |
Trumpet |
08th'
|
39. |
Hautbois |
08th'
|
40. |
Clairon |
04 ′
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Tremulant
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IV Kronwerk C – g 3
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41. |
Hollow flute |
08th'
|
42. |
Pointed Gamba0
|
08th'
|
43. |
Principal |
04 ′
|
44. |
Pointed flute |
04 ′
|
45. |
octave |
02 ′
|
46. |
Gemshorn |
02 ′
|
47. |
octave |
01'
|
48. |
Nasat |
2 2 ⁄ 3 ′
|
49. |
Terzian II |
1 3 ⁄ 5 ′
|
50. |
Sharff VI |
01'
|
51. |
shelf |
16 ′
|
52. |
Krummhorn |
08th'
|
53. |
prong |
04 ′
|
|
Tremulant
|
|
V breastwork C – g 3
|
54. |
Quintadena |
08th'
|
55. |
Dumped |
08th'
|
56. |
Principal |
04 ′
|
57. |
recorder |
04 ′
|
58. |
octave |
02 ′
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59. |
Fifth |
1 1 ⁄ 3 ′
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60. |
Sesquialtera II0
|
2 2 ⁄ 3 ′
|
61. |
Scharff V – VII |
01'
|
62. |
Cimbel II |
01 ⁄ 3 ′
|
63. |
Dulcian |
16 ′
|
64. |
Bear whistle |
08th'
|
65. |
Schalmey |
04 ′
|
|
Tremulant
|
|
Zimbelstern
|
|
Pedal C – g 1
|
66. |
Principal |
32 ′
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67. |
octave |
16 ′
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68. |
Gemshorn |
16 ′
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69. |
Subbass (2009)
|
16 ′
|
70. |
octave |
08th'
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71. |
Dumped |
08th'
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72. |
octave |
04 ′
|
73. |
Coupling flute |
04 ′
|
74. |
Night horn |
02 ′
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75. |
Peasant flute |
01'
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76. |
Backset V |
04 ′
|
77. |
Rauschpfeife III |
2 2 ⁄ 3 ′
|
78. |
Mixture VI – VIII |
02 ′
|
79. |
trombone |
32 ′
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80. |
trombone |
16 ′
|
81. |
Dulcian |
16 ′
|
82. |
Trumpet |
08th'
|
83. |
Upright shelf |
08th'
|
84. |
Trumpet |
04 ′
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85. |
Vox humana |
04 ′
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86. |
Singing Cornett0
|
02 ′
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-
Couple
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Normal coupling: III / I, IV / I, V / I, I / II, III / II, IV / II, V / II, IV / III, V / III, V / IV, I / P, II / P, III / P, IV / P, V / P.
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Sub-octave coupling: III / III through coupling (2009)
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Super octave coupling: III / III through coupling (2009).
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Playing aids : Computer- controlled typesetting system
Fernwerk
Exit opening of the remote plant
St. Michaelis has had a remote plant since 1912 . The old remote plant was in the attic and was built in connection with the large Walcker organ from 1912, which was located on the site of today's Steinmeyer organ. This Fernwerk was said to have excellent acoustic properties, because in combination with the Walcker organ, which was in the meantime the largest church organ in the world, it was one of the most famous instruments of its time. However, the old remote plant became unusable in 1945.
Based on the old remote control, the Klais company built a new remote control in 2009, which can only be operated from the central console. The intonation of the registers was carried out by Reiner Janke from Freiburg Organ Builders. The sound radiation into the room took place then as now via a sound channel to an opening in the middle of the church ceiling.
I Manual C – c 4 (expanded to c 5 )
|
01. |
Drone |
16 ′
|
02. |
Principal |
08th'
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03. |
Tibia II |
08th'
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04th |
Salicional |
08th'
|
05. |
Echo gamba |
08th'
|
06th |
Beat (from c 0 )
|
08th'
|
07th |
Fugara |
04 ′
|
08th. |
Gemshorn |
04 ′
|
09. |
Harmonia aetheria IV (up to c 4 )
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10. |
horn |
08th'
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|
rain
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I Manual (high pressure charging) C – c 4
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11. |
Principal |
08th'
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12. |
Gamba |
08th'
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13. |
Tuba (comb. With tuba 8 ′)
|
16 ′
|
14th |
Tuba (from No. 13) |
08th'
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Pedal C – f 1
|
15th |
Violon |
16 ′
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16. |
Drone (= No. 1) |
16 ′
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17th |
Violon (from No. 15) |
08th'
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Coupling (central console)
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Normal coupling: FW / I, FW / II, FW / III, FW / IV, FW / V, FW / P; HD / I, HD / II, HD / III, HD / IV, HD / V, HD / P
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Sub-octave coupling: FW / FW, HD / HD
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Super octave coupling: FW / FW, HD / HD, each expanded
Marcussen organ
The second large organ in the Michaeliskirche is on the side gallery. The so-called “concert organ” goes back to an instrument with 42 registers, which was built in 1914 by the Danish organ builder Marcussen & Søn and extensively reworked in the 1950s by the Walcker organ builder . Walcker removed the original pneumatics, electrified the instrument, added a third manual and changed the disposition permanently. The original closed nature of the instrument from 1914 has been largely lost.
