The Master Musicians of Joujouka: Difference between revisions
BKLisenbee (talk | contribs) m This user continues to vandalize my edits. 'Joujouka' did NOT record with the Rolling Stones. Arbitration has been agreed upon, ask admin Fayssal. 'Joujouka' did not record for Adelphi, only Sub Rosa |
Undid revision 203989028 by BKLisenbee (talk) the village these musicians are from is called jajouka on wikipedia page |
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| Landscape = |
| Landscape = |
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| Background = group_or_band| Alias = |
| Background = group_or_band| Alias = |
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| Origin = {{flagicon|Morocco}}, [[Joujouka]], [[Morocco]] |
| Origin = {{flagicon|Morocco}} [[Jajouka]], [[Joujouka]], [[Morocco]] |
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| Genre = [[Folk Music]], [[World music|World]],<br>[[Music of Morocco#Sufi music|Sufi music of Morocco]] |
| Genre = [[Folk Music]], [[World music|World]],<br>[[Music of Morocco#Sufi music|Sufi music of Morocco]] |
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| Years_active = ? – present |
| Years_active = ? – present |
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| Label = [[Sub Rosa]] |
| Label = [[Rolling Stones Records]],<br> [[Adelphi Records|Adelphi]], <br>[[Sub Rosa]] |
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| Associated_acts = [[William S. Burroughs]], <br> [[Brion Gysin]],<br>[[Mohamed Hamri]],<br>[[Brian Jones]],<br> [[Timothy Leary]], <br> [[Marianne Faithfull]], <br>[[Scanner]], <br>[[Anita Pallenberg]], <br>[[Smashing Pumpkins]] |
| Associated_acts = [[William S. Burroughs]], <br> [[Brion Gysin]],<br>[[Mohamed Hamri]],<br>[[Brian Jones]],<br> [[Timothy Leary]], <br> [[Marianne Faithfull]], <br>[[Ornette Coleman]], <br>[[Rolling Stones]], <br>[[Scanner]], <br>[[Anita Pallenberg]], <br>[[Smashing Pumpkins]] |
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| URL = [http://www.joujouka.net Master Musicians of Joujouka official site] |
| URL = [http://www.joujouka.net Master Musicians of Joujouka official site] |
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| Current_members = Ahmed El Attar, Mohamed El Attar, Mustapha El Attar, Samir El Attar, Abdeslam Boukhzar, Ahmed El Bouhsini. Abdeslam Errtoubi, Radi El Khalil, Mohamed Mokhchan, Muinir Mujdoubi, Abdullah Ziyat |
| Current_members = Ahmed El Attar, Mohamed El Attar, Mustapha El Attar, Samir El Attar, Abdeslam Boukhzar, Ahmed El Bouhsini. Abdeslam Errtoubi, Radi El Khalil, Mohamed Mokhchan, Muinir Mujdoubi, Abdullah Ziyat |
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| Past_members = Deseased: Hadj Abdesalam Attar, Abdellah Attar, Mallim Fudal, Mohamed Attar (Berdouz), Tahir Boukhzar, Abdelslam El Attar, Mallim Sherkin, , Mujehid Mujdoubi, Ali Moujdoubi.}} |
| Past_members = Deseased: Hadj Abdesalam Attar, Abdellah Attar, Mallim Fudal, Mohamed Attar (Berdouz), Tahir Boukhzar, Abdelslam El Attar, Mallim Sherkin, , Mujehid Mujdoubi, Ali Moujdoubi. Not deseased: Bachir Attar}} |
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The '''Master Musicians of Joujouka''' are an ensemble of [[Sufi]] [[trance]] [[musicians]] most famous for their connections with the [[Beat Generation]] and the [[Rolling Stones]] founder [[Brian Jones]]. These original musicians hail from the village of [[Joujouka]], or Zahjouka (spelled جوجوكة or جهجوكة in Arabic) near [[Ksar-el-Kebir]] in the [[Ahl Srif]] mountain range of the southern [[Rif|Rif Mountains]] in northern [[Morocco]]. |
The '''Master Musicians of Joujouka''' are an ensemble of [[Sufi]] [[trance]] [[musicians]] most famous for their connections with the [[Beat Generation]] and the [[Rolling Stones]] founder [[Brian Jones]]. These original musicians hail from the village of [[Joujouka]], [[Jajouka]], or officially Zahjouka (spelled جوجوكة or جهجوكة in Arabic) near [[Ksar-el-Kebir]] in the [[Ahl Srif]] mountain range of the southern [[Rif|Rif Mountains]] in northern [[Morocco]]. |
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== Background == |
== Background == |
