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==Recording==
==Recording==
Most of the album was recorded in December 2002 during a single 14-hour session in [[Patrick Carney]]'s basement using an early 1980s Tascam 388 8-track recorder. This approach was necessary because the group spent its small [[advance payment]] from [[Fat Possum Records]] on rent.<ref name="bluesexplosion">{{cite journal|url=https://www.spin.com/2010/08/blues-explosion-black-keys/|title=Blues Explosion!|journal=[[Spin (magazine)|Spin]]|first=Dorian|last=Lynskey|date=September 2010|accessdate=August 30, 2012|pages=60–63|volume=26|issue=8}}</ref><ref name="intoblack">{{cite news|title=Into the Black; Keys unlock a raw, bluesy sound|newspaper=[[Boston Herald]]|publisher=Herald Media Inc.|first=Larry|last=Katz|date=October 7, 2003|at=sec. The Edge, p. 47}}</ref><ref>{{cite AV media notes|title=Thickfreakness|others=The Black Keys|year=2003|publisher=[[Fat Possum Records]]|type=CD booklet}}</ref><ref>{{cite web |first=Davis |last=Inman |url=http://www.americansongwriter.com/2010/07/on-record-dan-auerbach/ |title=On record: The Black Keys' Dan Auerbach |work=American Songwriter |date=2010-07-21 |accessdate=2011-01-11}}</ref> The liner notes claim this is Carney's "patented recording technique called 'medium fidelity'". The result is a more vintage sound.<ref>{{cite web |first=Rhys |last=Tranter |url=https://www.bbc.co.uk/dna/collective/A1082125 |title=The Black Keys&nbsp;— Thickfreakness |work=Collective |date=2003-06-17 |accessdate=2011-01-11}}</ref> The song "Midnight in Her Eyes" is one of the few Black Keys songs that used a bass guitar; [[Dan Auerbach]] dubbed a bassline by playing a Guild SG-style bass through a guitar amp into the song. Part of "Set You Free" was recorded by Jeff Saltzman.
Most of the album was recorded in December 2002 during a single 14-hour session in [[Patrick Carney]]'s basement using an early 1980s Tascam 388 8-track recorder. This approach was necessary because the group spent its small [[advance payment]] from [[Fat Possum Records]] on rent.<ref name="bluesexplosion">{{cite journal|url=https://www.spin.com/2010/08/blues-explosion-black-keys/|title=Blues Explosion!|journal=[[Spin (magazine)|Spin]]|first=Dorian|last=Lynskey|date=September 2010|accessdate=August 30, 2012|pages=60–63|volume=26|issue=8}}</ref><ref name="intoblack">{{cite news|title=Into the Black; Keys unlock a raw, bluesy sound|newspaper=[[Boston Herald]]|publisher=Herald Media Inc.|first=Larry|last=Katz|date=October 7, 2003|at=sec. The Edge, p. 47}}</ref><ref>{{cite AV media notes|title=Thickfreakness|others=The Black Keys|year=2003|publisher=[[Fat Possum Records]]|type=CD booklet}}</ref><ref>{{cite web |first=Davis |last=Inman |url=http://www.americansongwriter.com/2010/07/on-record-dan-auerbach/ |title=On record: The Black Keys' Dan Auerbach |work=American Songwriter |date=2010-07-21 |accessdate=2011-01-11}}</ref> The liner notes claim this is Carney's "patented recording technique called 'medium fidelity'". The result is a more vintage sound.<ref>{{cite web |first=Rhys |last=Tranter |url=https://www.bbc.co.uk/dna/collective/A1082125 |title=The Black Keys&nbsp;— Thickfreakness |work=Collective |date=2003-06-17 |accessdate=2011-01-11}}</ref> Part of "Set You Free" was recorded by Jeff Saltzman.


The album included two covers: "[[Have Love, Will Travel]]" by [[Richard Berry (musician)|Richard Berry]] and "Everywhere I Go" by north [[Mississippi]] bluesman [[Junior Kimbrough]].
The album included two covers: "[[Have Love, Will Travel]]" by [[Richard Berry (musician)|Richard Berry]] and "Everywhere I Go" by north [[Mississippi]] bluesman [[Junior Kimbrough]].


