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{{short description|Japanese manga artist}}
{{Use dmy dates|date=November 2019}}
{{Use dmy dates|date=November 2019}}
{{expand French|date=August 2017}}
{{Infobox comics creator
{{Infobox comics creator
| name = Hideko Mizuno<br />水野英子
| name = Hideko Mizuno<br />水野英子
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| birth_place = [[Shimonoseki, Yamaguchi]], Japan
| birth_place = [[Shimonoseki, Yamaguchi]], Japan
| nationality = Japanese
| nationality = Japanese
| area = [[Mangaka|Manga artist]]
| area = [[Manga artist]]
| notable works = ''[[Fire! (manga)|Fire!]]''<br/>''[[Honey Honey no Suteki na Bouken]]''
| notable works = ''[[Fire! (manga)|Fire!]]''<br/>''[[Honey Honey no Suteki na Bouken]]''
| awards = 15th [[Shogakukan Manga Award]] - ''Fire!''
| awards = 15th [[Shogakukan Manga Award]] - ''Fire!''
| manga = Yes
| manga = Yes
}}
}}
{{Anime}}
{{Anime}}
{{nihongo|'''Hideko Mizuno'''|水野英子|Mizuno Hideko|born 29 October 1939 in [[Shimonoseki, Yamaguchi]], [[Japan]]}} is one of the first successful female Japanese ''[[shōjo manga|shōjo]]'' [[manga artist]]s.<ref>{{cite web | url=http://www.csuchico.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html | title=The Power of Girls' Comics: The Value and Contribution to Visual Culture and Society | first1=Masami | last1=Toku | year=2004 | quote=Girl's manga were first depicted by female mangaka in the 1950s. Watanabe, Maki, and Mizuno are the most successful girl's mangaka who visualized girls' dreams and desires in their graphic novels. | access-date=27 March 2009 | archive-date=3 March 2012 | archive-url=https://web.archive.org/web/20120303012103/http://www.csuchico.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html | url-status=dead }}</ref> She was an assistant of [[Osamu Tezuka]] staying in [[Tokiwa-sō]]. She made her professional debut in 1955 with ''Akakke Kōma Pony'', a [[Western (genre)|Western]] story with a [[tomboy]] heroine. She became a prominent shōjo artist in the 1960s and 1970s, starting with ''White Troika'', which serialized in ''[[Margaret (magazine)|Margaret]]'' in 1963.


Mizuno is best known for ''[[Fire! (manga)|Fire!]]'' (1969–1971), one of the first ''shōjo'' manga with a boy protagonist, for which she won the 1970 [[Shogakukan Manga Award]]. Her ''[[Honey Honey no Suteki na Bouken]]'' (1966) was adapted as an [[anime]] television series, licensed in English as ''Honey Honey'' on [[Christian Broadcasting Network|CBN]] Cable Network.



{{nihongo|'''Hideko Mizuno'''|水野英子|Mizuno Hideko|born 29 October 1939 in [[Shimonoseki, Yamaguchi]], [[Japan]]}} is one of the first successful female [[Japanese people|Japanese]] [[shōjo manga|shōjo]] [[mangaka|manga artist]]s.<ref>{{cite web |url=http://www.csuchico.edu/~mtoku/vc/Articles/toku/Power_Girls_Comics.html |title= The Power of Girls' Comics: The Value and Contribution to Visual Culture and Society | first1=Masami | last1=Toku | year=2004 | quote=Girl's manga were first depicted by female mangaka in the 1950s. Watanabe, Maki, and Mizuno are the most successful girl's mangaka who visualized girls' dreams and desires in their graphic novels.}}</ref> She was an assistant of [[Osamu Tezuka]] staying in [[Tokiwa-sō]]. She made her professional debut in 1955 with ''Akakke Kōma Pony'', a [[Western (genre)|Western]] story with a [[tomboy]] heroine. She became a prominent shōjo artist in the 1960s and 1970s, starting with ''White Troika'', which serialized in ''[[Margaret (magazine)|Margaret]]'' in 1963.