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The Master Musicians of Joujouka are the group from their village with the longest history of being recorded by Western artists.<ref>Sleeve Note Brian Jones Presents the Pipes of Pan at Joujouka, Rolling Stones Records, 1971</ref> |
The Master Musicians of Joujouka are the group from their village with the longest history of being recorded by Western artists.<ref>Sleeve Note Brian Jones Presents the Pipes of Pan at Joujouka, Rolling Stones Records, 1971</ref> |
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The Master Musicians of Joujouka adhere to the traditional [[Sufi]] [[trance]] music of their patron saint passed down for 1200 years. [[Timothy Leary]] having visited the village in [[1970]] wrote an essay on his time with [[Mohamed Hamri]] and the master musicians in his 1971 book "Jail Notes" called "The four thousand year old [[rock'n'roll]] band".<ref>Lear Timothy, Jail Notes, (New York, 1971)</ref> Leary based his dating on [[William Burroughs]]'s belief that the ritual Boujeloud, performed in |
The Master Musicians of Joujouka adhere to the traditional [[Sufi]] [[trance]] music of their patron saint passed down for 1200 years. [[Timothy Leary]] having visited the village in [[1970]] wrote an essay on his time with [[Mohamed Hamri]] and the master musicians in his 1971 book "Jail Notes" called "The four thousand year old [[rock'n'roll]] band".<ref>Lear Timothy, Jail Notes, (New York, 1971)</ref> Leary based his dating on [[William Burroughs]]'s belief that the ritual Boujeloud, performed in Jajouka, owes its origin to the [[Ancient Greece|Ancient Greek]] [[deity]] [[Pan (mythology)|Pan]]. |
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Before the [[Alaouite dynasty]], the masters used to play in [[medieval]] times for [[sultan]]s in their courts, travelling with them and announcing their arrival to villages and cities. |
Before the [[Alaouite dynasty]], the masters used to play in [[medieval]] times for [[sultan]]s in their courts, travelling with them and announcing their arrival to villages and cities. |
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[[Image:395px-Burroughs1983 crop.jpg|thumb|left|250px|William Burroughs in 1983]] |
[[Image:395px-Burroughs1983 crop.jpg|thumb|left|250px|William Burroughs in 1983]] |
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<!-- Deleted image removed: [[Image:Keeping traditions alive.jpg|thumb|right|250px|The Masters playing together in Joujouka]] --> |
<!-- Deleted image removed: [[Image:Keeping traditions alive.jpg|thumb|right|250px|The Masters playing together in Joujouka]] --> |
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Their first exposure to Western audiences came through their introduction to the [[Beat generation]]. Painter/folklorist [[Mohamed Hamri]], whose mother was an Attar from the village, led artist [[Brion Gysin]] to |
Their first exposure to Western audiences came through their introduction to the [[Beat generation]]. Painter/folklorist [[Mohamed Hamri]], whose mother was an Attar from the village, led artist [[Brion Gysin]] to Jajouka to meet the group. Gysin became fascinated with the group's music and led writer [[William Burroughs]] to the village. Burroughs described it as the world's oldest music and was the first person to call the musicians a "4000-year-old [[rock and roll]] band". In [[Tangier]], Gysin and Hamri founded the 1001 Nights restaurant, in which the musicians played throughout the [[1950]]s to a largely [[Western world|Western]] audience in what was then an [[City-state|international zone]], the [[Interzone (book)]] of [[William S. Burroughs]]' fiction. |
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== 1990s to present CD and DVD releases== |
== 1990s to present CD and DVD releases== |
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[[Image:Boujeloud.jpg|thumb|left|250px|[[Boujeloud]] CD Cover 2006]] |
[[Image:Boujeloud.jpg|thumb|left|250px|[[Boujeloud]] CD Cover 2006]] |
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The Master Musicians of Joujouka, now led by Ahmed Attar, released their third album [[Joujouka Black Eyes]], on [[Sub Rosa (label)|Sub Rosa]] in 1995. In 1996 "Sufi: Moroccan Trance II" was released, an album featuring the Sufi music of |
