Ulrike Landfester

from Wikipedia, the free encyclopedia

Ulrike Landfester (born June 23, 1962 in Soltau ) is a German literary and cultural scientist as well as professor for German language and literature and vice-rector at the University of St. Gallen .

Life

Landfester studied archeology, Egyptology and ancient history at the Albert-Ludwigs-Universität Freiburg from 1981 to 1982 and from 1982 to 1985 and then until 1989 at the Ludwig-Maximilians-Universität Munich modern German literature, English and medieval literature.

After completing his doctorate in July 1993 as Dr. phil. until December 1993 she worked as a research assistant at the University of Marburg . From 1994 to 1996 Landfester was a scholarship holder of the Foundation for Romantic Research, Munich, and lecturer at the University of Munich, then until 1999 she worked for the DFG project Edition Rahel Levin Varnhagen at the University of Hamburg.

In 1998 she completed her habilitation at the Ludwig Maximilians University in Munich. Between 2001 and 2003 she was Gerhart von Graevenitz's deputy professor at the University of Konstanz . In 2003 she was appointed professor for the 18th and 19th centuries and aesthetics at the Johann Wolfgang Goethe University in Frankfurt am Main.

Ulrike Landfester has been a professor for German language and literature at the University of St. Gallen since 2003. There she is Vice Rector for International Relations and Regional Anchoring.

Ulrike Landfester was a member of the Standing Committee for the Humanities of the European Science Foundation (2006–2012), President of the Technical Committee for International Cooperation of the Swiss National Science Foundation (2008–2012) and Vice President of the Research Council of the Swiss National Science Foundation (2009–2012). From 2008 to 2011 she was a member of the Advisory Board of the European Space Policy Institute (ESPI, Vienna).

Ulrike Landfester has been a member of the Limbus Advisory Board since 2008 . Australian Yearbook of German Literary and Cultural Studies / Australian Yearbook of German Literary and Cultural Studies , ed. by Franz-Josef Deiters, Axel Fliethmann, Birgit Lang, Alison Lewis and Christiane Weller.

From 2011 to 2019 Ulrike Landfester was Vice Rector for Internationality and Regional Anchoring at the University of St.Gallen.

plant

Your doctoral thesis on the subject of the seal veil. The interest in poetological questions in Ulrike Landfester's literary research reveals the poetics of clothing in Goethe's early work . Subsequently, she was involved in the edition of the works of Rahel Levin Varnhagen . The habilitation thesis on self-care as statecraft. Bettine von Arnim's political work identifies Landfester as a romantic researcher. Later she also published the first volume of the explanations on Clemens Brentano's collected letters .

The volume Keywords shows the comparative and interdisciplinary orientation of Landfester's research . Tattoo and European writing culture , which shows a cultural history of the tattoo against the background of the medium of writing. Her main research interests are the Goethe era and romanticism , crime fiction , poetics of the body, the history of the fool and cultural poetics of the physical.

Fonts

Monographs
  • Keywords: tattoos and European writing culture . Matthes & Seitz, Berlin 2012, ISBN 978-3-88221-561-8 .
  • Self-care as statecraft. Bettine von Arnim's political work . Foundation for Romantic Research. Königshausen and Neumann, Würzburg 2000, ISBN 3-8260-1805-2 .
  • The seal veil. On the poetic function of clothing in Goethe's early work . Rombach, Freiburg 1995, ISBN 3-7930-9106-6 .


Editing
  • With Nina Louisa Remuss, Kai Uwe Schrogl, and Jean Claude Worms (eds.): Humans in outer space: interdisciplinary perspectives. Studies in Space Policy. Springer, Vienna 2011, ISBN 978-3-7091-0279-4 .
  • With Caroline Pross (ed.): Theatermedien: Theater als Medium - Medien des Theater. Facets of media culture. Haupt, Bern 2010, ISBN 978-3-258-07562-4 .
  • With Ralf Simon (ed.): Gabe, Exchange, Metamorphosis - Transfer Economies in Clemens Brentano's Work. Königshausen & Neumann, Würzburg 2009, ISBN 978-3-8260-4004-7
  • With Heinz Härtl and Sibylle Steinsdorff (eds.): Bettine von Arnim, works and letters in four volumes - Volume 4: Letters. Library of German classics. Deutscher Klassikerverlag, Frankfurt am Main 2004, ISBN 3-618-60180-8 .
  • With Almut Todorow and Christian Sinn (eds.): Inconceptuality. A paradigm of modernity. Literature and anthropology. Narr, Tübingen 2004, ISBN 3-8233-6035-3 .
  • With Konrad Feilchenfeldt, Wolfgang Frühwald, Christoph Perels and Hartwig Schultz (eds.): Clemens Brentano : Briefe 1: Explanations. In: Clemens Brentano: Complete works and letters. Kohlhammer, Stuttgart 2003, ISBN 3-17-017357-X .
  • Scripture and image and body. Text and image in motion. Aisthesis, Bielefeld 2002, ISBN 3-89528-380-0 .
  • With Jörg Metelmann and: Transformative Management Education. The Role of the Humanities and Social Sciences Routledge, New York 2019, ISBN 978-0-367-07674-0 .
Articles (selection)
  • Roundabout. Pattern of self-referentiality in Goethe's love poetry. In: Carsten Rhode, Thorsten Valk (eds.): Goethe's love lyric. Semantics of passion around 1800. Berlin 2013, pp. 223–243.
  • Required. The image of the tattoo in postmodern literature. In: Konstanze Fliedl, Bernhard Oberreither, Katharina Serles (eds.): Gemälderedereien. For the literary discussion of images. Philological studies and sources. Issue 242, Berlin 2013, pp. 301-318.
  • Large texts. Goethe's comical poetics. In: Edith Anna Kunz, Dominik Müller, Markus Winkler (eds.): Figurations of the grotesque in Goethe's works. Bielefeld 2012, pp. 129–143.
  • “Inextinguishable features of human will” - Heinrich Wuttke and the birth of writing from the spirit of the tattoo. In: Monatshefte (2010), Volume 102 Number 3, pp. 340–359.
  • “... which otherwise cannot be communicated”: Perspectives of an electronic edition of Jeremias Gotthelf's calendar writings. In: Jeremias Gotthelf - Ways to a new edition. (2006), supplements to editio 24, pp. 47-57.
  • Half miracle animal, half cinderella. On the aesthetic program of Clemens Brentano's biography of the stigmatized nun Anna Katharina Emmerick. In: Alexander von Bormann (ed.): Romantic religiosity. Königshausen & Neumann, Würzburg 2005, pp. 163–183.
  • Pathographies of Writing. On the poetological function of tattoos in Johann Wolfgang von Goethe's “Wilhelm Meister's Apprenticeship Years” and Franz Kafka's “In the Penal Colony”. In: Poetica 33 (2001), No. 1/2, pp. 159-189.
  • The sex of Irene Adler, or: The mysterious case of the writing woman in German crime literature. In: Yearbook for Finnish-German literary relations. 1996, No. 28, pp. 54-64.

Web links