Mizuno is best known for ''[[Fire! (manga)|Fire!]]'' (1969–1971), one of the first shōjo manga with a boy protagonist, for which she won the 1970 [[Shogakukan Manga Award]]. Her ''[[Honey Honey no Suteki na Bouken]]'' (1966) was adapted as an [[anime]] television series, licensed in English as ''Honey Honey'' on [[Christian Broadcasting Network|CBN]] Cable Network.


==Early life==
==Early life==
Hideko Mizuno discovered manga very early: at the age of 8 she read the manga ''[[Shin Takarajima]]'' by Osamu Tezuka as well as his book ''Manga Daigaku'' which teaches the basics of manga creation, thanks to these two books, she took Tezuka as a model and decided to become a mangaka.{{sfn|Toku|2015|id=Toku 2015|p=161-162}}{{,}}{{sfn|Pinon|2016|id=Pinon 2016}} In 1952 at the age of 12, she regularly contributed to competitions organized by the monthly magazine ''Manga Shōnen'' chaired by Tezuka. Although her manga was never accepted, her efforts did not go unnoticed: she received an honorable mention and publisher Akira Maruyama from Kōdansha took notice. In March 1955 when she was about to leave junior high for work, not wishing to go to high school, she received a letter from Maruyama, an order for a board and two illustrations for the magazine ''Shōjo Club'', Hideko Mizuno was then 15 years old.{{sfn|Toku|2015|id=Toku 2015|p=162}}{{,}}{{sfn|Pinon|2016|id=Pinon 2016}}
Hideko Mizuno discovered manga very early: at the age of 8 she read the manga ''[[Shin Takarajima (manga)|Shin Takarajima]]'' by Osamu Tezuka as well as his book ''Manga Daigaku'' which teaches the basics of manga creation, thanks to these two books, she took Tezuka as a model and decided to become a mangaka.{{sfn|Toku|2015|pp=161–162}}{{sfn|Pinon|Lefebvre|2016}} In 1952 at the age of 12, she regularly contributed to competitions organized by the monthly magazine ''[[Manga Shōnen]]'' chaired by Tezuka. Although her manga was never accepted, her efforts did not go unnoticed: she received an honorable mention and publisher Akira Maruyama from Kōdansha took notice. In March 1955 when she was about to leave junior high for work, not wishing to go to high school, she received a letter from Maruyama, an order for a board and two illustrations for the magazine ''Shōjo Club'', Hideko Mizuno was then 15 years old.{{sfn|Toku|2015|p=162}}{{sfn|Pinon|Lefebvre|2016}}


==Biography==
==Biography==
For a year and a half, Mizuno worked to make a living and drew for ''Shōjo Club'' at the same time. Her first manga published in 1955, ''Akkake kōma pony'' is like the rest of the mangaka's career: the story was about a "little girl and a pony" and while her publisher Mazuyama was expecting a sentimental manga with a sensitive and fragile heroine who was the norm in the magazine's productions, Mizuno provided a Western- inspired manga with a tomboy heroine, and although the manga did not match what was requested, it was nevertheless published.{{sfn|Toku|2015|id=Toku 2015|p=163}}
For a year and a half, Mizuno worked to make a living and drew for ''Shōjo Club'' at the same time. Her first manga published in 1955, ''Akkake kōma pony'' is like the rest of the mangaka's career: the story was about a "little girl and a pony" and while her publisher Mazuyama was expecting a sentimental manga with a sensitive and fragile heroine who was the norm in the magazine's productions, Mizuno provided a Western- inspired manga with a tomboy heroine, and although the manga did not match what was requested, it was nevertheless published.{{sfn|Toku|2015|p=163}}


