Pablo Bas

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Pablo Germán Bas is an Argentine composer.

Bas studied guitar, piano and composition. His teachers included Manolo Juárez , Julio Viera , Alejandro Moro , María del Carmen Aguilar , Luis Borda and Celina Rosenthal de Suez . As a production assistant for the Japanese television station Kinniku Banzuke, he worked on various radio and television programs from 1998. From 2000-01 he was co-director of the experimental exhibition Tiempo Naranja, Bazar de Arte , which took place in the Centro Cultural Recoleta and the Centro Cultural Universitario in Buenos Aires.

Since 2003 he has been responsible for the audio-digital area as an employee of Users magazine . In 2005 he published the book Audio Digital . For the Instituto de Nacional de Musicología Carlos Vega, he restored and remastered over 3000 historical music recordings from the 1930s and 1940s together with Sebastián Zubieta, supported by the US Grammy Foundation .

Bas gave private lessons in guitar and electro-acoustic music. From 2001 he gave courses in audiovisual and digital art at the Image Campus center . Since 2006 he has been a lecturer for audiovisual and electroacoustic media at the Conservatorio Provincial "Isaías Orbe" and teaches at the Universidad Nacional del Centro de la Provincia de Buenos Aires (UNICEN), where he has been director of the seminar and concert series Música y Arte Sonoro since 2007 / Tandil is.

As a musician, Bas played guitar in various groups, took over the mastering of recordings such as Jesús, el Nazareno by Pablo Ojeda and from 2008 appeared with the singer Mariana Dátola . In 2006 he presented his composition Cadencia chicha at the Festival Internacional de Música Electroacústica Primavera in Havana . In addition to chamber music works, he composed film scores, music and effects for websites and games and ring tones.

Works

  • Relatos , four movements for string sextet
  • Film music for Cielo de Pez by Rodrigo Pulpeiro , 1992
  • El hombre muerde al perro for piano, 1994
  • Film music for Salvaje Pasión by Martín Núñez and Guillermina Sosa , 1994
  • Film music for Ciudad de Dios by Victor González , 1997
  • Music for Tiempo Naranja / Bazar de Arte , poetry, painting and video presentation at the Centro Cultural Universitario de Tandil (with Gabriela Pedro ), 2000
  • Music and sounds for the video production Tropekúo (with Gabriela Pedro), 2000
  • Preludio del Día , study for guitar, 2001

Web links

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