Friedrich Porges

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Friedrich Porges (born July 14, 1890 in Vienna , † January 24, 1978 in Hollywood , California ) was an Austrian journalist , publicist , editor and screenwriter .

Life

Born as the son of Ludwig Porges and the younger brother of Edmund Porges , he grew up in Vienna- Alsergrund . He studied philosophy and literature in Vienna.

He is said to have published the Allgemeine Theaterzeitung as early as 1912/1913 . He then wrote for the (then) daily newspaper Die Zeit , then for Der Morgen (1924) and was editor-in-chief of the film supplement to the film and theater magazine Die Bühne , before founding Mein Film, his own film magazine, in 1925 , which was one of the longest existing film magazines in Austria and - with interruptions from 1938 to 1945 - appeared until 1957. In addition, he also wrote for the Sunday and Monday newspaper , became the Vienna theater correspondent for the Berliner Zeitung am Mittag and worked as a screenwriter (from 1917) and director (from 1921) for Sascha-Film .

Porges was a member of the PEN Club . As the son of Jewish parents, he emigrated to England via Zurich in 1938 , where he worked as a journalist in London , before moving to the United States in 1943 or 1945 and writing novellas, dramas and screenplays. Among other things, he worked for the exile magazine Aufbau . In the post-war period he worked as a correspondent for numerous media, including an ORF film magazine .

Porges was married to Helene Matzner and had two children. He died in 1978 in Hollywood near Los Angeles and was buried in Hillside Memorial Park.

Filmography

  • 1917: Light and Darkness / The Love of a Blind Man (screenplay; director: Fritz Freisler )
  • 1917: Der neue Tantalus (screenplay; director: n / a; propaganda film for the seventh war loan)
  • 1919: The Detour to Marriage (screenplay; director: Fritz Freisler, Conrad Wiene )
  • 1919: His Highness the Tramps (screenplay; director: Paul L. Stein )
  • 1920: The Unfortunate Legacy (screenplay, director)
  • 1921: Mrs. Tutti Frutti (screenplay; director: Michael Kertész )
  • 1921: The Night of Mary Murton (screenplay, director)
  • 1921: Cherchez la femme (screenplay)
  • 1922: The Brigadier's Daughter (screenplay, director)
  • 1922: The Marquis of Bolibar (screenplay, director)
  • 1923: Adam and Eve (screenplay, director)
  • 1925: The film within the film (screenplay, director)
  • 1927: Everything wants to be a film (director)

literature

  • Nasila Berangy: Friedrich Porges (last accessed April 22, 2011), biography, 2004
  • Rudolf Ulrich: Austrians in Hollywood. New edition, Verlag Filmarchiv Austria, Vienna 2004, p. 374 f.

Web links

Individual evidence

  1. ^ Friedrich Porges: Reform of the happy end. In: The stage. Retrieved May 9, 2020 .
  2. Anthon Thaller (Ed.): Austrian Filmography - Volume 1, 1906–1918. Filmarchiv Austria Verlag, Vienna 2010, pp. 324, 334