In 1956 Mizuno went to Tokyo for the first time where she met Tezuka, she then decided to become a full-time mangaka.{{sfn|Toku|2015|id=Toku 2015|p=163}} The following year she published her first series, ''Gin no hanabira'' , which was a success.{{sfn|Toku|2015|id=Toku 2015|p=160}} In 1958, invited by Tezuka, she moved to Tokyo in the [[Tokiwa-sō]] apartment where she lived and worked with the two authors [[Shōtarō Ishinomori]] and [[Fujio Akatsuka]], together they collaborated on two manga under the pseudonym U. Mia for the magazine ''Shōjo Club''.{{sfn|Toku|2015|id=Toku 2015|p=160}}{{sfn|Pinon|2016|id=Pinon 2016}} She only stayed in Tokiwa-sō for a year.
In 1956 Mizuno went to Tokyo for the first time where she met Tezuka, she then decided to become a full-time mangaka.{{sfn|Toku|2015|p=163}} The following year she published her first series, ''Gin no hanabira'' , which was a success.{{sfn|Toku|2015|p=160}} In 1958, invited by Tezuka, she moved to Tokyo in the [[Tokiwa-sō]] apartment where she lived and worked with the two authors [[Shōtarō Ishinomori]] and [[Fujio Akatsuka]], together they collaborated on two manga under the pseudonym U. Mia for the magazine ''Shōjo Club''.{{sfn|Toku|2015|p=160}}{{sfn|Pinon|Lefebvre|2016}} She only stayed in Tokiwa-sō for a year.


Continuing her career as a mangaka, Mizuno's work met with success and helped broaden the register of ''shōjo'' manga: until the mid-1960s, shōjo manga regularly followed the structure of ''haha-mono'', centered on the mother-daughter relationship. During the 1960s several women mangaka, including Mizuno, introduced a new type of story: the [[romantic comedy]].{{sfn|Kálovics|2016|id=Kálovics 2016|p=13-14}}{{sfn|Fujimoto|1991|id=Fujimoto 1991|p=54-55}} Mizuno notably adapted two films in manga form, with ''Sabrina'' adapted in the manga ''Sutekina cora'' (1963) and ''The Quiet Man'' adapted as ''Akage no scarlet''(1966).{{sfn|Kálovics|2016|id=Kálovics 2016|p=14}}
Continuing her career as a mangaka, Mizuno's work met with success and helped broaden the register of ''shōjo'' manga: until the mid-1960s, shōjo manga regularly followed the structure of ''haha-mono'', centered on the mother-daughter relationship. During the 1960s several women mangaka, including Mizuno, introduced a new type of story: the [[romantic comedy]].{{sfn|Kálovics|2016|pp=13–14}}{{sfn|Fujimoto|1991|pp=54–55}} Mizuno notably adapted two films in manga form, with ''Sabrina'' adapted in the manga ''Sutekina cora'' (1963) and ''The Quiet Man'' adapted as ''Akage no scarlet''(1966).{{sfn|Kálovics|2016|p=14}}


Mizuno created ''Harp of the Stars'' in 1969, a love story drawing from [[Norse mythology]].<ref name=Toku2015>{{cite book |editor1=Masami Toku |chapter=Profile and Interview with Hideko Mizuno |title= International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture |pages=160–167 |publisher=[[Routledge]] |year=2015 |isbn=9781317610755 }}</ref>
Mizuno created ''Harp of the Stars'' in 1960, a love story drawing from [[Norse mythology]].<ref name=Toku2015>{{cite book |editor1=Masami Toku |chapter=Profile and Interview with Hideko Mizuno |title= International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture |pages=160–167 |publisher=[[Routledge]] |year=2015 |isbn=9781317610755 }}</ref>


