Publication of older practical and theoretical musical works

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Publication of older practical and theoretical musical works (abbr. PGfM ) is an extensive series of documents on the history of music “preferably from the 15th and 16th centuries” along with a few treatises. It was published by the Society for Music Research under the editorial direction of Robert Eitner . It was published in 33 years from 1873 to 1905 (= 29 volumes) in Berlin (years I – VII) and Leipzig (no year). On the one hand, the volumes are counted according to the year, on the other hand they are numbered consecutively.

Contents overview

(based on volumes 1–29)

  • 1st - 3rd A hundred and fifteen good new songs with German, Latin, French and Italian lyrics for 4, 5 and 6 parts, set by the most important masters of the 15th and 16th centuries such as ...: collected and in 1544 in Nuremberg with 4 part books 1544, ed. by Hans Ott . Score with piano reduction. A hundred and fifty toes of good newer songs (1544)
  • 4. Introduction, biographers, melodies and poems from Hans Ott's collection of songs from 1544.
  • 5. Musical skills on liturgical drama, organ building and playing, the extra-liturgical song and the instrumental music of the Middle Ages, by PA Schubiger. Lfg. II.
  • 6. Josquin Desprez , Selected compositions, 4-, 5-, u. 6-part mass (Missa L'Homme armé super voces musicales), motets, psalms and chansons. Score with piano reduction.
  • 7. Johann Walter , Wittembergisch Geistlich Gesangbuch from 1524; 3, 4 and 5 voices. Score.
  • 8. Heinrich Finck , Selected compositions, 4-, 5- u. 6-part German, sacred and secular songs, hymns and motets along with 6 musical movements by Hermann Finck . Score with piano reduction.
  • 9. Erhart Oeglin , song book, 4 voices (1512). Score.
  • 10. Opera from its earliest beginnings to the middle of the 18th century. 1 th .: Introduction Caccini 's Euridice; Gagliano 's Dafne; and Monteverdi 's Orfeo. With exposed figured bass.
  • 11. Sebastian Virdung , Musica sucked and pulled out (1511)
  • 12. Opera from its first beginnings to the middle of the 18th century. 2. Th. F. Cavallis Il Giasone (1649) and MA Cestis La Dori (1663).
  • 13. Michael Praetorius , 2 vol. ("De organographia") by Syntagma musicum. Wolfenbüttel 1618.
  • 14. The Opera ... 3. Th. Jean-Baptiste de Lully's Armide and Alessandro Scarlatti's La Rosaura. With exposed figured bass.
  • 15. Hans Leo Haßler , Lustgarten: a collection of German songs with four, five, six and eight voices, plus 11 instrumental movements
  • 16. Glareanus , Dodecachordon. German translation. Score.
  • 17. The opera ... 4. Th. Georg Caspar Schürmann , Ludovicus Pius or Ludewig the Pious. Score with piano reduction.
  • 18. The opera ... 5. Th. Reinhard Keizer , The ridiculous Prince Jodelet .
  • 19. Jakob Regnart , three-part German songs (Villanellen) together with Leonhard Lechner's 5-part arrangement. Score.
  • 20. Martin Agricola , Musica instrumentalis, German 1st & 4th ed.
  • 21. Johannes Eccard , New Spiritual and Secular Sadness, 5 u. 4 voices. 1589.
  • 22. Joachim a Burck , German sacred 4-part songs. 1575. The Passion according to Johannes, 4 parts. 1568 and The Passion after the 22nd Psalm of David (1574). Score and piano reduction.
  • 23. 60 chansons, 4 voices from the first half of the 16th century by French a. Dutch masters. Score.
  • 24. Gallus Dreßler , Motets, 4- u. 5-part score with piano reduction.
  • 25. Gregor Langius , 24 motets, 4-, 5-, 6-, u. 8 voices. Score with piano score.
  • 26. Orazio Vecchi , L'Amfiparnasso, a comedy from 1597 composed in five-part setting. Score.
  • 27. Jean-Marie Leclair , 12 sonatas for violin and basso continuo with a trio for violin, cello a. Figured bass. 2. Book of Sonatas (1732)
  • 28. Martin Zeuner . 82 spiritual hymns for five voices.
  • 29. Georg Forster , The second part of the two-part, good, fresh German little song to be sung almost amusingly in polyphonic sets in score by Rob. Eitner

literature

  • Riemann Musiklexikon (12.A.), subject part, p. 200

See also

Web links