Psychological morphology

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The psychological morphology is a psychological theory of Wilhelm Salber was developed in the mid-20th century. Based on the morphological studies of Johann Wolfgang von Goethe, the theory was named "psychological morphology" and can be assigned to the deep and cultural psychological directions of psychology. Psychoanalysis according to Sigmund Freud forms the essential theoretical framework , although the drive theory is rejected as a distinction to this . Furthermore, the psychological morphology relates partly - albeit critically - to the Gestalt theory .

The main areas of application of psychological morphology are found in everyday, cultural, media and market research . Primarily qualitative methods such as in- depth interviews , group discussions and participatory observations are used.

The theory developed by Wilhelm Salber found an application-oriented further development in the morphological music therapy Rosemarie Tüpkers ; The analytical intensive treatment , which is part of the spectrum of depth psychologically founded psychotherapy , also relates to psychological morphology . This was developed by W. Ernest Freud , Wilhelm Salber and other psychologists from the University of Cologne . A state-recognized training institute for psychological psychotherapists , which also includes concepts of analytical intensive treatment in this depth psychological framework, has existed in Cologne since 2011.

In 1993 the Scientific Society for Psychological Morphology (GPM) was founded with the aim of further developing the psychological research direction in morphology. Herbert Fitzek provides an up-to-date methodological and historical scientific derivation and evaluation of morphology from hermeneutic , depth and cultural psychological traditions of the humanities .

Web links

Individual evidence

  1. ↑ Herbert Fitzek (2014): Gestalt psychology compact. Basics of a psychology for practice (essentials). Wiesbaden: Springer VS.
  2. ^ Johann Wolfgang von Goethe: Writings on morphology. Frankfurter Ausgabe, Volume 24. Deutscher Klassiker Verlag, Frankfurt am Main 1987.
  3. ^ Gert Gutjahr (2011): Psychodynamik. Effect of unconscious processes. In Gabriele Naderer & Eva Balzer (eds.), Qualitative market research in theory and practice. Basics - Methods - Applications (2nd, revised edition, pp. 70–82). Wiesbaden: Gabler.
  4. ^ Herbert Fitzek (2010): Gestalt psychology. In Günther Mey & Katja Mruck (eds.), Handbook Qualitative Research in Psychology (pp. 94-106). Wiesbaden: VS publishing house for social sciences.
  5. ^ Wilhelm Salber (1987-1989): Developments in the psychology of Sigmund Freud. Volumes 1-3 Bouvier-Verlag: Bonn.
  6. ↑ a b c Jens Lönneker (2011). Morphology. The effect of qualities - design in change. In Gabriele Naderer & Eva Balzer (eds.), Qualitative market research in theory and practice. Basics - Methods - Applications (2nd, revised edition, Wiesbaden: Gabler pp. 83–110)
  7. ^ Daniel Salber (2013): Reality in Transition. Introduction to Morphological Psychology (2nd ed.). Bonn: Bouvier.
  8. ↑ see Herbert Fitzek & Wilhelm Salber: Gestalt psychology: history and practice . Wissenschaftliche Buchgesellschaft 2012 (special edition of the first edition from 1996).
  9. ^ Wilhelm Salber: Everyday life is not gray. Bouvier-Verlag, Bonn 1989
  10. ↑ Herbert Fitzek (2000): Everyday Figures - a cultural psychological research program [22 paragraphs]. Forum Qualitative Social Research / Forum: Qualitative Social Research, 1 (2), Art. 8, http://nbn-resolving.de/urn:nbn:de:0114-fqs000289 .
  11. ^ Herbert Fitzek (2010): Morphological description. In Günther Mey & Katja Mruck (eds.): Handbook Qualitative Research in Psychology (pp. 692–706). Wiesbaden: VS publishing house for social sciences.
  12. ↑ Dirk Ziems: On the death of Wilhelm Salber. Pioneer of depth psychological market research from December 5, 2016 . Retrieved December 16, 2016
  13. ^ Rosemarie Tüpker: Wilhelm Salber. An obituary from music therapy from December 11, 2016. University of Münster . Retrieved December 16, 2016
  14. ↑ Rosemarie Tüpker (1983): Morphological working methods in des Musiktherapie , Musiktherapeutische Umschau, 4, pp. 247–264; Rosemarie Tüpker (1988): I sing what I can't say. On the morphological foundation of music therapy . Regensburg: bosses; Weymann, Eckhard Morphological Music Therapy , in: Hans-Helmut Decker-Voigt & Eckhard Weymann (eds., 2009): Lexikon Musiktherapie , Göttingen: Hogrefe, 274–277; Morphological Music Therapy , in: Wigram, Tony et al. (eds., 2002), A Comprehensive Guide to Music Therapy , London: Kingsley, 320; Frank G. Grootaers (2004): Pictures deal with pictures. Music therapy as applied morphology ; Ulrike Haffa-Schmidt (1999): Music therapy with mentally ill young people: Basics and fields of practice , Vandenhoeck & Ruprecht.
  15. ↑ W. Ernest Freud (1984): Shortening and intensifying factors in analysis from a clinical and psychoanalytic point of view . Y. Ahren & W. Wagner (Eds.), Analytical Intensive Consulting. Cologne: Working Group Morphological Psychology e. V.
  16. ^ Wilhelm Salber (2001): Psychological treatment (2nd, revised edition) Bonn: Bouvier.
  17. ↑ Training institute for deep psychological psychotherapy of the WGI ; Sponsor: Scientific Society for Analytical Intensive Treatment / Psychotherapy e. V. - WGI; see Chamber of Psychotherapists NRW: Training institutes for psychological psychotherapists
  18. ↑ Herbert Fitzek: Content and form of expressions as access routes to psychic reality. A comparison of content analysis and morphology as method concepts in qualitative social research. Pabst Science Publishers, Lengerich 2008.
  19. ↑ Herbert Fitzek: Morphological Psychology. In: Günther Mey & Katja Mruck (eds.): Qualitative research in psychology. A manual. Verlag für Sozialwissenschaften, Wiesbaden 2010, pp. 94-106.