==Artwork==
The cover art was made by Carney's brother Michael, who was responsible for the whole graphical process after the layout of ''[[The Big Come Up]]'' ended up done by Patrick Boissel of [[Alive Naturalsound Records|Alive Records]]. As the Carneys drove around Akron trying to think of an idea, they ended up in a [[Super K-Mart]] and eventually found a concept upon finding a can of [[pomade]]. Then they moved all of the lamps in his house into one room to light up the picture, where Patrick handled the pomade.<ref>[http://www.donewaiting.com/2009/02/10/behind-the-artwork-michael-carney-the-heartless-bastards-the-mountain/ Behind the Artwork: Michael Carney & The Heartless Bastard’s The Mountain]</ref>
The cover art was made by Carney's brother Michael, who was responsible for the whole graphical process after the layout of ''[[The Big Come Up]]'' ended up done by Patrick Boissel of [[Alive Naturalsound Records|Alive Records]]. As the Carneys drove around Akron trying to think of an idea, they ended up in a [[Super K-Mart]] and eventually found a concept upon finding a can of [[pomade]]. Then they moved all of the lamps in his house into one room to light up the picture, where Patrick handled the pomade.<ref>[http://www.donewaiting.com/2009/02/10/behind-the-artwork-michael-carney-the-heartless-bastards-the-mountain/ Behind the Artwork: Michael Carney & The Heartless Bastard’s The Mountain]</ref>