Disposition of the Marcussen organ, after modification by the Walcker company in the 1950s:
I main work C – c 4
|
Quintad |
16 ′ |
1914
|
Principal |
08th' |
1914
|
Gemshorn |
08th' |
1914
|
octave |
04 ′
|
Open flute |
04 ′ |
1914
|
Nasard |
2 2 ⁄ 3 ′
|
octave |
02 ′ |
1914
|
Mixture VI – VIII
|
Zimbel III
|
Trumpet |
08th' |
1914
|
|
II Positive C-c 4
|
Dumped |
08th' |
1914
|
Quintad |
08th' |
1914
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Principal |
04 ′
|
recorder |
04 ′ |
1914
|
octave |
02 ′
|
Fifth |
1 1 ⁄ 3 ′
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Scharff IV – VI
|
Dulcian |
16 ′
|
Krummhorn |
08th'
|
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III Swell C – c 4
|
Dumped |
16 ′0
|
1914
|
Principal |
08th' |
1914
|
Wooden flute |
08th' |
1914
|
Viol flute |
08th' |
1914
|
octave |
04 ′ |
1914
|
Reed flute |
04 ′
|
octave |
02 ′
|
Gemshorn |
02 ′ |
1914
|
octave |
01'
|
Terzian II
|
Rauschpfeife II |
|
1914
|
Scharff V
|
oboe |
08th' |
1914
|
Rohrschalmey |
04 ′
|
Tremulant
|
|
Pedal C – f 1
|
Principal |
16 ′ |
1914
|
Sub-bass |
16 ′ |
1914
|
Gedackt (from SW) |
16 ′ |
1914
|
Fifth |
10 2 ⁄ 3 ′ |
1914
|
Octave bass |
08th' |
1914
|
Dumped |
08th' |
1914
|
octave |
04 ′ |
1914
|
Night horn |
02 ′
|
Mixture VI |
|
1914
|
trombone |
16 ′ |
1914
|
Trumpet |
08th' |
1914
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|
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Link : I / P, II / P, III / P, II / I, III / I, III / II
- Note: 1914 = Register came (largely) from the original organ built by Marcussen.
View of the Marcussen organ
In the course of the renovation measures for the organs in 2009/2010, the concert organ was restored and reconstructed in terms of sound and technology by the company Klais , Bonn. The tonal goal was to recreate a surround sound that approximates the original sound.
Much of the pipework, the case and all wind chests were preserved. By analyzing comparable instruments and using the commemorative publication from the time of its construction, in which the entire instrument was carefully depicted, the historical organ substance (console, some registers) that no longer existed could be reconstructed. The manual that was added later has been removed. The organ now has its own pneumatic two-manual console, which is sunk into the orchestra gallery. The Marcussen organ has had 40 registers with 2751 pipes since 2010.
I main work C – c 4
|
01.
|
Principal
|
16 ′
|
02. |
Drone |
16 ′
|
03. |
Principal |
08th'
|
04th |
Gamba |
08th'
|
05. |
Gemshorn |
08th'
|
06th |
Dulcian |
08th'
|
07th |
Double flute |
08th'
|
08th. |
Reed flute |
08th'
|
09. |
octave |
04 ′
|
10. |
Open flute |
04 ′
|
11. |
Quintatön |
04 ′
|
12. |
Fifth |
2 2 ⁄ 3 ′
|
13. |
octave |
02 ′
|
14th |
Mixture III-IV
|
15th |
Trumpet |
08th'
|
|
II Swell C – c 4 (–c 5 ) *
|
16. |
Lovely Gedackt |
16 ′
|
17th |
Principal |
08th'
|
18th |
Salicional |
08th'
|
19th |
Aeoline |
08th'
|
20th |
Vox coelestis from c 0
|
08th'
|
21st |
Concert flute |
08th'
|
22nd |
Dumped |
08th'
|
23. |
Quintatön |
08th'
|
24. |
octave |
04 ′
|
25th |
Gemshorn |
04 ′
|
26th |
Flute |
04 ′
|
27. |
Octave flute * |
02 ′
|
28. |
Third* |
1 3 ⁄ 5 ′
|
29 |
Cornett IV – VI *
|
30th |
Intoxicating fifth * |
2 2 ⁄ 3 ′
|
31. |
oboe |
08th'
|
|
Pedal C – f 1
|
32. |
Principal bass |
16 ′
|
33. |
Violin bass |
16 ′
|
34. |
Sub bass |
16 ′
|
35. |
Gedacktbass (= No. 16) |
16 ′
|
36. |
octave |
08th'
|
37. |
Dumped |
08th'
|
38. |
Fifth |
10 2 ⁄ 3 ′
|
39. |
Fifth |
05 1 ⁄ 3 ′
|
40. |
octave |
04 ′
|
41. |
trombone |
16 ′
|
42. |
Trumpet |
08th'
|
|
In the swell, all registers except for those marked with * are expanded
up to c 5
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Coupling : II / I, I / P, II / P.
