Cornelis de Waal

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Cornelis de Waal (born March 19, 1881 in Watergraafsmeer near Amsterdam , † July 15, 1946 in Angermund ) was a German-Dutch landscape , marine , still life , interior and portrait painter .

Life

Industrial forge in Duisburg

Growing up in Amsterdam, he painted things from his environment as a very young person. At the age of 20 he moved to Düsseldorf, where he married and lived until 1923. He met Hubertine Kamp in the early 1920s, got a new marriage with her and lived in Angermund on Graf-Engelbert-Straße. In 1922 his only child was born, a son named Joost.

From 1919 until his death he was a member of the artists' association Malkasten . In oil, watercolor and pastel he painted landscapes, especially harbor scenes, as well as still lifes and portraits.

At least since a visit to the Heinrich colliery in Essen in 1914, he worked as an industrial painter . Before the Second World War, he created a monumental mural with a scene from the underground mine for the entrance area of Essen Central Station . He also created depictions of rolling mills, machine tools, motor ships and industrial port facilities. Numerous pictures that were stored in a tunnel in Velbert during World War II were destroyed there shortly after the war.

literature

  • Michael Steinhoff: Cornelis de Waal . In: Jahrbuch des Angermunder Kulturkreis , 17 (1996), pp. 173–176.

Web links

Individual evidence

  1. Address book entry 1936 . In: Address book of the city of Ratingen and the mayor's office of Ratingen-Land 1936 , page 166, accessed on November 1, 2016
  2. Bettina Baumgärtel , Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Directory of foreign artists . In: Bettina Baumgärtel (Hrsg.): The Düsseldorf School of Painting and its international impact 1819–1918 . Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , Volume 1, p. 442