Django's return

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Movie
German title Django's return
Original title Django 2: il grande ritorno
Country of production Italy
original language Italian
Publishing year 1987
length 96 minutes
Age rating FSK 16
Rod
Director Nello Rossati
(as Ted Archer )
script Nello Rossati
Franco Reggiani
production Spartaco Pizzi
music Gianfranco Plenizio
camera Sandro Mancori
cut Adalberto Ceccarelli
occupation
chronology

←  Predecessor
Django

Django's return (OT: Django 2: Il grande ritorno ) is the official sequel to the Italo- Western Django, shot by Sergio Corbuccis in 1966 .

action

After Django avenged the murder of his wife on Major Jackson, he retired to a monastery and vows never to use a gun again. Suddenly a woman appears who tells him that he has a daughter named Marisol. Django is initially skeptical, but then decides to visit his daughter. In the process, he learns that the crazy slave trader Orlowsky, commonly known as the devil , has kidnapped his daughter and a number of other young girls whom he wants to sell for a profit. Orlowsky is Hungarian and came to Mexico from Austria through Emperor Maximilian I. He is a man eaten by power and greed for money who finds a perverse pleasure in tormenting and humiliating his fellow men. He has created a small empire for himself through raids, pirate trips and the slave trade. He has poor farmers kidnapped and worked to the death in his numerous silver mines.

Django is disgusted and decides to free his daughter and clean up the injustice. At first he is still the loser and is even captured and tortured by Orlowsky. He escapes and breaks his vow by pulling out his old machine gun again and taking bloody vengeance.

Reviews

“Shooting orgy sought to revive the old Italo-Western myth; Although less naturalistic in the optical processing than contemporary violent films, behind the triviality of the material there is still a repulsive joy in sadism and vigilante ideology. "

"Quite a failed attempt at a sequel - more Rambo than Django."

- Ulrich P. Bruckner

Segnalazioni cinematografiche judged harshly: “The artificial and ridiculous story is doused in comic style with a sauce of trite and banal clichés. Numerous holes in the story, ostentatious scenarios and flat violence can only attest to painful conventionality. "

Web links

Individual evidence

  1. Django's return. In: Lexicon of International Films . Film service , accessed March 2, 2017 .Template: LdiF / Maintenance / Access used 
  2. Ulrich P. Bruckner: For a few more corpses. Schwarzkopf & Schwarzkopf Verlag 2006