Tamara Grigoryevna Jarenko

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Tamara Grigorievna Jarenko ( Russian Тамара Григорьевна Яренко , born Miroshnichenko Russian Мирошниченко * 15. January 1923 in Moscow , † 3. October 2011 ibid) was a Soviet and Russian theater - and film - Actress .

Life and accomplishments

Tamara Miroschnitschenko was born in Moscow as the daughter of Grigori Anikeevich and Anna Sergejewna Miroschnitschenko (1892–1981). In 1941 the family was evacuated to Sverdlovsk . Tamara worked as a laboratory assistant in a factory in the Urals from 1942 to 1943 and attended the Moscow Institute for Physical Culture between 1944 and 1945. She then trained at the Gerasimov Institute of Cinematography until 1949 and then appeared for ten years at the Moscow State Theater of Film Actors. From 1957 to 1959 she worked for the Mosfilmstudio , but in July 1960 she moved to the Dowschenko studio in Kiev , where her husband Alexei Vladimirovich Yarenko lived. In 1963 the blonde Mimin returned to her hometown and got a job at the Gorki-Studio, where she was to be active until 1989.

Jarenko made her cinema debut in 1949 in У них есть Родина . She only played supporting and extras roles , including in the historical film Segel im Sturm (1953), the literary adaptations War and Peace (1966/67) based on Lev Tolstoy and 12 стульев (1976), an adaptation of the novel Twelve Chairs by Ilya Ilf and Yevgeny Petrow , as well as the fairy tale films The Tale of Tsar Saltan (1967) and The beautiful Varvara (1970). She was also involved in the Soviet-French production Леон Гаррос ищет друга ( Vingt mille lieues sur la terre , 1960) and the Soviet-Japanese social drama Маленький беглец ( 小 さ い 逃亡者 , 1966). In the Russian versions of Mandy and the Battle of Neretva she took over speaking roles, gleichso in the Hungarian productions The dear fellow and standing still, or I'll shoot! . Her filmography includes 60 works, the year of her death she was still in Первый русский . Jarenko also worked as a reciter on the concert program Концертные среды .

She died at the age of 88 and was buried in the Donskoi cemetery .

Private

Tamara Jarenko's marriage turned out to be problematic as she felt hemmed in by her husband and had few friends, including none of her colleagues in the Gorky studio. After Alexei's death in 1995, she lived alone. The only person with whom she maintained closer contact was her niece Irina, who also supported Jarenko financially and materially.

Filmography (selection)

Web links

Individual evidence

  1. a b Biography of Tamara Jarenkos on kino-teatr.ru (Russian), accessed on January 5, 2020
  2. a b Biography of Tamara Jarenkos on a-tremasov.ru (Russian), accessed on January 5, 2020
  3. Tamara Jarenkos' filmography on kino-teatr.ru (Russian), accessed on January 5, 2020