Diesel and Dust

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Diesel and Dust
Studio album by Midnight Oil

Publication
(s)

August 1987

Label (s) Sprint / Columbia Records

Format (s)

LP , MC , DCC and CD

Genre (s)

Rock music

Title (number)

11

running time

46 min 37 s

production

Warne Livesey , Midnight Oil

Studio (s)

Albert Studios, Sydney

chronology
Species Deceases (EP)
(1985)
Diesel and Dust Blue Sky Mining
(1990)
Single releases
Beds are burning
The Dead Heart
Dreamworld

Diesel and Dust was the sixth studio album by the Australian rock band Midnight Oil , released in August 1987. Diesel and Dust was produced by Warne Livesey with the band. It is a concept album about the Aboriginal struggles for ownership in Australia and environmental issues, both issues that Midnight Oil has repeatedly grappled with. The idea for this concept album arose from the "Blackfella / Whitefella Tour" in 1986, which the band had undertaken with groups such as the Warumpi Band and Gondwanaland .

Ticket for the 1988 "Diesel & Dust Tour". The ticket shows a color-reduced version of the album cover of the same name on the right.

Musician

  • Peter Garrett - vocals
  • Peter Gifford - bass, vocals
  • Robert Hirst - drums, vocals
  • Jim Moginie - guitar, keyboard
  • Martin Rotsey - guitar

title

  1. Beds Are Burning (4:14) Garrett, Hirst, Moginie
  2. Put Down that Weapon (4:38) Garrett, Hirst, Moginie
  3. Dreamworld (3:36) Garrett, Hirst, Moginie
  4. Arctic World (4:21) Garrett, Moginie
  5. Warakurna (4:38) Moginie
  6. The Dead Heart (5:10) Garrett, Hirst, Moginie
  7. Whoah (3:50) Garrett, Moline
  8. Bullroarer (4:59) Garrett, Hirst, Moginie
  9. Sell ​​My Soul (3:35) Garrett, Moline
  10. Sometimes (3:53) Garrett, Hirst, Moline
  11. Gunbarrel Highway (3:38) Garrett, Gifford, Hirst, Moginie, Rotsey

Remarks

reception

Michael Reinboth reviewed the album for Musikexpress . He complained about the equally clichéd song structures and lyrics, with the latter also expressing a “moral sense of mission ”. Nevertheless, “the bottom line is a versatile LP with pop overtones, good guitar work and a few deliberately weird ideas.” He concluded with three out of seven possible points and the conclusion: “Solid and moderately original.” Marcel Anders reviewed the work on the occasion of his Republished again 20 years later, but from a different point of view. He praised the prophetic look of the lyrics and chalked the audience that they had not recorded the messages and instead misused the music for party purposes. He awarded four points. In 1990 Willi Andresen wrote in tip that the “Blackfella / Whitefella Tour” was documented with “inimitably refreshing rock tones and rhythms”. The songs reflected life and problems at a particular time. This is what distinguishes real, classic rock records.

In 1989, Diesel and Dust reached number 13 in Rolling Stone magazine's 100 best albums of the 1980s.

Individual evidence

  1. Michael Reinboth: Midnight Oil. Diesel and Dust . In: Musikexpress . No. 384 , Jan 1988, Rock, Pop, pp. 90 .
  2. Marcel Anders: Midnight Oil. Diesel and Dust . In: Musikexpress . No. 633 , August 2008, back catalog, p. 94 .
  3. ^ Willi Andresen: Midnight Oil. Brave new world . In: tip . August 1990, Musik-Tip, p. 100 ff .