-
Coupling (central console) :
-
Normal coupling: HW / I, HW / II, HW / III, HW / IV, SW / I, SW / II, SW / III, SW / IV, HW / P, SW / P
-
Sub-octave coupling: SW / SW through coupling
-
Super octave coupling: SW / SW expanded, through coupling.
- Notes A.
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↑ Transmission from pedal (No. 32) and swell mechanism (No. 17).
Central gaming table
Since the 1950s there has been an effort to approach an ideal state by electrically connecting the two large organs, but this has not been realized.
The central console was added with the restoration of the Steinmeyer organ and the Marcussen organ in 2009/10 and is located in the concert gallery. From there, the Steinmeyer organ, the Marcussen organ and the Fernwerk can be played together, which is ideal for symphonic organ music. At the five-manual console with pedal, the organist has a total of 145 registers with over 10,000 pipes at his disposal, which can be used to create an impressive sound in the church.
Carl Philipp Emanuel Bach organ
View of the Carl-Philipp-Emanuel-Bach-Organ
The new construction of this organ in 2010 by the Freiburg organ builders Hartwig and Tilmann Späth replaces the previous choir organ, which was located in the doorway between the sacristy and the choir and had to be abandoned for liturgical reasons. It was set up opposite the Marcussen organ on the upper small south pore. In terms of technology and disposition, it is based on baroque sound ideals and tries to revive a piece of early Hamburg music tradition - it is named after Carl Philipp Emanuel Bach , the son of Johann Sebastian Bach , also known as "Hamburg Bach" , the 1768 successor of his godfather Georg Philipp Telemann was church music director in Hamburg.
I main work C – f 3
|
1. |
Principal |
08th'
|
2. |
Wooden flute |
08th'
|
3. |
Octave |
04 ′
|
4th |
Transverse flute0
|
04 ′
|
5. |
Octave |
02 ′
|
6th |
Fifth |
1 1 ⁄ 3 ′
|
|
II Oberwerk C – f 3
|
07th |
Dumped |
08th'
|
08th. |
Reed flute0
|
04 ′
|
09. |
Nazard |
2 2 ⁄ 3 ′
|
10. |
flute |
02 ′
|
11. |
Dulcian |
08th'
|
|
Pedal C – f 1
|
12. |
Sub bass |
16 ′
|
13. |
Open bass0
|
08th'
|
|
Felix Mendelssohn Bartholdy organ
Felix Mendelssohn Bartholdy organ in the crypt of the Hamburg Michel
There is a crypt under the main church . It measures approx. 44 m × 42 m and is structured by supporting columns that support the church floor. The crypt is used for church services and concerts. The organ is a romantic instrument that was built in 1917 by the organ builder Johannes Strebel . In 2009/2010 the instrument was restored by the Freiburg organ builders Hartwig and Tilmann Späth and equipped with a mobile electric console. The organ has seven registers, which are divided into two manuals and pedal, and has 363 pipes. It is therefore the smallest of all the organs in Hamburg's Michel.
I Manual C-g 3
|
1. |
Principal |
8th'
|
2. |
Viola di gamba0
|
8th'
|
3. |
Hollow flute |
8th'
|
4th |
octave |
4 ′
|
|
II Manual C-g 3
|
5. |
Darling Covered0
|
8th'
|
6th |
Salicional |
8th'
|
|
Pedal C – d 1
|
7th |
Sub bass |
16 ′
|
|
literature
-
Johannes Habich : The great St. Michaelis Church in Hamburg . 4th edition. Deutscher Kunstverlag, Munich [including] 1993 (large architectural monuments; H. 310).
-
Matthias Gretzschel : St. Michaelis. The Hamburg Michel. Hamburger Abendblatt, Hamburg 1996, ISBN 3-921305-27-6 .
-
Hermann Heckmann : Builder of the Baroque and Rococo in Mecklenburg, Schleswig-Holstein, Lübeck . Verlag Bauwesen, Hamburg, Berlin 2000, ISBN 978-3-345-00692-0 .
- Günter Seggermann: The organs of the main church St. Michaelis in Hamburg: A contribution to the history of the Hamburg organ building . 2nd Edition. Schnell and Steiner, Munich and Zurich 1992, ISBN 3-7954-0668-4 .
- Markus Zimmermann: The organs of the main church St. Michaelis in Hamburg . 3. Edition. Schnell & Steiner, Regensburg 2010, ISBN 978-3-7954-6884-2 .
Web links
53.548333333333 9.9788888888889Coordinates: 53 ° 32 '54 " N , 9 ° 58' 44" E