Franz Reizenstein
Franz Theodor Reizenstein (born June 7, 1911 in Nuremberg ; † October 15, 1968 in London ) was a German-British composer and pianist who, as a Jew, was forced to emigrate to England .
Life
Franz Reizenstein already showed great musical talent as a child and had already composed several works as a 17-year-old, including a string quartet. From 1930 he studied composition with Paul Hindemith and piano with Leonid Kreutzer at the Berlin University of Music . After the National Socialist seizure of power, he emigrated to England in 1934, where an uncle lived in Kingston, Surrey . There Reizenstein was able to continue his studies in London at the Royal College of Music . His composition teacher until 1936 was Ralph Vaughan Williams . Between 1938 and 1940 he studied piano with Solomon .
Reizenstein took on British citizenship and worked as a railroad clerk during World War II, but also went public as a pianist and interpreter of contemporary works. After the war, concert tours took him back to the European continent. In 1958 he received a piano professorship at the Royal College of Music, later at the Royal Manchester, now the Royal Northern College of Music . In 1966 he held a visiting professorship in composition at Boston University . Reizenstein, who was married and had a son, died unexpectedly in 1968 at the age of 57.
plant
Reizenstein's music clearly refers to his teacher Hindemith and remains committed to the framework of tonality. The twelve-tone music and avant-garde tendencies later he faced negative.
Reizenstein wrote chamber music (including a piano quintet and chamber music for wind instruments), piano compositions (including two sonatas) and several concertante works (including two piano concertos and a cello concerto). His important vocal works include the cantata Voices of Night and the oratorio Genesis . Among his film scores, the score for the horror film Die Rache der Pharaonen ( The Mummy , 1959) became known.
At the suggestion of Gerard Hope Reizenstein also contributed humoristic and parodistic to the "Hope Festival Concerts": 1956 the "Concerto Popolare" or "The Piano Concerto to end all Piano Concertos" and 1958 Let's Fake an Opera .
Filmography (selection)
- 1959: The Revenge of the Pharaohs (The Mummy)
- 1959: The White Trap
- 1960: The Red Shadow (Circus of Horrors)
literature
- Malcolm Miller: Reizenstein, Franz (Theodor). In: Ludwig Finscher (Hrsg.): The music in past and present . Second edition, personal section, volume 13 (Paladilhe - Ribera). Bärenreiter / Metzler, Kassel et al. 2005, ISBN 3-7618-1133-0 ( online edition , subscription required for full access)
Web links
- Works by and about Franz Reizenstein in the catalog of the German National Library
- Short biography (German) ( Memento from September 26, 2010 in the Internet Archive )
- Biography ( Memento of April 22, 2003 in the Internet Archive )
- Jewish Music Institute: The Emigré Composers (engl.) ( Memento of 16 July 2011 at the Internet Archive )
- Franz Reizenstein in the Internet Movie Database (English)
personal data | |
---|---|
SURNAME | Reizenstein, Franz |
ALTERNATIVE NAMES | Reizenstein, Franz Theodor (full name) |
BRIEF DESCRIPTION | German-British composer and pianist |
DATE OF BIRTH | June 7, 1911 |
PLACE OF BIRTH | Nuremberg , Bavaria, Germany |
DATE OF DEATH | 15th October 1968 |
Place of death | London , England, UK |