Petru Stoianov

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Petru Stoianov (born October 29, 1939 in Vinga , Arad County ) is a Romanian composer and musicologist .

Life

From 1963 to 1964 Stoianov studied music theory, choral conducting and music history in Arad with Nicolae Brânzeu , then in 1969 at the George Enescu Conservatory in Iași, music theory with Adrian Diaconu , harmony and composition with Anton Zeman , counterpoint with Vasile Spătărelu , music history with George Pascu , folk music with George Pascu Gheorghe Ciobanu , choir director with Ion Pavalache and piano with Ion Welt . This was followed by a licensed degree in music education and composition at the former Ciprian Porumbescu Conservatory with Anatol Vieru (composition), Florin Eftimescu (harmony), Nicolae Buicliu and Dinu Ciocan (counterpoint), Tudor Ciortea (form theory), Ovmaidiu Varga and Octavian Lazăr (Music history), Emilia Comișel (folk music), George Bălan (musical aesthetics), Vinicius Grefiens (score reading ), Aurel Stroe (instrumentation and orchestration), Marin Constantin (choir director) and Grete Gabriel Ionescu (piano).

Until 1989 Stoianov worked as a professor at the Școala de Muzică și Arte Plastice nr. 2 in Bucharest. He then worked until 1998 as music inspector at the Bucharest Municipal School Inspectorate and until 2001 at the Ministry of Education. From 2000 to 2004 he was Vice Dean of the Music Faculty of the National Music University in Bucharest, since then he has been Professor and Vice Dean of the Music Faculty of Spiru Haret University .

Since 1993 Stoianov has been vice-president of the Romanian committee of Jeunesses Musicales International and founder and musical director of the international competitions of Jeunesses Musicales in Bucharest. In addition, he worked in the 1990s as director, executive director and advisor at the Săptămâna Internațională a Muzicii Noi (International Week for Contemporary Music) in Bucharest.

Works

  • Lecție despre colind , ten variations for piano, 1970
  • Variațiuni pentru orchestră , 1971
  • La țărm , Lied (verses by Stefan Augustin Doinas ), 1971
  • Mișcare simfonică , 1972
  • Proporții II for two solo instruments, 1978
  • Două madrigale închinate patriei for choir (verses by Dan Mutascu ), 1980
  • Patru afirmatii în sprijinul realului , concert music for clarinet, piano, violin, viola and cello, 1982–83
  • Pe un cadran solar I , violin sonata, 1984
  • Pe un cadran solar II , ballad for clarinet and reciter (verses by Nichita Stănescu ), 1985
  • Țara noastră for mixed choir (verses by Ion Nicolescu ), 1986
  • Brâul grâului for mixed choir, 1986
  • Această țară de vis , poem for mixed choir and soloists (verses by Nichita Stănescu), 1986
  • Vara românească for choir (verses by Gheorghe Daragiu ), 1986
  • Tinerețe , madrigal for mixed choir (verses by Eugen Barbu), 1987
  • Cuvinte și strigături , Suite for mixed choir and soloists, 1987
  • Țara în toamnă , triptych for mixed choir and soloists (verses by Marius Robescu ), 1987
  • Țara în toamnă , Triptych for choir (verses by Marius Robescu ), 1987
  • Colindă de țară , diptych for mixed choir (verses by Nichita Stănescu), 1988
  • Amfora luminii for mixed choir and soprano (verses by Vasile Voiculescu ), 1988
  • Noi suntem români for choir (verses by Ion Nicolescu ), 1988
  • Ghicitori muzicale , 15 pieces for choir (verses by Valentin Petculescu ), 1988
  • Școala de muzică , suite for choir (verses by Grete Tartler ), 1989
  • Omagiu eroilor neamului , poem for mixed choir and soloists, (verses by Eugen Barbu ), 1989
  • A te sprijini pe propriul tău pământ for mixed choir (verses by Nichita Stănescu), 1990
  • Zori de-aş fi , madrigal for mixed choir (verses by Eugen Barbu), 1991
  • Heteropsalmia for instrumental ensemble, 1991
  • Rugă , poem for choir and soloists (verses by Stefan Mitroi ), 1991
  • Introspectiv 47 for instrumental ensemble, 1993
  • Hiperboreeana - Cântul I , poem for string orchestra, 1993
  • "2 + 2" ', Proportions pour Emphasis for soprano, alto, tenor and baritone saxophone, 1993
  • "2 + 1 + 1", Proportions pour saxophone soprano, alto, tenor, baryton , 1994
  • Pentachoralia per Archaeus for instrumental ensemble, 1995
  • Pe un cadran solar III for cello, 1997
  • HaOr I for soprano, alto, tenor and baritone saxophone, 1998
  • Slavă Ție, Doamne , poetry for mixed choir, 1998
  • HaOr II for wind orchestra, 1999
  • HaOr III In memoriam Anatol Vieru for string orchestra, 2000
  • Noduri și Semne , concert for instrumental ensemble, 2001
  • Exiști, Doamne , poetry for mixed choir and reciter (verses by Karol Józef Wojtyła ), 2003
  • Invizibilul Soare, Cântec sau altfel spus, TRIO pentru CONTRASTE , 2004

Fonts

  • Noduri și Semne. Posibile structuri pe scara unui model modal , Bucharest, Editura Muzicala, 2003
  • Noi modalități de abordare a folclorului în creația muzicală românească , Bucharest, Editura Muzicala, 2004
  • Simbolism și expresie numerică în universul creației lui Anatol Vieru. Vol. I: 1. Scene nocturne; 2. Lupta cu inerția , Bucharest, Editura Muzicala, 2004