==Reception==
==Reception==
{{Album ratings
{{Album ratings
| MC = 74/100<ref>{{cite web |url=http://www.metacritic.com/music/thickfreakness/the-black-keys |title=Reviews for thickfreakness by The Black Keys |publisher=[[Metacritic]] |accessdate=June 24, 2016}}</ref>
| MC = 74/100<ref>{{cite web |url=http://www.metacritic.com/music/thickfreakness/the-black-keys |title=Reviews for thickfreakness by The Black Keys |website=[[Metacritic]] |accessdate=June 24, 2016}}</ref>
| rev1 = [[AllMusic]]
| rev1 = [[AllMusic]]
| rev1score = {{Rating|4.5|5}}<ref>{{cite web |url=http://www.allmusic.com/album/thickfreakness-mw0000022723 |title=Thickfreakness – The Black Keys |publisher=[[AllMusic]] |accessdate=June 24, 2016 |last=Deming |first=Mark}}</ref>
| rev1score = {{Rating|4.5|5}}<ref>{{cite web |url=http://www.allmusic.com/album/thickfreakness-mw0000022723 |title=Thickfreakness – The Black Keys |website=[[AllMusic]] |accessdate=June 24, 2016 |last=Deming |first=Mark}}</ref>
| rev2 = ''[[The Baltimore Sun]]''
| rev2 = ''[[The Baltimore Sun]]''
| rev2score = {{Rating|3|4}}<ref>{{cite news |title=Black Keys: thickfreakness (Fat Possum) |work=[[The Baltimore Sun]] |date=April 24, 2003 |last=Hogan |first=Ray}}</ref>
| rev2score = {{Rating|3|4}}<ref>{{cite news |title=Black Keys: thickfreakness (Fat Possum) |work=[[The Baltimore Sun]] |date=April 24, 2003 |last=Hogan |first=Ray}}</ref>
Line 62: Line 63:
| rev8score = {{Rating|4|5}}<ref>{{cite journal |title=The Black Keys: Thickfreakness |journal=[[Q (magazine)|Q]] |issue=203 |date=June 2003 |page=94}}</ref>
| rev8score = {{Rating|4|5}}<ref>{{cite journal |title=The Black Keys: Thickfreakness |journal=[[Q (magazine)|Q]] |issue=203 |date=June 2003 |page=94}}</ref>
| rev9 = ''[[Rolling Stone]]''
| rev9 = ''[[Rolling Stone]]''
| rev9score = {{Rating|3|5}}<ref>{{cite journal |url=https://www.rollingstone.com/artists/blackkeys/albums/album/271873/review/5940461/thickfreakness |title=Black Keys: Thickfreakness |journal=[[Rolling Stone]] |date=April 17, 2003 |accessdate=June 24, 2016 |last=Caramanica |first=Jon |authorlink=Jon Caramanica |archiveurl=https://web.archive.org/web/20090416051430/http://www.rollingstone.com/artists/blackkeys/albums/album/271873/review/5940461/thickfreakness |archivedate=April 16, 2009 |url-status=dead}}</ref>
| rev9score = {{Rating|3|5}}<ref>{{cite magazine |url=https://www.rollingstone.com/artists/blackkeys/albums/album/271873/review/5940461/thickfreakness |title=Black Keys: Thickfreakness |magazine=[[Rolling Stone]] |date=April 17, 2003 |accessdate=June 24, 2016 |last=Caramanica |first=Jon |author-link=Jon Caramanica |archiveurl=https://web.archive.org/web/20090416051430/http://www.rollingstone.com/artists/blackkeys/albums/album/271873/review/5940461/thickfreakness |archivedate=April 16, 2009 |url-status=dead}}</ref>
| rev10 = ''[[Spin (magazine)|Spin]]''
| rev10 = ''[[Spin (magazine)|Spin]]''
| rev10score = C+<ref>{{cite journal |url=https://books.google.com/books?id=GPg1GS3vHxEC&lpg=PA105&pg=PA105 |title=The Black Keys: Thickfreakness / The Gossip: Movement |journal=[[Spin (magazine)|Spin]] |volume=19 |issue=6 |date=June 2003 |accessdate=June 24, 2016 |last=Harvilla |first=Rob |page=105}}</ref>
| rev10score = C+<ref>{{cite journal |url=https://books.google.com/books?id=GPg1GS3vHxEC&pg=PA105 |title=The Black Keys: Thickfreakness / The Gossip: Movement |journal=[[Spin (magazine)|Spin]] |volume=19 |issue=6 |date=June 2003 |accessdate=June 24, 2016 |last=Harvilla |first=Rob |page=105}}</ref>
}}<!-- Automatically generated by DASHBot-->
}}<!-- Automatically generated by DASHBot-->
''Thickfreakness'' was The Black Keys' first breakthrough album, as it established them as an indie-rock blues band.<ref>{{cite web|last1=Dansby|first1=Andrew|title="Black Keys Open "Factory""|url=https://www.rollingstone.com/music/news/black-keys-open-factory-20040624|website=Rollingstone|publisher=Rollingstone|accessdate=7 July 2015}}</ref> Their recognition from ''Thickfreakness'' led them on a rigorous tour schedule including opening for singer/songwriter [[Beck]] (on his ''[[Sea Change (album)|Sea Change]]'' summer tour) in the summer of 2003.<ref>{{cite document|last1=Hunter|first1=James|title=The Black Keys: Hardly Retreads; on 'Rubber Factory' the Indie Rockers Get High Out of Steel-Belted Blues|id={{ProQuest|409754325}}}}</ref> According to ''[[The Boston Globe]]'', "''Thickfreakness'' is an album that's meant to be felt as much as heard, rigged with plunging riffs, Auerbach's charcoal-smoke singing voice, and rhythmic pockets as deep as quicksand".<ref>{{cite news|last1=Perry|first1=Jonathan|title=BLUES CRUSH THE BLACK KEYS CREATE GRITTY, BLUESY ROCK THAT SOUNDS AS IF IT ROLLS DOWN FROM THE HILLS BUT ACTUALLY COMES RIGHT FROM THE SUBURBS BLACK KEYS GET DOWN AND DIRTY WITH THE BLUES|publisher=Boston Globe|date=2003-05-16}}</ref> It was during this time that Auerbach began writing material for their next album. When the two returned from touring, Auerbach's landlord had sold his house where the duo wrote ''Thickfreakness'' in the basement.<ref>{{cite web|last1=Dansby|first1=Andrew|title=Black Keys Open "Factory|url=https://www.rollingstone.com/music/news/black-keys-open-factory-20040624|website=Rolling Stone|accessdate=2015-07-07}}</ref>
''Thickfreakness'' was The Black Keys' first breakthrough album, as it established them as an indie-rock blues band.<ref>{{cite web|last1=Dansby|first1=Andrew|title="Black Keys Open "Factory""|url=https://www.rollingstone.com/music/news/black-keys-open-factory-20040624|website=Rollingstone|date=24 June 2004 |accessdate=7 July 2015}}</ref> Their recognition from ''Thickfreakness'' led them on a rigorous tour schedule including opening for singer/songwriter [[Beck]] (on his ''[[Sea Change (album)|Sea Change]]'' summer tour) in the summer of 2003.<ref>{{cite news|date=September 8, 2004|work=The Washington Post|page=C5|last1=Hunter|first1=James|title=The Black Keys: Hardly Retreads; on 'Rubber Factory' the Indie Rockers Get High Out of Steel-Belted Blues|id={{ProQuest|409754325}}}}</ref> According to ''[[The Boston Globe]]'', "''Thickfreakness'' is an album that's meant to be felt as much as heard, rigged with plunging riffs, Auerbach's charcoal-smoke singing voice, and rhythmic pockets as deep as quicksand".<ref>{{cite news|last1=Perry|first1=Jonathan|title=Blues crush the Black Keys create gritty, bluesy rock that sounds as if it rolls down from the hills but actually comes right from the suburbs Black Keys get down and dirty with the blues|newspaper=Boston Globe|date=2003-05-16}}</ref> It was during this time that Auerbach began writing material for their next album. When the two returned from touring, Auerbach's landlord had sold his house where the duo wrote ''Thickfreakness'' in the basement.<ref>{{cite magazine|last1=Dansby|first1=Andrew|title=Black Keys Open "Factory|url=https://www.rollingstone.com/music/news/black-keys-open-factory-20040624|magazine=Rolling Stone|accessdate=2015-07-07}}</ref>


