Rebec

from Wikipedia, the free encyclopedia

The Rebec , also known as rebeck, rebecke, rebekke , is a forerunner of today's violin as a small violin and probably came to Central Europe via Spain in the 10th century or in the High Middle Ages . Like the numerous string instruments between North Africa and Southeast Asia, their name goes back to the Arabic root rbb . The shape is similar to the Afghan neck lute rubab , but differs from the Turkish spit lute rebap . Originally, the instrument had 1–3 strings in fifths (g, d`, a`). The Rebec of the 16th and 17th centuries has no frets .

Number of strings and tuning

Angel with Rebec 1509

The number of strings varies from one to five, with three being the most common. Often they are in fifths z. B. d 'a' e ". The tone range is mostly in the soprano or treble . There were also larger copies in the 17th century, so that there were pieces for Rebec consorts, similar to violas.

shape

The body is usually pear-shaped, but can also be flat and similar to a violin.

use

The fact that the Rebec was not supposed to have been an instrument of the higher ranks and that minstrels only "played to dance" is a common prejudice that arises from the history of the reception of the instrument in the 20th century. The opposite is the case: the music theorist of the 15th century Johannes Tinctoris gives the Rebec priority over other instruments of his time and suggests that it should only be used for sacred music . a. indicates that it must at least have been very widespread and recognized in higher strata.

“My instruments are the viola and the rebecum. Mine, I say, because through them my spirit rises to the affect of piety and because they most intensely stimulate my heart to contemplate heavenly joys. That is why I would rather use them for holy things and for the mysterious consolations of the mind than for profane celebrations. "

- Johannes Tinctoris: De inventione et usu musicae , translation by Karl Weinmann from: Johannes Tinctoris and his unknown treatise “De inventione et usu musicae” , Regensburg 1916/17

Instruments with similar names or types

Rabeca player in Brazil, 2007
  • Rababa , one to two-stringed box-shaped fiddle in Arabic folk music
  • Rabeca , three or four string violin of Portuguese origin in Brazil
  • Rabel (shepherd's violin), two or three-string violin of Spanish origin
  • Robeke, also called mbeka , single-stringed strings from the Indonesian island of Flores
  • Kemençe in the Black Sea region, including Lyra called
  • Gadulka in Bulgaria
  • Dran-nye or Dramyin in the Himalayan region
  • Qanbus in Yemen
  • Dance master violin

literature

  • Mary Remnant: Rebec, Fiddle and Crowd in England. In: Proceedings of the Royal Musical Association, 95th Sess. Taylor & Francis, 1968-1969, pp. 15-28.

Web links

Commons : Rebec  - collection of images, videos and audio files
  • Paul Butler: The Rebec Project. Rutgers University , October 21, 2003 (English, history, pictures, construction).;
  • Gudrun Petruschka: Rebec. (mp3 audio, 3.2 MB, 3:13 minutes) In: BR-Klassik broadcast “Keyword - Lexicon of Early Music”. October 6, 2019 .;

Individual evidence

  1. a b Katrin Anita Svoboda: "Life, Work and Music of the Schrammel Brothers", Chapter 2.1.1. Historical outline ac.uk, page 33