Ulrich Pfisterer (art historian)

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Ulrich Pfisterer (born December 30, 1968 in Kirchheim unter Teck ) is a German art historian who specializes in the field of Italian art. He is professor of general art history with special emphasis on Italian art at the Ludwig Maximilians University in Munich and director of the Central Institute for Art History .

Life

Ulrich Pfisterer studied art history, classical archeology and philosophy at the Albert Ludwigs University of Freiburg and the University of Munich as a scholarship holder of the German National Academic Foundation . He received his doctorate in 1997 at the University of Göttingen with a thesis on " Donatello and the discovery of styles, 1430–1445" and was then a postdoctoral fellow at the Art History Institute in Florence with lectureships at the University of Göttingen. From 1999 to 2002 he was assistant, from 2002 to 2006 junior professor at the art history seminar at the University of Hamburg . In 2006 he completed his habilitation there with the work “ Lysippus and his friends. Gifts of love and memory in Renaissance Rome - or: The first century of the medal ”. He is married to the art historian Cornelia Logemann .

Ulrich Pfisterer was a scholarship holder at the Bibliotheca Hertziana in Rome, at the Kunsthistorisches Institut in Florence, at the Herzog August Library in Wolfenbüttel , at The Getty Research Institute in Los Angeles and at the Center for Advanced Study in the Visual Arts CASVA / The National Gallery of Art in Washington, DC He was Directeur d'études invité at the École pratique des hautes études / Université Paris-Sorbonne and a fellow of the research group “BildEvidenz. History and Aesthetics ”at the Free University of Berlin . Since October 2006 he has been professor of general art history at the Institute for Art History at the Ludwig Maximilians University in Munich (professor since 2008), and director of the Central Institute for Art History since June 2015 (2015–2017 together with Wolf Tegethoff ).