The Master Musicians of Joujouka, now led by Ahmed Attar, released their third album [[Joujouka Black Eyes]], on [[Sub Rosa (label)|Sub Rosa]] in 1995. In 1996 "Sufi: Moroccan Trance II" was released, an album featuring the Sufi music of Jajouka's saint Sidi Ahmed Scheech and also [[Gnawa music]] from Marrakesh. The same year "10%: file under Burroughs" featured the Master Musicians of Joujouka in collaboration with [[Marianne Faithfull]] on "My Only Friend", an homage to Brion Gysin, as well as a prayer giving blessings and a vocal track by the musicians. The same CD features artists such as [[Scanner]] sampling the master musicians to create homages to [[Brion Gysin]] and [[William Burroughs]]. Other artists on "10%:file under Burroughs" include [[Bill Laswell]], [[Herbert Huncke]], [[William Burroughs]], [[Bomb the Bass]], [[Brion Gysin]], [[Chuck Prophet]] and [[Stanley Booth]]. These CDs were produced by [[Frank Rynne]]. |
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Hamri continued to promote Joujouka music as President of their collectives' organisation [[Association Srifiya Folkloric]] until his death in Joujouka in August 2000. Despite Hamri's death in 2000 the musicians continue to work in Joujouka and abroad. |
Hamri continued to promote Joujouka music as President of their collectives' organisation [[Association Srifiya Folkloric]] until his death in Joujouka in August 2000. Despite Hamri's death in 2000 the musicians continue to work in Joujouka and abroad. |
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== Music and instruments == |
== Music and instruments == |
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[[Image:master musicians of joujouka.jpg|thumb|left|250px|The group in their mountain village in December 2005]] |
<!-- Deleted image removed: [[Image:master musicians of joujouka.jpg|thumb|left|250px|The group in their mountain village in December 2005]] --> |
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The Joujouka brotherhood play a form of [[Reed (music)|reed]], [[Pan pipes|pipe]], and [[Percussion instrument|percussion]] music that relies on [[Drone (music)|drone]]s, [[improvisation]], and complex [[rhythm]]s, much of which is unique to [[Joujouka]]. |
The Joujouka brotherhood play a form of [[Reed (music)|reed]], [[Pan pipes|pipe]], and [[Percussion instrument|percussion]] music that relies on [[Drone (music)|drone]]s, [[improvisation]], and complex [[rhythm]]s, much of which is unique to [[Joujouka]]. |
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Their [[flute]] is called the ''lira'' and is considered the oldest instrument in |
Their [[flute]] is called the ''lira'' and is considered the oldest instrument in Jajouka. The double-reed instrument is called the ''[[rhaita]]''; it is similar to an [[oboe]], but possessing a louder sound and more penetrating tone. The [[drum]] is called the ''tebel'' and is made of goat skin and played with two wooden sticks. There is also another goat-skin drum called the ''tarija'' which allows for more fast-paced [[virtuoso|virtuosity]]. |
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The music itself is considered to be part of the [[Sufism|Sufi]] tradition of [[Islam]]. Prior to the colonization of Morocco by [[France]] and [[Spain]], master musicians of the village were said to be the royal musicians of the sultans. In past centuries master musicians of the |
The music itself is considered to be part of the [[Sufism|Sufi]] tradition of [[Islam]]. Prior to the colonization of Morocco by [[France]] and [[Spain]], master musicians of the village were said to be the royal musicians of the sultans. In past centuries master musicians of the Jajouka village traditionally were excused by the country's rulers from manual labor, goat-herding, and farming to concentrate on their music because the music's powerful [[Altered state of consciousness|trance]] rhythms and droning woodwinds were traditionally considered to have the power to heal the sick. |
