Vladimir Fyodorovich Krinsky

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Vladimir Krinsky

Wladimir Fjodorowitsch Krinski ( Russian Владимир Фёдорович Кринский ; scientific transliteration Vladimir Fëdorovič Krinsky ; born December 19, 1890 in Ryazan ; † April 2, 1971 in Moscow ) was a Soviet artist and rationalist architect, as well as a university professor. In the 1930s he turned to a classicistic design language.

Life

Vladimir Krinsky was born on December 19, 1890 in Ryazan in the Russian Empire . He attended high school in St. Petersburg.

Krinski attended the Art School of the Society for the Promotion of the Arts. 1910-17 he studied first at the painting department, then at the architecture department of the Art Academy in St. Petersburg .

In 1918 he worked in the administration for the reconstruction of Yaroslavl . From 1919 he worked at the architecture department of NARKOMPROS in Moscow under the direction of Ivan Scholtowski . There he works on the design for the redesign and development of Moscow, as well as on the design of public buildings.

In 1919 he was a founding member of the Sinskulptarch (later Schiwskulptarch). At the end of 1920 he became a member of the “Objective Analysis” group at the INChUK (Institute for Artistic Culture) in Moscow. From the beginning of 1921 he was a member of the “group of architects” at INChUK. In 1923 he was a founding member of ASNOWA .

From 1920 he was a teacher at the WChUTEMAS and there with Nikolai Ladowski and Nikolai Dokutschajew head of the United Left Workshops (OBMAS). From 1923 he was in charge of teaching the “Room” course at WChUTEMAS. His book “The elements of architectural spatial composition”, published in 1934 with Michail Turkus and I. Lamtzow , emerged from this teaching activity . After the name was changed, he worked as a teacher at the institute, now called WChUTEIN, from 1927 to 1930 .

In 1930 he took part with a brigade of ASNOVA (with Viktor Balichin , Viktor Petrow , Irina Tichomirowa ) in a tender for the All- Union Art Palace in Moscow.

After WChUTEIN closed in 1930, he was a teacher at the Moscow School of Architecture. In the 1930s he turned away from modern design and created buildings in the spirit of socialist classicism . He was a university professor until his death in 1971.

Krinski died on April 2, 1971 in Moscow and was buried in the Novodevichy Cemetery.

Works (selection)

1935: The
Komsomolskaya metro station

Projects

  • 1919 Experimental designs at Schiwskulptarch for the "Temple Meeting Point of the Nations"
  • 1919 with W. Fidman: competition design for the crematorium in Moscow
  • 1920–23 Experimental designs "Light and Form", "Light and Space Composition", "Light and Graphic Composition"
  • 1922–23 with A. Ruchljadew: Design for the WSNCh skyscraper on Lubyanka Square in Moscow (Dzerzhinsky Square)
  • 1923 Design for the Palace of Labor in Moscow
  • 1924 Soviet Union Pavilion in Paris
  • 1924 Competition draft for the building of the shareholder company "Arkos" in Moscow
  • 1924 competition design for the Lenin Volkshaus in Iwanowa- Wosnesenck
  • 1924 House of the Soviets in Bryansk
  • 1925 Mausoleum and memorial for Lenin and the fighters of the revolution in Odessa
  • 1926 or 1928 design for the International Red Stadium in Moscow (elaboration by Nikolai Ladowski)
  • 1929 Competition design for the Columbus Monument in Santo Domingo
  • 1930 as a member of the ASNOWA brigade: Art Palace in Moscow
  • 1931–32 competition design for the Palace of the Soviets in Moscow

buildings

  • 1935 with A. Ruchlyadev: metro station " Komsomolskaya "
  • 1937 Lock No. 8, Moscow
  • 1937 Northern River Terminal, Moscow

Fonts (selection)

  • The way of architecture . Lecture, May 1921. Printed in: Selim O. Chan-Magamedow: Pioneers of Soviet Architecture . VEB Verlag der Kunst, Dresden 1983, p. 587 f . Archive of the INChUK
  • [Creed; Originally untitled], December 1921. Printed in: Selim O. Chan-Magamedow: Pioneers of Soviet Architecture . VEB Verlag der Kunst, Dresden 1983, p. 588 f . Archive of the INChUK
  • Wladimir Krinski, Michail Turkus, I. Lamtzow: The elements of the architectural spatial composition . 1934 (Russian).

literature

  • Selim O. Chan-Magamedow: Pioneers of Soviet Architecture . VEB Verlag der Kunst, Dresden 1983.

Web links

Commons : Wladimir Krinski  - collection of pictures, videos and audio files

Individual evidence

  1. a b c d e f g h i j Selim O. Chan-Magamedow: Pioneers of Soviet architecture . VEB Verlag der Kunst, Dresden 1983, p. 586 ff .
  2. Schirn Kunsthalle (ed.): Avantgarde I. 1900–1923. Russian-Soviet architecture . DVA, Stuttgart 1992, p. 300 .
  3. Viktor Stepanovič Balichin. In: arch INFORM ; accessed on October 10, 2017.