Mizuno is best known for ''[[Fire! (manga)|Fire!]]'' (1969–1971), one of the first shōjo manga with a boy protagonist,<ref>{{cite book | first1=Frederik L. | last1=Schodt | author-link=Frederik L. Schodt | title=[[Manga! Manga! The World of Japanese Comics]] | year=1983 | publisher=Kodansha}}</ref> for which she won the 1970 [[Shogakukan Manga Award]].<ref name="ShogakukanAward">{{cite web|url=http://comics.shogakukan.co.jp/mangasho/rist.html |script-title=ja:小学館漫画賞: 歴代受賞者 |publisher=Shogakukan |language=ja |access-date=19 August 2007 |url-status=dead |archive-url=https://web.archive.org/web/20150805112042/http://comics.shogakukan.co.jp/mangasho/rist.html |archive-date=5 August 2015 }}</ref> Mizuno was a fan of [[progressive rock]] such as [[Pink Floyd]].<ref>{{cite web |last1=オンライン |first1=クロワッサン |title=少女漫画の歴史を生きる、伝説の漫画家・水野英子さん77歳。 {{!}} トピックス |url=https://croissant-online.jp/topics/47646/ |website=クロワッサン オンライン |access-date=19 April 2021 |language=ja |date=2 October 2016}}</ref> After the serialisation of ''Fire!'', Mizuno became a single mother.<ref>{{cite news |first1=SANKEI DIGITAL INC |title=【自作再訪】「ファイヤー!」の主人公アロンは私の分身 水野英子さん「とことん純粋に生きるということ」 |url=https://www.sankei.com/life/news/170116/lif1701160019-n2.html |access-date=19 April 2021 |work=産経ニュース |date=16 January 2017 |language=ja}}</ref>
Mizuno is best known for ''[[Fire! (manga)|Fire!]]'' (1969–1971), one of the first shōjo manga with a boy protagonist,<ref>{{cite book | first1=Frederik L. | last1=Schodt | author-link=Frederik L. Schodt | title=[[Manga! Manga! The World of Japanese Comics]] | year=1983 | publisher=Kodansha}}</ref> for which she won the 1970 [[Shogakukan Manga Award]].<ref name="ShogakukanAward">{{cite web|url=http://comics.shogakukan.co.jp/mangasho/rist.html |script-title=ja:小学館漫画賞: 歴代受賞者 |publisher=Shogakukan |language=ja |access-date=19 August 2007 |url-status=dead |archive-url=https://web.archive.org/web/20150805112042/http://comics.shogakukan.co.jp/mangasho/rist.html |archive-date=5 August 2015 }}</ref> Mizuno was a fan of [[progressive rock]] such as [[Pink Floyd]].<ref>{{cite web |last1=オンライン |first1=クロワッサン |title=少女漫画の歴史を生きる、伝説の漫画家・水野英子さん77歳。 {{!}} トピックス |url=https://croissant-online.jp/topics/47646/ |website=クロワッサン オンライン |access-date=19 April 2021 |language=ja |date=2 October 2016}}</ref> After the serialisation of ''Fire!'', Mizuno became a single mother.<ref>{{cite news|publisher=SANKEI DIGITAL INC |title=【自作再訪】「ファイヤー!」の主人公アロンは私の分身 水野英子さん「とことん純粋に生きるということ」 |url=https://www.sankei.com/life/news/170116/lif1701160019-n2.html |access-date=19 April 2021 |work=産経ニュース |date=16 January 2017 |language=ja}}</ref>