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The music of the region has a strong connection to [[Pan (mythology)|Pan]]. According to the tale, thousands of years ago a [[goat]]-man called "Bou Jeloud" appeared to an Attar ancestor in a cave, and danced to his music. The musicians of the village re-enact this event annually. |
The music of the region has a strong connection to [[Pan (mythology)|Pan]]. According to the tale, thousands of years ago a [[goat]]-man called "Bou Jeloud" appeared to an Attar ancestor in a cave, and danced to his music. The musicians of the village re-enact this event annually. |
Revision as of 15:38, 7 April 2008
The Master Musicians of Joujouka |
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The Master Musicians of Joujouka are an ensemble of Sufi trance musicians most famous for their connections with the Beat Generation and the Rolling Stones founder Brian Jones. These original musicians hail from the village of Joujouka, Jajouka, or officially Zahjouka (spelled جوجوكة or جهجوكة in Arabic) near Ksar-el-Kebir in the Ahl Srif mountain range of the southern Rif Mountains in northern Morocco.
Background
The Master Musicians of Joujouka are the group from their village with the longest history of being recorded by Western artists.[1]
The Master Musicians of Joujouka adhere to the traditional Sufi trance music of their patron saint passed down for 1200 years. Timothy Leary having visited the village in 1970 wrote an essay on his time with Mohamed Hamri and the master musicians in his 1971 book "Jail Notes" called "The four thousand year old rock'n'roll band".[2] Leary based his dating on William Burroughs's belief that the ritual Boujeloud, performed in Jajouka, owes its origin to the Ancient Greek deity Pan.
Before the Alaouite dynasty, the masters used to play in medieval times for sultans in their courts, travelling with them and announcing their arrival to villages and cities.
Beat Generation
Their first exposure to Western audiences came through their introduction to the Beat generation. Painter/folklorist Mohamed Hamri, whose mother was an Attar from the village, led artist Brion Gysin to Jajouka to meet the group. Gysin became fascinated with the group's music and led writer William Burroughs to the village. Burroughs described it as the world's oldest music and was the first person to call the musicians a "4000-year-old rock and roll band". In Tangier, Gysin and Hamri founded the 1001 Nights restaurant, in which the musicians played throughout the 1950s to a largely Western audience in what was then an international zone, the Interzone (book) of William S. Burroughs' fiction.
Brian Jones and Ornette Coleman
When Rolling Stones lead guitarist Brian Jones visited Morocco in 1968, Gysin and Hamri took him to the village to record the Master Musicians of Joujouka in the ground-breaking release Brian Jones Presents The Pipes Of Pan At Joujouka, whose original release featured cover artwork by Hamri before a controversial 1990s redesign which appeared as Brian Jones Presents The Pipes of Pan at Jajouka. Ornette Coleman recorded with the musicians in January 1973 some results of which featured on his LP Dancing In My Head. A second L.P. "Master Musicians of Jajouka" was released in 1974.
1990s to present CD and DVD releases
The Master Musicians of Joujouka, now led by Ahmed Attar, released their third album Joujouka Black Eyes, on Sub Rosa in 1995. In 1996 "Sufi: Moroccan Trance II" was released, an album featuring the Sufi music of Jajouka's saint Sidi Ahmed Scheech and also Gnawa music from Marrakesh. The same year "10%: file under Burroughs" featured the Master Musicians of Joujouka in collaboration with Marianne Faithfull on "My Only Friend", an homage to Brion Gysin, as well as a prayer giving blessings and a vocal track by the musicians. The same CD features artists such as Scanner sampling the master musicians to create homages to Brion Gysin and William Burroughs. Other artists on "10%:file under Burroughs" include Bill Laswell, Herbert Huncke, William Burroughs, Bomb the Bass, Brion Gysin, Chuck Prophet and Stanley Booth. These CDs were produced by Frank Rynne.
