Anna Greve

Anna Greve (born Anna Brauer on October 1, 1973 in Bad Oldesloe ) is a German art historian .

Life

Anna first went to school in Flensburg and Hamburg and spent the years 1981 to 1991 in Cali , Colombia . After returning to Germany, she continued her education in Hamburg and graduated from the Walddörfer-Gymnasium in Hamburg-Volksdorf in 1993 . She then began studying art history and political science at the University of Osnabrück (1993–1998). Her doctoral thesis “The Construction of America”, supervised by Jutta Held . Image politics in the Grands Voyages from the workshop de Bry ”, she began as a scholarship holder at the University of Osnabrück, before becoming a scholarship holder of the DFG graduate college“ Travel literature and cultural anthropology ”at the University of Paderborn (1999–2002) , led by Renate Schlesier and Gisela Ecker .

After completing her doctorate , she completed a traineeship at the Staatliche Kunstsammlungen Dresden (2003–2005) and curated the exhibition “The View of Dresden” with Gilbert Lupfer and Peter Plaßmeyer . The Frauenkirche and the development of the Dresden city silhouette ”. After that she was a research assistant in the Mathematical-Physical Salon and the New Masters Gallery in Dresden until 2007 .

She then moved to the Karlsruhe Institute of Technology (KIT), where she was responsible for the text “Color - Power - Body”, which was overseen by Norbert Schneider and Monica Juneja . Critical Whiteness Research in European Art History ”and received his habilitation in 2012. During this time she was an associate member of the DFG graduate school “Image - Body - Medium. An anthropological perspective ”at the University of the Arts in Karlsruhe under the direction of Hans Belting and Beat Wyss .

In 2012 she became a museum advisor to the Senator for Culture of the Free Hanseatic City of Bremen . Since 2016, she has been the head of the Museums, State Archives, State Archeology Department, State Office for Monument Preservation, Upper Monument Protection Authority, Cultural Property Protection. She is also an honorary professor at the University of Bremen . Anna Greve has a son born in 2004.

Fonts (selection)

• Colonial heritage in museums. Critical whiteness research in practical museum work. transcript, Bielefeld 2019, ISBN 978-3-8376-4931-4 .
• Whiteness and art. New post-colonial analyzes. V & R unipress, Göttingen 2015, ISBN 978-3-8471-0526-8 .
• Color - power - body. Critical whiteness research in European art history. KIT Scientific Publishing, Karlsruhe 2013, ISBN 978-3-7315-0089-6 (also habilitation thesis, Karlsruhe Institute of Technology 2012).
• Museum and Politics - Alliances and Conflicts. V & R unipress, Göttingen 2011, ISBN 978-3-89971-859-1 .
• The construction of America. Image politics in the "Grands Voyages" from the workshop de Bry. Böhlau Verlag, Cologne 2004, ISBN 3-412-14903-9 (also dissertation, University of Osnabrück 2002).
• with Gilbert Lupfer and Peter Plaßmeyer: The view of Dresden. The Frauenkirche and the emergence of the Dresden city silhouette. Deutscher Kunstverlag, Berlin 2005, ISBN 3-422-06576-8 .
• National Socialism as a European Past. A comparison of the exhibitions "The Ax Has Bloomed" (1987) and "Art and Power" (1996). (also master's thesis, University of Osnabrück 1998). Tectum Verlag, Marburg 2004, ISBN 3-8288-8616-7 .

Web links

• Anna Greve on the website of the University of Bremen
• Literature by and about Anna Greve in the bibliographic database WorldCat
• Literature by and about Anna Greve in the catalog of the German National Library