Frank Strozier

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Frank R. Strozier (* 13. June 1937 in Memphis , Tennessee ) is an American alto saxophonist , clarinetist , flutist and composer of hard bop .

Live and act

Strozier had piano and later saxophone lessons as a child and grew up in the rhythm and blues city ​​of Memphis with schoolmates such as George Coleman , Hank Crawford , Harold Mabern and Booker Little ; the singer Othella Dallas is his half-sister. In 1954 he began to study music at the Chicago Conservatory , which he graduated in 1958. In addition to his studies, he took part in sessions with musicians such as Johnny Griffin and Clifford Jordan , played with Booker Little and in 1957 with Walter Perkins ' group MJT + 3 , with which Strozier first went to New York in 1958. There he recorded the album Waltz Of The Demons in 1960 as a co-leader of a quintet with Booker Little. From 1961 to 1964 he played in Roy Haynes ' quartet , in 1963 he briefly belonged to Miles Davis' band and toured with him; In 1965 he settled in Los Angeles. In the same year he was a member of Shelly Manne's band , played an album with Chet Baker and then belonged to Oliver Nelson’s band and the Don Ellis Orchestra . Strozier mostly worked as a studio musician in Hollywood in commercial areas.

In 1971 Strozier moved to New York , where he worked as a teacher and played with the Jazz Contemporaries , the New York Jazz Repertory Company in 1974, then simultaneously with the Octet of George Coleman and the Quartet of Louis Hayes , with whom he visited Europe in 1976. In 1976 and 1977 he made albums under his own name; He has also made recordings with McCoy Tyner , Roy Haynes , Booker Ervin , Shelly Manne, MJT + 3 , Don Ellis, Harold Mabern, Bobby Pierce , Horace Parlan and Johnny Griffin during his career .

His biggest influence was saxophonists Charlie Parker and Lee Konitz : even as far as my entry into jazz is concerned, they were the two alto players I heard first. You are most likely to be responsible for my exposure to jazz . The underrated alto saxophonist Frank Strozier, like Jackie McLean , has found an independent style on the alto saxophone, starting with Parker. His soloistic eloquence and warm tone were praised by his colleagues.

Discographic notes

As a leader

As a sideman

  • Chet Baker: Baby Breeze (Verve, 1965)
  • Booker Ervin: Exulation (OJC, 1963)
  • Shelly Manne & His Men : Perk Up (Concord, 1967; ed. 1977)

literature

Remarks

  1. As successor to Hank Mobley and predecessor of George Coleman
  2. zi. according to Kunzler, p. 1126