==Track listing==
==Track listing==
Line 74: Line 75:
| length1 = 3:48
| length1 = 3:48
| title2 = [[Hard Row]]
| title2 = [[Hard Row]]
| note2 = lyrics by Dan and Chuck Auerbach
| writer2 = Dan and Chuck Auerbach (lyrics)
| length2 = 3:15
| length2 = 3:15
| title3 = [[Set You Free (The Black Keys song)|Set You Free]]
| title3 = [[Set You Free (The Black Keys song)|Set You Free]]
Line 81: Line 82:
| length4 = 4:02
| length4 = 4:02
| title5 = [[Have Love, Will Travel|Have Love Will Travel]]
| title5 = [[Have Love, Will Travel|Have Love Will Travel]]
| note5 = [[Richard Berry (musician)|Richard Berry]]
| writer5 = [[Richard Berry (musician)|Richard Berry]]
| length5 = 3:04
| length5 = 3:04
| title6 = Hurt Like Mine
| title6 = Hurt Like Mine
| length6 = 3:27
| length6 = 3:27
| title7 = Everywhere I Go
| title7 = Everywhere I Go
| note7 = [[Junior Kimbrough]]
| writer7 = [[Junior Kimbrough]]
| length7 = 5:40
| length7 = 5:40
| title8 = No Trust
| title8 = No Trust
Line 106: Line 107:
*[[Dan Auerbach]] - guitar, [[vocals]], [[bass guitar|bass]]
*[[Dan Auerbach]] - guitar, [[vocals]], [[bass guitar|bass]]
*[[Patrick Carney]] - [[drum kit|drums]], percussion, [[record producer|production]]
*[[Patrick Carney]] - [[drum kit|drums]], percussion, [[record producer|production]]

==Charts==
{| class="wikitable sortable plainrowheaders" style="text-align=center"
|-
!scope=col | Chart (2003-2004)
!scope=col | Peak<br />position
|-
! scope="row"| Australian Albums ([[ARIA]])<ref name=AUS>{{cite web |url=http://pandora.nla.gov.au/pan/23790/20041020-0000/ISSUE756.pdf|title= "The ARIA Report: Week Commencing 23 August 2004 |access-date=April 8, 2024 |publisher=auspOp |archive-date=February 3, 2008 |archive-url=https://webarchive.nla.gov.au/awa/20080222222436/http://pandora.nla.gov.au/pan/23790/20041020-0000/ISSUE756.pdf|url-status=dead }}</ref>
| align="center"| 90
|-
{{Album chart|UKIndependent|21|date=20030511|rowheader=true|access-date=April 8, 2024}}
|-
{{Album chart|BillboardIndependent|50|artist=The Black Keys|rowheader=true|access-date=April 8, 2024}}
|}


