Monuments of music in Baden-Württemberg

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Monuments of Music in Baden-Württemberg is a series of sheet music editions of historical works of music from Baden-Württemberg . It is published by Manfred Hermann Schmid on behalf of the Society for Music History in Baden-Württemberg in conjunction with the Musicological Institute of the University of Tübingen . It has been published by Strube-Verlag in Munich since 1993 . It is intended to document musical works that are significant for the region and its history.

According to its own information, the series sees itself as a supplement to the overarching edition company Das Erbe deutscher Musik , which has existed since 1935 , in its regional orientation and source-related edition technology, it is nevertheless also committed to the monuments of musical art in Austria founded in 1894 .

Contents overview

  1. Johann Samuel Welter (1650–1720), The spiritual work. Cantatas, Magnificat, hymns, presented by Andreas Traub , 1993.
  2. Ernst von Gemmingen (1759–1813), Four concertos for violin and orchestra, presented by Andreas Traub, 1994.
  3. Augustinus Plattner (born around 1585), Eight Double Choir Masses (1624), presented by Andreas Traub, 1995.
  4. Music by the Druckermüller family of organists , presented by Andreas Traub, 1996.
  5. Sixtus Bachmann (1754–1825), The double-choir Missa solennis in C, presented by Rudolf Faber , 1997.
  6. Johann Wendelin Glaser (1713–1783), Selected Cantatas, presented by Andreas Traub and Marco Jammermann , 1998.
  7. Balduin Hoyoul (around 1548–1594), Latin and German motets, presented by Dagmar Golly-Becker and Andreas Traub, 1998.
  8. Christian Friedrich Daniel Schubart (1739–1791), Complete Songs, presented by Hartmut Schick , 2000.
  9. Meingosus Gaelle (1752–1816), Adam and Eve's creation ( The Swabian Creation ), presented by Rudolf Faber and Maria Bieler with the assistance of Bernhard Moosbauer, 2001.
  10. Balduin Hoyoul (around 1548–1594), Magnificat cycle and two masses, Stephan Faber (around 1580–1632), Cantiones, presented by Andreas Traub, 2001.
  11. Philipp Friedrich Boeddecker (1607–1683), Te Deum and German Sacred Concerts, presented by Hans Eugen Ekert, 2002.
  12. Johann Evangelist Brandl (1760–1837), chamber music for wind instruments, presented by Ursula Kramer , part 1, 2002.
  13. Johann Evangelist Brandl (1760–1837), chamber music for wind instruments, presented by Ursula Kramer, part 2, 2003.
  14. Samuel Friedrich Capricornus (1628–1665), Jubilus Bernhardi, presented by Paul Ranzini, with a contribution to the history of the text by Ulrich Köpf, 2003.
  15. Franz Anton Maichelbeck (1702–1750), Freiburg.Requiem for 2 choirs; 1 fair, presented by Manfred Schuler (†) and Andreas Traub, 2004.
  16. Early Mörike scoring, presented by Klaus Aringer, 2004.
  17. Wolfgang Amadeus Mozart (1756–1791), The Donaueschinger Harmoniemusik der Entführung aus dem Serail , presented by Bastiaan Blomhert, 2005.
  18. Early Schiller settings up to 1825, presented by Georg Günther, 2005.
  19. P. Ildefons Haas (1735–1791), 15 Offertories, Opus 2, 1766, presented by Bernhard Klär, 2006.
  20. Josephine Lang (1815–1880), songs based on texts by Reinhold Köstlin , presented by Harald Krebs, 2008.
  21. Erasmus Widmann (1572–1634), Musicalischer Tugendtspiegel and Gantz Neue Cantzon, presented by Andreas Traub a. Klaus Peter Leitner, 2010.
  22. Erasmus Widmann (1572–1634), Secular Chants and Ritterspiel, presented by Andreas Traub, Gregor Wittkop and Klaus Peter Leitner, 2014.
  23. Johann Gottfried Arnold (1773–1806), 3 concerts. Concerto No. 3 and No. 5 for violoncello and orchestra, Concertante for two flutes and orchestra, presented by Andreas Wolfgang Flad, 2016.
  24. Erasmus Widmann (1572–1634), Sacred Works, presented by Andreas Traub, Gregor Wittkop and Klaus Peter Leitner, 2018.

Web links

See also

Individual evidence

  1. ↑ GMG sheet music editions