Her ''[[Honey Honey no Suteki na Bouken]]'' (1966) was adapted as an [[anime]] television series,<ref name=Toku2015/> licensed in English as ''Honey Honey'' on [[Christian Broadcasting Network|CBN]] Cable Network.
Her ''[[Honey Honey no Suteki na Bouken]]'' (1966) was adapted as an [[anime]] television series,<ref name=Toku2015/> licensed in English as ''Honey Honey'' on [[Christian Broadcasting Network|CBN]] Cable Network.
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*{{cite book |editor-last=Brient |editor-first=Hervé |title=Homosexualité et manga: le yaoi |publisher=Editions H|series=Manga: 10000 images |year=2008 |language=fr |isbn=978-2-9531781-0-4}}
*{{cite book |editor-last=Brient |editor-first=Hervé |title=Homosexualité et manga: le yaoi |publisher=Editions H|series=Manga: 10000 images |year=2008 |language=fr |isbn=978-2-9531781-0-4}}
:*{{cite journal |last1=Brient |first1=Hervé |title=Une petite histoire du ''yaoi'' |journal=Homosexualité et manga: Le yaoi |date=2008b |pages= 5–11 |language=fr }}
:*{{cite journal |last1=Brient |first1=Hervé |title=Une petite histoire du ''yaoi'' |journal=Homosexualité et manga: Le yaoi |date=2008b |pages= 5–11 |language=fr }}
* {{cite journal |author=Yukari Fujimoto |title=A Life-Size Mirror: Women's Self-Representation in Girls' Comics |journal=Review of Japanese Culture and Society |volume=4 |year=1991}}
* {{cite journal |author-last1=Fujimoto |author-first1=Yukari |title=A Life-Size Mirror: Women's Self-Representation in Girls' Comics |journal=Review of Japanese Culture and Society |volume=4 |year=1991}}
*{{cite journal |last1=Kálovics |first1=Dalma |url=http://www.kyoto-seika.ac.jp/researchlab/wp/wp-content/uploads/sa_dalma_kalovics1.pdf |title=The missing link of ''shōjo'' manga history: the changes in 60s ''shōjo'' manga as seen through the magazine ''Shūkan Margaret'' |journal=Kyōto Seika Daigaku Kiyō |issue=49 |publisher=[[Kyoto Seika University]] |date=2016 |archive-date=November 4, 2019 |archive-url=https://web.archive.org/web/20191104101525/http://www.kyoto-seika.ac.jp/researchlab/wp/wp-content/uploads/sa_dalma_kalovics1.pdf |url-status=live}}
*{{cite journal |last1=Kálovics |first1=Dalma |url=http://www.kyoto-seika.ac.jp/researchlab/wp/wp-content/uploads/sa_dalma_kalovics1.pdf |title=The missing link of ''shōjo'' manga history: the changes in 60s ''shōjo'' manga as seen through the magazine ''Shūkan Margaret'' |journal=Kyōto Seika Daigaku Kiyō |issue=49 |publisher=[[Kyoto Seika University]] |date=2016 |archive-date=November 4, 2019 |archive-url=https://web.archive.org/web/20191104101525/http://www.kyoto-seika.ac.jp/researchlab/wp/wp-content/uploads/sa_dalma_kalovics1.pdf |url-status=live}}
* {{cite book |author1=Matthieu Pinon |author2=Laurent Lefebvre |chapter=Hideko Mizuno |title=Histoire(s) du manga moderne: 1952-2014 |trans-title= History(Histories) of modern manga: 1952-2014 |language=fr |page=37 |editor=Ynnis |year=2016 |isbn=979-10-93376-40-0 |id=Pinon 2016}}
* {{cite book |author-last1=Pinon |author-first1=Matthieu |author-last2=Lefebvre |author-first2=Laurent|chapter=Hideko Mizuno |title=Histoire(s) du manga moderne: 1952-2014 |trans-title= History(Histories) of modern manga: 1952-2014 |language=fr |page=37 |editor=Ynnis |year=2016 |publisher=Ynnis éditions |isbn=979-10-93376-40-0 }}
* {{cite book |chapter=Profile and Interview with Hideko Mizuno |editor-last=Toku |editor-first=Masami |title=International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture |publisher=[[Routledge]] |date=2015 |pages=160–167 |isbn=978-1-31761-075-5 |id=Toku 2015}}
* {{cite book |chapter=Profile and Interview with Hideko Mizuno |editor-last=Toku |editor-first=Masami |title=International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture |publisher=[[Routledge]] |date=2015 |pages=160–167 |isbn=978-1-31761-075-5 |id=Toku 2015}}


==Further reading==
==Further reading==
*{{cite book |last1=Shamoon |first1=Deborah |editor1-last=Darling-Wolf |editor1-first=Fabienne |title=Routledge Handbook of Japanese Media |date=2018 |publisher=Routledge |isbn=9781315689036 |language=en |chapter=Fire!: Mizuno Hideko and the development of 1960s shōjo manga|doi=10.4324/9781315689036}}
*{{cite book |last1=Shamoon |first1=Deborah |editor1-last=Darling-Wolf |editor1-first=Fabienne |title=Routledge Handbook of Japanese Media |date=2018 |publisher=Routledge |isbn=9781315689036 |language=en |chapter=Fire!: Mizuno Hideko and the development of 1960s shōjo manga|doi=10.4324/9781315689036|hdl=11343/222387 }}