==References==
==References==
Line 111: Line 126:


{{The Black Keys}}
{{The Black Keys}}

{{Authority control}}


[[Category:The Black Keys albums]]
[[Category:The Black Keys albums]]
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[[Category:Fat Possum Records albums]]
[[Category:Fat Possum Records albums]]
[[Category:Albums produced by Patrick Carney]]
[[Category:Albums produced by Patrick Carney]]
[[Category:Albums recorded in a home studio]]

Latest revision as of 18:51, 10 May 2024

Thickfreakness
Studio album by
The Black Keys
ReleasedApril 8, 2003 (2003-04-08)
RecordedDecember 2002
StudioStudio 45 (Akron, OH)
Genre
Length39:01
LabelFat Possum
ProducerPatrick Carney
The Black Keys chronology
The Big Come Up
(2002) 		Thickfreakness
(2003) 		Rubber Factory
(2004)
Singles from Thickfreakness
  1. "Set You Free"
    Released: 2002
  2. "Hard Row"
    Released: 2003
  3. "Have Love Will Travel"
    Released: 2003

Thickfreakness is the second studio album by American rock duo The Black Keys, released in 2003. It is their debut release for the Fat Possum record label, although in the UK and Europe it was co-released by Epitaph Records.

Background[edit]

The band's debut album The Big Come Up had been tremendously successful for an independent rock band and Thickfreakness further increased their profile. It continues The Black Keys' tradition of raw, heavy blues-influenced garage rock.

Songs such as "Set You Free" won the pair some mainstream success as being featured in the soundtrack of the 2003 film School of Rock. Heavy comparisons to another American blues-influenced garage rock duo, The White Stripes, were often made by the music media.[1]

Recording[edit]

Most of the album was recorded in December 2002 during a single 14-hour session in Patrick Carney's basement using an early 1980s Tascam 388 8-track recorder. This approach was necessary because the group spent its small advance payment from Fat Possum Records on rent.[2][3][4][5] The liner notes claim this is Carney's "patented recording technique called 'medium fidelity'". The result is a more vintage sound.[6] Part of "Set You Free" was recorded by Jeff Saltzman.

The album included two covers: "Have Love, Will Travel" by Richard Berry and "Everywhere I Go" by north Mississippi bluesman Junior Kimbrough.

Artwork[edit]

The cover art was made by Carney's brother Michael, who was responsible for the whole graphical process after the layout of The Big Come Up ended up done by Patrick Boissel of Alive Records. As the Carneys drove around Akron trying to think of an idea, they ended up in a Super K-Mart and eventually found a concept upon finding a can of pomade. Then they moved all of the lamps in his house into one room to light up the picture, where Patrick handled the pomade.[7]

Reception[edit]

Professional ratings
Aggregate scores
SourceRating
Metacritic74/100[8]
Review scores
SourceRating
AllMusic[9]
The Baltimore Sun[10]
The Boston Phoenix[11]
Houston Chronicle4/5[12]
Mojo[13]
Now3/5[14]
Pitchfork7.7/10[1]
Q[15]
Rolling Stone[16]
SpinC+[17]

Thickfreakness was The Black Keys' first breakthrough album, as it established them as an indie-rock blues band.[18] Their recognition from Thickfreakness led them on a rigorous tour schedule including opening for singer/songwriter Beck (on his Sea Change summer tour) in the summer of 2003.[19] According to The Boston Globe, "Thickfreakness is an album that's meant to be felt as much as heard, rigged with plunging riffs, Auerbach's charcoal-smoke singing voice, and rhythmic pockets as deep as quicksand".[20] It was during this time that Auerbach began writing material for their next album. When the two returned from touring, Auerbach's landlord had sold his house where the duo wrote Thickfreakness in the basement.[21]

Track listing[edit]