Hamri continued to promote Joujouka music as President of their collectives' organisation Association Srifiya Folkloric until his death in Joujouka in August 2000. Despite Hamri's death in 2000 the musicians continue to work in Joujouka and abroad. The Master Musicians of Joujouka living in the village of Joujouka include Ahmed El Attar, Abdeslam Boukhzar, Mohamed El Attar, Abdeslam Errtoubi, Ahmed Bousini, Mustapha El Attar, Radi El Khalil, Abdullah Ziyat, and Mohamed Mokhchan, as well as other members of their Sufi community and their children.
The musicians travelled to perform in at Casa Da Musica,Porto, Portugal in spring 2006. Their most recent CD Boujeloud recorded over a four year period; documenting the music of the Boujeloud or Pan ritual, was released in September 2006.
A DVD, "Destroy all Rational Thought", featuring their 1992 performances at the Here To Go Show in Dublin Ireland was released in 2007. The documentary also feature the music of Bill Laswell, Material ,and Shabba Ranks. It also features the artist Brion Gysin and writer William Burroughs whose works were the focus of the show.
Music and instruments
The Joujouka brotherhood play a form of reed, pipe, and percussion music that relies on drones, improvisation, and complex rhythms, much of which is unique to Joujouka.
Their flute is called the lira and is considered the oldest instrument in Jajouka. The double-reed instrument is called the rhaita; it is similar to an oboe, but possessing a louder sound and more penetrating tone. The drum is called the tebel and is made of goat skin and played with two wooden sticks. There is also another goat-skin drum called the tarija which allows for more fast-paced virtuosity.
The music itself is considered to be part of the Sufi tradition of Islam. Prior to the colonization of Morocco by France and Spain, master musicians of the village were said to be the royal musicians of the sultans. In past centuries master musicians of the Jajouka village traditionally were excused by the country's rulers from manual labor, goat-herding, and farming to concentrate on their music because the music's powerful trance rhythms and droning woodwinds were traditionally considered to have the power to heal the sick.
The music of the region has a strong connection to Pan. According to the tale, thousands of years ago a goat-man called "Bou Jeloud" appeared to an Attar ancestor in a cave, and danced to his music. The musicians of the village re-enact this event annually.
Discography
- Brian Jones Presents The Pipes Of Pan At Joujouka (1971)
- "Master Musicians of Jajouka" (1974)
- Joujouka Black Eyes (1995)
- Moroccan Trance Music: Vol. 2: Sufi (featuring Gnoua Brotherhood of Marrakesh and The Master Musicians of Joujouka, 1996)
- 1O%: file under Burroughs own track plus separate collaborations with Marianne Faithfull, William Buroughs and Scanner.
- Boujeloud (2006)
Books
Tales of Joujouka by Mohamed Hamri
Master Musicians of Joujouka who performed on Boujeloud,Joujouka Black Eyes, and "Sufi" plus some other album credits
- Ahmed El Attar drum and vocal also Brian Jones Presents The Pipes Of Pan At Joujouka1971, “Master Musicians of Jajouka” 1974, and Boujeloud
- Mohamed El Attar lira and rhiata and vocals
- Mustapha El Attar drum
- Ahmed Bouhsini rhiata lira also Brian Jones Presents The Pipes Of Pan At Joujouka :1971 “Master Musicians of Jajouka” 1974,
- Abdelslam Boukhzar drum vocal also played on Brian Jones Presents The Pipes Of Pan At Joujouka1971, “Master Musicians of Jajouka” 1974, Steel Wheels by Rolling Stones, and "Apocalypse Across the sky" by Bill Laswell
- Abdelslam Errtoubi rhiata and lira Brian Jones Presents The Pipes Of Pan At Joujouka 1971,“Master Musicians of Jajouka” 1974,
- Mujehid Mujdoubi lira also Brian Jones Presents The Pipes Of Pan At Joujouka1971, “Master Musicians of Jajouka” 1974,
- Muinier Mujdoubi drum
- Muckthar Jagdhal drum and vocal also played on Steel Wheels by Rolling Stones, "Apocalypse Acrss the Sky" by Bill Laswell
- Mohamed Mokhchan rhiata and lira also Brian Jones Presents The Pipes Of Pan At Joujouka 1971, “Master Musicians of Jajouka” 1974,
- Abdelslam Dahnoun drum, rhiata, lira Brian Jones Presents The Pipes Of Pan At Joujouka1971
- Abdellah Ziyat Rhiata, lira, vocal
- El Hadj clapping and vocal Brian Jones Presents The Pipes Of Pan At Joujouka1971,“Master Musicians of Jajouka” 1974.
