Thomas Ernest Abell Dale

Thomas Ernest Abell Dale (born April 25, 1961 in Vancouver ), often abbreviated to Thomas EA Dale , is a Canadian art historian who primarily deals with the art history of Venice , Aquileia and Northern Italy .

Life

Thomas Ernest Abell Dale, mostly published as Thomas EA Dale, was born in Vancouver, the largest city in the Canadian province of British Columbia . Dale received his bachelor's degree in 1984 from Trinity College, University of Toronto , and his Master of Arts in 1986 from Johns Hopkins University in Baltimore . There he was also in 1990 with The Crypt of the Basilica Patriarcale at Aquileia. Its Place in the Art and History of the Upper Adriatic , a work he published in 1997.

He initially worked as an assistant professor at Columbia University in New York until 1996 , and since then as a professor of # Professorships in Anglo-American countries . As an assistant professor, he taught at the University of Wisconsin – Madison from 1999 to 2000, then with tenure until 2005. Since then he has held a chair there and has been teaching at the department of art history since 2008. In 2008 he was visiting professor at the Paris École des Hautes Études en Sciences Sociales .

Works (selection)

• Cultural Hybridity in Medieval Venice: Reinventing the East at San Marco after the Fourth Crusade , in: San Marco and the Myths of Venice , Dumbarton Oaks, Washington 2007, pp. 151–191.
• Sacred Space: From Constantinople to Venice , in: Paul Stephenson (ed.): The Byzantine World , Routledge 2009, 406-427.
• From 'Icons in Space' to Space in Icons: Pictorial Models for Public and Private Ritual in the Thirteenth century mosaics of San Marco in Venice , in: Alexei Lidov (ed.): Hierotopy. The Creation of Sacred Space in Byzantium and Medieval Russia , Progress Traditsiia, Moscow 2006, pp. 1-18.
• Orientalism in Medieval Venice , De Paul University, Chicago 2006.
• Natasha Nicholson: the artist in her museum , in: Elizabeth Valdez del Alamo, Carol Stamatis Pendergast (eds.): Memory and the Medieval Tomb , Aldershot 2000, pp. 205–225.
• Relics, prayer, and politics in medieval Venetia. Romanesque painting in the crypt of Aquileia Cathedral , 1997.
• Easter, Saint Mark and the Doge: The Deposition Mosaic in the Choir of San Marco in Venice , in: Thesaurismata = Bollettino dell'Istituto Ellenico di Studi Bizantini e Post-Bizantini di Venezia 25 (1995) 21-33.

Web links

• Curriculum vitae , University of Wisconsin website (PDF)

Remarks

1. ↑ It was published under the title Relics, prayer, and politics in medieval Venetia. Romanesque painting in the crypt of Aquileia Cathedral , Baltimore 1997.
2. ↑ Review .