All tracks are written by Dan Auerbach and Patrick Carney except where noted

No.TitleWriter(s)Length
1."Thickfreakness" 3:48
2."Hard Row"Dan and Chuck Auerbach (lyrics)3:15
3."Set You Free" 2:46
4."Midnight in Her Eyes" 4:02
5."Have Love Will Travel"Richard Berry3:04
6."Hurt Like Mine" 3:27
7."Everywhere I Go"Junior Kimbrough5:40
8."No Trust" 3:37
9."If You See Me" 2:52
10."Hold Me in Your Arms" 3:19
11."I Cry Alone" 2:47
Japanese bonus track
No.TitleLength
12."Evil"2:27

Personnel[edit]

Charts[edit]

Chart (2003-2004) Peak
position
Australian Albums (ARIA)[22] 90
UK Independent Albums (OCC)[23] 21
US Independent Albums (Billboard)[24] 50

References[edit]

  1. ^ a b Carr, Eric (April 22, 2003). "The Black Keys: Thickfreakness". Pitchfork. Retrieved June 24, 2016.
  2. ^ Lynskey, Dorian (September 2010). "Blues Explosion!". Spin. 26 (8): 60–63. Retrieved August 30, 2012.
  3. ^ Katz, Larry (October 7, 2003). "Into the Black; Keys unlock a raw, bluesy sound". Boston Herald. Herald Media Inc. sec. The Edge, p. 47.
  4. ^ Thickfreakness (CD booklet). The Black Keys. Fat Possum Records. 2003.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  5. ^ Inman, Davis (2010-07-21). "On record: The Black Keys' Dan Auerbach". American Songwriter. Retrieved 2011-01-11.
  6. ^ Tranter, Rhys (2003-06-17). "The Black Keys — Thickfreakness". Collective. Retrieved 2011-01-11.
  7. ^ Behind the Artwork: Michael Carney & The Heartless Bastard’s The Mountain
  8. ^ "Reviews for thickfreakness by The Black Keys". Metacritic. Retrieved June 24, 2016.
  9. ^ Deming, Mark. "Thickfreakness – The Black Keys". AllMusic. Retrieved June 24, 2016.
  10. ^ Hogan, Ray (April 24, 2003). "Black Keys: thickfreakness (Fat Possum)". The Baltimore Sun.
  11. ^ Bregman, Adam (May 2–8, 2003). "Black Keys: Thickfreakness (Fat Possum)". The Boston Phoenix. Archived from the original on February 3, 2004. Retrieved November 8, 2017.
  12. ^ Sullivan, James (April 6, 2003). "White Boys Get The Blues". Houston Chronicle. Retrieved June 28, 2019.
  13. ^ "The Black Keys: Thickfreakness". Mojo (115): 93. June 2003.
  14. ^ Perlich, Tim (April 24, 2003). "Black Keys". Now. Retrieved June 28, 2019.
  15. ^ "The Black Keys: Thickfreakness". Q (203): 94. June 2003.
  16. ^ Caramanica, Jon (April 17, 2003). "Black Keys: Thickfreakness". Rolling Stone. Archived from the original on April 16, 2009. Retrieved June 24, 2016.
  17. ^ Harvilla, Rob (June 2003). "The Black Keys: Thickfreakness / The Gossip: Movement". Spin. 19 (6): 105. Retrieved June 24, 2016.
  18. ^ Dansby, Andrew (24 June 2004). ""Black Keys Open "Factory""". Rollingstone. Retrieved 7 July 2015.
  19. ^ Hunter, James (September 8, 2004). "The Black Keys: Hardly Retreads; on 'Rubber Factory' the Indie Rockers Get High Out of Steel-Belted Blues". The Washington Post. p. C5. ProQuest 409754325.
  20. ^ Perry, Jonathan (2003-05-16). "Blues crush the Black Keys create gritty, bluesy rock that sounds as if it rolls down from the hills but actually comes right from the suburbs Black Keys get down and dirty with the blues". Boston Globe.
  21. ^ Dansby, Andrew. "Black Keys Open "Factory". Rolling Stone. Retrieved 2015-07-07.
  22. ^ ""The ARIA Report: Week Commencing 23 August 2004" (PDF). auspOp. Archived from the original (PDF) on February 3, 2008. Retrieved April 8, 2024.
  23. ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved April 8, 2024.
  24. ^ "The Black Keys Chart History (Independent Albums)". Billboard. Retrieved April 8, 2024.
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