== External links ==
== External links ==
* [http://users.skynet.be/mangaguide/au1189.html Profile] at The Ultimate Manga Guide
* [http://users.skynet.be/mangaguide/au1189.html Profile] {{Webarchive|url=https://web.archive.org/web/20071127093559/http://users.skynet.be/mangaguide/au1189.html |date=27 November 2007 }} at The Ultimate Manga Guide
* [http://mizuno.x0.com/ Official website]


{{Shogakukan Manga Award - General}}
{{Shogakukan Manga Award - General}}
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[[Category:1939 births]]
[[Category:1939 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:Manga artists]]
[[Category:Women manga artists]]
[[Category:Women manga artists]]
[[Category:Manga artists from Yamaguchi Prefecture]]
[[Category:Manga artists from Yamaguchi Prefecture]]
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[[Category:Female comics writers]]
[[Category:Female comics writers]]
[[Category:People from Shimonoseki]]
[[Category:People from Shimonoseki]]
[[Category:Japanese women writers]]
[[Category:20th-century Japanese women writers]]
[[Category:Japanese writers]]


{{manga-artist-stub}}

Latest revision as of 01:59, 28 February 2024

Hideko Mizuno
水野英子
Born (1939-10-29) October 29, 1939 (age 84)
Shimonoseki, Yamaguchi, Japan
NationalityJapanese
Area(s)Manga artist
Notable works
Fire!
Honey Honey no Suteki na Bouken
Awards15th Shogakukan Manga Award - Fire!

Hideko Mizuno (水野英子, Mizuno Hideko, born 29 October 1939 in Shimonoseki, Yamaguchi, Japan) is one of the first successful female Japanese shōjo manga artists.[1] She was an assistant of Osamu Tezuka staying in Tokiwa-sō. She made her professional debut in 1955 with Akakke Kōma Pony, a Western story with a tomboy heroine. She became a prominent shōjo artist in the 1960s and 1970s, starting with White Troika, which serialized in Margaret in 1963.

Mizuno is best known for Fire! (1969–1971), one of the first shōjo manga with a boy protagonist, for which she won the 1970 Shogakukan Manga Award. Her Honey Honey no Suteki na Bouken (1966) was adapted as an anime television series, licensed in English as Honey Honey on CBN Cable Network.

Early life[edit]

Hideko Mizuno discovered manga very early: at the age of 8 she read the manga Shin Takarajima by Osamu Tezuka as well as his book Manga Daigaku which teaches the basics of manga creation, thanks to these two books, she took Tezuka as a model and decided to become a mangaka.[2][3] In 1952 at the age of 12, she regularly contributed to competitions organized by the monthly magazine Manga Shōnen chaired by Tezuka. Although her manga was never accepted, her efforts did not go unnoticed: she received an honorable mention and publisher Akira Maruyama from Kōdansha took notice. In March 1955 when she was about to leave junior high for work, not wishing to go to high school, she received a letter from Maruyama, an order for a board and two illustrations for the magazine Shōjo Club, Hideko Mizuno was then 15 years old.[4][3]

Biography[edit]

For a year and a half, Mizuno worked to make a living and drew for Shōjo Club at the same time. Her first manga published in 1955, Akkake kōma pony is like the rest of the mangaka's career: the story was about a "little girl and a pony" and while her publisher Mazuyama was expecting a sentimental manga with a sensitive and fragile heroine who was the norm in the magazine's productions, Mizuno provided a Western- inspired manga with a tomboy heroine, and although the manga did not match what was requested, it was nevertheless published.[5]

In 1956 Mizuno went to Tokyo for the first time where she met Tezuka, she then decided to become a full-time mangaka.[5] The following year she published her first series, Gin no hanabira , which was a success.[6] In 1958, invited by Tezuka, she moved to Tokyo in the Tokiwa-sō apartment where she lived and worked with the two authors Shōtarō Ishinomori and Fujio Akatsuka, together they collaborated on two manga under the pseudonym U. Mia for the magazine Shōjo Club.[6][3] She only stayed in Tokiwa-sō for a year.

