Three lovely sisters: the blue crocodile

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Episode of the series Three Lovely Sisters
Original title The blue crocodile
Country of production Germany
original language German
length 95 minutes
classification Episode 6 ( list )
German-language
first broadcast		 March 2, 1990 on GDR television
Rod
Director Hartmut Ostrowsky
script Goetz Jaeger
music Gerhard Siebholz
camera Herbert Franke
Erich von Kaler
Roland Eising
Gerhard Schettki
Wolfgang Heim
cut Rosemary's foot
occupation
chronology

←  Predecessors
Welcome to the limelight

Successor  →
A touch of alpine glow

The blue crocodile is the sixth and penultimate variation in the Three-Lovely-Sisters series (1984 - 1991). It was broadcast for the first time on March 2, 1990 on the television program of the GDR .

action

Out of nowhere, Olga Knopf receives a letter from the grandmother of her foster son Tassilo, in which she announces that she wants to transfer the rural inn Das Blaue Krokodil to her. For this purpose, their son Erwin Persicke appears to discuss the modalities. Olga now wants to take a look at the restaurant in Eltenhagen with Persicke, but under no circumstances wants her sister Irmgard to find out about it. Irmgard of course notices that her sisters are hiding something from her. She is quite taken with Erwin Persicke and learns from him that Olga's happiness is. She immediately becomes jealous and thinks that she is the only one for the restaurant and not her sister. So she travels after Olga, who is just getting to know Frieda Persicke. Irmgard purposefully thwarted Olga's plans for the future, but in the end she too did not become the new owner of the Blue Crocodile, but Meinhard Seidenspinner. Frieda Persicke considers him, since he used to be a cook at the Interhotel, to be the most suitable candidate to continue running her restaurant in her favor.

Things are also turbulent for Mathilde, because since her retirement she has been working a little on the side, writing the manuscripts on the typewriter for crime writer Lotte Bumke. After Olga's idea, Mathilde should sublet her free room to the artist Sybille da Costa, but she only wants to rent it to a male guest, if at all. Without further ado, the alleged chief forester Guido von Putzlitz visits Mathilde to rent the room. Mathilde doesn't notice that behind the forester's costume is the quick-change artist Sybille da Costa, who can secure the bid for the room.

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