- Si Ahmed violin
References
See also
- Brian Jones Presents The Pipes Of Pan At Joujouka LP (1971)
- Tales of Joujouka Book
- JajoukaThe Village
- BoujeloudCD, 2006
- Rhaita Instrument
- Joujouka Black Eyes CD
- Mohamed Hamri Mentor, Leader, Songwriter, painter
- Brian Jones Producer
- William S. Burroughs Propagator influenced by, friend and life-long supporter
- Brion Gysin Mentor, Artist
- Marianne Faithfull Collaborateur
- Timothy Leary Friend and writer about... see Jail Notes
- Frank Rynne Producer
- Bill Laswell Producer and collaborateur
- Beat Generation
- Jebala Ethnic group
Further reading
- Hamri, Mohamed (1975), Tales of Joujouka. Capra Press.
- Gysin , Brion, The Process.
- Palmer, Robert (October 14, 1971). "Jajouka: Up the Mountain". Rolling Stone.
- Strauss, Neil (October 12, 1995). "The Pop Life: To Save Jajouka, How About a Mercedes in the Village?". The New York Times.
External links
- Master Musicians of Joujouka. Official site of the Sufi Brotherhood living in Joujouka
- Master Musicians of Joujouka official myspace page
- Review of latest CD "Boujeloud" on Dusted.com
- Photos of the Master Musicians of Joujouka live at Casa da Música, Porto, 1/4/2006
- Campion, Chris (August 1995). "Night Spirit Masters", "The Wire". Click link for article pdf
- Obituary of Hamri from The Independent (London, 19 Oct 2000) pdf download of original article at bottom of text. Retrieved 06/08/2007
- "The Master Musicians of Joujouka: The Faded Myth of the Goat-God". Qantara.de. Fariborz, Arian (2005). Retrieved Jan. 14, 2007.
- "Master Musicians of Joujouka Cavort With Corgan" Report and photo of Billy Corgan of Smashing Pumpkins and Master Musicians of Joujouka. Pitchfork (August 29, 2006). Retrieved Jan. 14, 2007.
- "Into The Mystic". The Wire. Retrieved Jan. 14, 2007 Ranaldo, Lee (August 1996). .
- "Souvenirs. Sur les traces des Rolling Stones". Telquel Online. Retrieved Jan. 14, 2007.Template:Fr icon Alaoui, Mehdi Sekkouri (September 22, 2006).
- "Joujouka Comes Into the 21st Century". The Handstand. Rynne, Frank (January 2006). Retrieved Jan. 16, 2007.
- "The Master Musicians of Joujouka: Boujeloud". Pop Matters. Sole, Deanne (November 19, 2006). Retrieved Jan. 16, 2007
- "Joujouka Via Johnny Cash : An extensive interview with Frank Rynne talking about more than 15 years managing, working and recording The Master Musicians of Joujouka.". This interview appears on The Brink, The Handstand, The Lazarus Corporation and hesterglock. (August 2007) Retrieved Nov. 16th 2007
- "An interview which discusses the film which features The Master Musicians of Joujouka." This interview currently appears on The Handstand, The Brink and hesterglock (April 2007)
- Download Master Musicians of Joujouka concert live in 1980 for free