Continuing her career as a mangaka, Mizuno's work met with success and helped broaden the register of shōjo manga: until the mid-1960s, shōjo manga regularly followed the structure of haha-mono, centered on the mother-daughter relationship. During the 1960s several women mangaka, including Mizuno, introduced a new type of story: the romantic comedy.[7][8] Mizuno notably adapted two films in manga form, with Sabrina adapted in the manga Sutekina cora (1963) and The Quiet Man adapted as Akage no scarlet(1966).[9]

Mizuno created Harp of the Stars in 1960, a love story drawing from Norse mythology.[10]

Mizuno is best known for Fire! (1969–1971), one of the first shōjo manga with a boy protagonist,[11] for which she won the 1970 Shogakukan Manga Award.[12] Mizuno was a fan of progressive rock such as Pink Floyd.[13] After the serialisation of Fire!, Mizuno became a single mother.[14]

Her Honey Honey no Suteki na Bouken (1966) was adapted as an anime television series,[10] licensed in English as Honey Honey on CBN Cable Network.

Some of Mizuno's works star adult women as protagonists, distinguished from children by the work's inclusion of heterosexual love. Mizuno was inspired by Hollywood romantic films like those featuring Audrey Hepburn.[15]

Works[edit]

  • Konnichiwa sensei = Harō doku, 1968
  • Gin no hanabira, 1969
  • Faiyā : Fire, 1972
  • Budda to onna no monogatari, 1986
  • Erizabēto, 1996

References[edit]

  1. ^ Toku, Masami (2004). "The Power of Girls' Comics: The Value and Contribution to Visual Culture and Society". Archived from the original on 3 March 2012. Retrieved 27 March 2009. Girl's manga were first depicted by female mangaka in the 1950s. Watanabe, Maki, and Mizuno are the most successful girl's mangaka who visualized girls' dreams and desires in their graphic novels.
  2. ^ Toku 2015, pp. 161–162.
  3. ^ a b c Pinon & Lefebvre 2016.
  4. ^ Toku 2015, p. 162.
  5. ^ a b Toku 2015, p. 163.
  6. ^ a b Toku 2015, p. 160.
  7. ^ Kálovics 2016, pp. 13–14.
  8. ^ Fujimoto 1991, pp. 54–55.
  9. ^ Kálovics 2016, p. 14.
  10. ^ a b Masami Toku, ed. (2015). "Profile and Interview with Hideko Mizuno". International Perspectives on Shojo and Shojo Manga: The Influence of Girl Culture. Routledge. pp. 160–167. ISBN 9781317610755.
  11. ^ Schodt, Frederik L. (1983). Manga! Manga! The World of Japanese Comics. Kodansha.
  12. ^ 小学館漫画賞: 歴代受賞者 (in Japanese). Shogakukan. Archived from the original on 5 August 2015. Retrieved 19 August 2007.
  13. ^ オンライン, クロワッサン (2 October 2016). "少女漫画の歴史を生きる、伝説の漫画家・水野英子さん77歳。 | トピックス". クロワッサン オンライン (in Japanese). Retrieved 19 April 2021.
  14. ^ "【自作再訪】「ファイヤー!」の主人公アロンは私の分身 水野英子さん「とことん純粋に生きるということ」". 産経ニュース (in Japanese). SANKEI DIGITAL INC. 16 January 2017. Retrieved 19 April 2021.
  15. ^ Lent, John A., ed. (2001). Illustrating Asia : comics, humor magazines, and picture books. Honolulu: University of Hawai'i Press. p. 178. ISBN 0824824717.

Bibliography[edit]

  • Brient, Hervé, ed. (2008). Homosexualité et manga: le yaoi. Manga: 10000 images (in French). Editions H. ISBN 978-2-9531781-0-4.
  • Brient, Hervé (2008b). "Une petite histoire du yaoi". Homosexualité et manga: Le yaoi (in French): 5–11.

Further reading[edit]

External links[edit]