White white day

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Movie
German title White, white day
Original title Hvítur, hvítur dagur
Country of production Iceland , Sweden , Denmark
original language Icelandic
Publishing year 2019
length 104 minutes
Age rating FSK 12
Rod
Director Hlynur Pálmason
script Hlynur Pálmason
production Guðmundur Arnar Guðmundsson ,
Anton Máni Svansson
music Edmund Finnis
camera Maria von Hausswolff
cut Julius Krebs Damsbo
occupation

White, white day (original title Hvítur, hvítur dagur ; int. Title: A White, White Day ) is an Icelandic film by the director Hlynur Pálmason . The premiere was on May 16, 2019 as part of the 2019 Cannes International Film Festival in the Semaine de la critique section . It was screened at other film festivals, and the cinema release followed on September 6, 2019 in Iceland. The German premiere was on October 1, 2019 at the Hamburg Film Festival .

action

In a small town in Iceland , a police superintendent on leave suspects that a local man was having an affair with his wife, who was recently killed in a car accident.

reception

Todd McCarthy expressed in The Hollywood Reporter that Hlynur Pálmason is risking the loss of his audience by taking the disturbing story unexpectedly far, dramatically and stylistically. He won a "creative wrestling match with a potentially uncompromising narrative". On the Swiss platform Cineman , Irene Genhart wrote that, as in his debut Winter Brothers , the director turned out to be “a master of narrative reduction, which puts the most important things between the words and otherwise trusts the images to linger”.

Hvítur, Hvítur Dagur was Iceland's 2020 official entry for an Oscar nomination for Best International Film , but was not shortlisted.

Web links

Individual evidence

  1. ↑ Certificate of Release for White White Day . Voluntary self-regulation of the film industry (PDF; test number: 197481 / K). Template: FSK / maintenance / type not set and Par. 1 longer than 4 characters
  2. Release info at imdb
  3. Todd McCarthy: 'A White, White Day': Film Review ( English ) In: The Hollywood Reporter . May 17, 2019. Retrieved on October 8, 2019: "Palmason boldly risks audience disenfranchisement by pushing his disturbing story to unexpected lengths dramatically and stylistically, thereby winning a creative wrestling match with a potentially intransigent narrative."
  4. Irene Genhart: In eruptive long-suffering of feelings . In: Cineman . September 30, 2019. Retrieved October 8, 2019.