Agon (ballet): Difference between revisions
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{{seealso|List of New York City Ballet repertory|| |
{{seealso|List of New York City Ballet repertory||NYCB 2008 Spring Repertory}} |
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{{Infobox Ballet |
{{Infobox Ballet |
Revision as of 22:56, 3 September 2008
Agon | |
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Choreographer | George Balanchine |
Music | Igor Stravinsky |
Premiere | 1 December 1957 City Center of Music and Drama, New York |
Original ballet company | New York City Ballet |
Genre | Neoclassical ballet |
Type | classical ballet |
Agon (1957) is a ballet for a twelve dancers, with music by Igor Stravinsky and choreography by George Balanchine. Composition began in December 1953 and concluded in April 1957; the music was first performed on June 17, 1957 in Los Angeles conducted by Robert Craft, while the first stage performance was given by the New York City Ballet on December 1, 1957 at the City Center of Music and Drama, New York. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical language to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs, trios, quartets etc. A number of the movements are based on 17th-century French court dances – saraband, galliard and bransle. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration
Instrumentation
Agon is scored for a large orchestra consisting of piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones (2 tenor, 1 bass), harp, piano, mandolin, timpani, tom-tom, xylophone, castanets, and strings.
Original cast
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Further reading
- Joseph, Charles M., Stravinsky and Balanchine: A Journey of Invention
- White, Eric Walter, Stravinsky: the composer and his works
External links
- The Bransles of Stravinsky's Agon : A Transition to Serial Composition By Bonnie S. Jacobi