Memberships

Fonts

Monographs
  • Sistine Chapel - Paradise in Rome , translated by David Dollenmayer. Getty Publications, Los Angeles 2018 (English translation by Ulrich Pfisterer, Die Sistine Chapel, Munich: Beck 2013).
  • L'artista procreatore. L'amore e le arti nella prima età moderna . Campisano, Rome 2018 (revised Italian translation by Ulrich Pfisterer: Kunst-Geburten. Creativity, eroticism, body, Berlin: Wagenbach 2014).
  • Art births. Creativity, eroticism, body . Wagenbach, Berlin 2014.
  • La Cappella Sistina . Campisano editore, Rome 2014 (expanded Italian edition with an appendix on the literary fame of the Sistine Chapel).
  • The Sistine Chapel . Beck, Munich 2013.
  • Pierre II Woeiriot de Bouzey , Antiquarum statuarum Vrbis Romae liber primus (around 1575) . Manutius, Heidelberg 2012.
  • Lysippus and his friends. Gifts of Love and Memory in Renaissance Rome or: The First Century of the Medal . Academy, Berlin 2008 (habilitation thesis).
  • Donatello and the discovery of styles, 1430–1445 (Studies of the Bibliotheca Hertziana, 17). Hirmer, Munich 2002 (dissertation).
  • The Art Literature of the Italian Renaissance: A History in Sources . Reclam, Stuttgart 2002.
  • with Anna S. Rühl: Renaissance. The 16th century (Gallery of the Great Masters). DuMont, Cologne 2000.
Editing
  • with Annalena Döring and Franz Hefele: Place there in the Pantheon! Artist in printed portrait series until 1800 . Dietmar Klinger Verlag, Passau 2018.
  • with Christine Tauber: Influence, Current, Source. Aquatic metaphors in art history . Transcript, Bielefeld, 2018.
  • with Martin Hirsch: The other side. Functions and forms of knowledge of the early medal . Numismatic journal 122/123, 2017.
  • Figurations of transition. The Great Chain of Beings in the Renaissance , Wolfenbütteler Renaissance-Mitteilungen 37, 2016.
  • Fritz Burger (1877–1916) - 'a new history of art' . Dietmar Klinger Verlag, Passau 2016.
  • with Matteo Burioni and Burcu Dogramaci: Art stories 1915. 100 years Heinrich Wölfflin: Basic concepts of art history . Dietmar Klinger Verlag, Passau 2015.
  • with Hans-Christian Hoenes: Aby Warburg - Fragments for Expressionism (Collected Writings - Study Edition, Vol. IV). De Gruyter, Berlin 2015.
  • with Maria Heilmann, Nino Nanobashvili, Tobias Teutenberg: Learn to draw! Techniques between art and science | 1525–1925 , exhib . Cat. Central Institute for Art History Munich, Heidelberg University Library. Dietmar Klinger Verlag, Passau 2015.
  • with Maria Heilmann, Nino Nanobashvili, Tobias Teutenberg: point, point, comma, line. Drawing books in Europe approx. 1525–1925 , exhib. -cat. Central Institute for Art History Munich, Heidelberg University Library. Dietmar Klinger Verlag, Passau 2014.
  • with Walter Cupperi, Martin Hirsch and Anette Kranz: competition in ore. Portrait medals of the German Renaissance , exhibition cat. State Coin Collection Munich, Coin Cabinet of the Kunsthistorisches Museum Vienna, Coin Cabinet of the State Art Collections in Dresden. Deutscher Kunstverlag, Berlin 2013.
  • with Matthias Krüger and Christine Ott: The Biology of Creativity. A meta-aesthetic model of thought in modern times . Diaphanes, Zurich / Berlin 2013.
  • Giorgio Vasari : The Life of Donatello and Michelozzo . Wagenbach, Berlin 2013.
  • with Maria Effinger and Cornelia Logemann: Images of gods and idolaters in the early modern period. Europe's view of foreign religions , exhibition cat. Heidelberg. Winter, Heidelberg 2012.
  • with Gabriele Wimböck: Novità: Novelty concepts in the visual arts around 1600 . Diaphanes, Zurich / Berlin 2011.
  • with Jan-Dirk Müller , Fabian Jonietz & Anna Kathrin Bleuler : Aemulatio. Cultures of Competition in Text and Image (1450–1620) (Pluralization and Authority, Vol. 27). De Gruyter, Berlin / New York 2011.
  • Metzler Lexicon Art History. Ideas, methods, terms (2nd extended edition). JB Metzler, Stuttgart 2011.
  • Paul Fürst: Theoria Artis Pictoriae, that is: a tearing book, consisting of an artfully correct, lighter and natural instruction for the Mahlerey ... (Nuremberg 1656) . University Library of Heidelberg University, Heidelberg 2009 (Fontes; 36).
  • Giulio Strozzi, La Venetia edificata ... poema eroico (Venice 1624): the 11th chapter on the personification of 'art' and on the "Galleria del Cielo" . University Library of Heidelberg University, Heidelberg 2008 (Fontes; 10).
  • Classics of Art History Volume 2: From Panofsky to Greenberg . Beck, Munich 2008.
  • Classics of Art History Volume 1: From Winckelmann to Warburg . Beck, Munich 2007.
  • Giovanni Luigi Valesio, Parere dell'instabile academico incaminato intorno ad una postilla del Conte Andrea dell'Arca contra una particella, che tratta della pittura ... in difesa d'un sonetto del Cavalier Marino (Bologna 1614) . University Library of Heidelberg University, Heidelberg 2007 (Fontes; 3).
  • Animations / transgressions: the work of art as a living being (Hamburg research on art history; 4). Academy, Berlin 2005.
  • with Valeska von Rosen : The artist as a work of art. Self-portraits from the Middle Ages to the present . Reclam, Stuttgart 2005.
  • Metzler Lexicon Art History. Ideas, methods, terms . JB Metzler, Stuttgart 2003.
  • with Max Seidel : Visual Topoi. Invention and traditional knowledge in the arts of the Italian Renaissance (Italian research by the Art History Institute in Florence, 4th F., Vol. 3). Deutscher Kunstverlag, Munich / Berlin 2003.

Web links

Individual evidence

  1. Kurschner's German Scholars Calendar , 2009, snippet from Google Buch
  2. ^ Studienstiftung des deutschen Volkes: Annual report 2017 , p. 81.
  3. ^ Homepage of the Central Institute for Art History
  4. ^ Homepage of the Institute for Art History at the Ludwig Maximilians University in Munich
  5. ^ Homepage of the Institute for Art History at the Ludwig Maximilians University in Munich
  6. ^ List of members: Ulrich Pfisterer. Academia Europaea, accessed January 18, 2018 .
  7. ^ List of members: Ulrich Pfisterer. Bavarian Academy of Sciences, accessed on January 18, 2018 .