Gisela Tuchtenhagen

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Gisela Tuchtenhagen (born October 31, 1943 in Köslin ) is a German camerawoman , film editor and film director .

Life

Gisela Tuchtenhagen was the fifth child of the fox farm and brickworks owner Gustav Tuchtenhagen and his wife Gerda, née Toeplitz. In 1944 she escaped to Schleswig-Holstein with her family. In 1959, the 15-year-old made her way to Paris, where she lived until 1963 and made first contacts with filmmakers.

From 1966 to 1968 she completed an apprenticeship as a photographer at the Lette School in Berlin and graduated with a journeyman's certificate.

In 1968 she began her studies at the German Film and Television Academy Berlin (DFFB) and graduated in 1971 with the documentary What I know about Maria , the portrait of a Spanish girl in Germany. After that, she continued to work with Klaus Wildenhahn as a camerawoman, co-author and film editor until 1979 . In 1976, the five-part Emden went to the USA via a VW plant that was threatened with closure caused a particular stir .

From 1978 to 1980 Tuchtenhagen held teaching positions for documentary film at the DFFB and at the Hamburg University of Fine Arts . From 1980 to 1983 she trained as a nurse.

From 1984 to 1986 she shot the five-part cycle Heimkinder about seven young people from the Johannes-Petersen-Heim in Hamburg for NDR . In 1998 she was a founding member of the film workshop "Documentary Work eV". Since 1999 she has been a member of the Berlin Academy of the Arts , Film and Media Art section, and since 2000 visiting professor at the Dortmund University of Applied Sciences .

Tuchtenhagen was married to a ZDF image technician from 1983 to 1992. In 1986 they adopted two brothers.

Filmography

  • 1971: Does the pill make you free? (Camera)
  • 1971: The Hamburg uprising in October 1923 (three parts; co-camera, cut)
  • 1972: Harburg until Easter (editing)
  • 1972: What I know about Maria (director, camera, editor)
  • 1974: 5 comments on the documentary (director, camera)
  • 1975: The love of the country (editing)
  • 1975: The man with the red carnation (camera, cut)
  • 1976: The sea in the north, the river in the west, the moor in the south, prejudice in the east (camera)
  • 1976: Emden goes to the USA (4 parts; camera)
  • 1978: Lütte Lüüd üm Grootnemarkt (director, camera)
  • 1980: A message for posterity - A worker poet (camera)
  • 1981: Between adaptation and resistance (camera)
  • 1982: What do we know about them (camera)
  • 1983: Back again and then further (director, camera)
  • 1984: Everyday violence against women (camera)
  • 1984–86: Heimkinder (5 parts; direction, camera)
  • 1988: Everyone can learn (4 parts; camera)
  • 1990: Lynx - end shaft (camera)
  • 1991: Come dance with me (camera)
  • 1991: Be there (camera)
  • 1991: Conquering the Void (camera)
  • 1992: Free fall Johanna K. (camera)
  • 1994: Ekmek Parasi - money for bread (camera, editor)
  • 1995: Virginia Grütter - Más fuerte que el Dolor - stronger than pain (cut)
  • 1997: "How did you all manage it?" - Birth in summer (camera)
  • 1998: Siegfried, my schizophrenic brother (camera)
  • 1999: Another country. Seven stories after the fall of the Wall (camera)
  • 2000: A little film for Bonn (camera)
  • 2002: My little child (camera)
  • 2002: Hansa-Theater - Varieté (camera, screenplay, direction, production)
  • 2003: Thursday afternoon, meeting point INSEL (direction, camera, sound, editing, production)
  • 2006: The landlord, the pub and the party (camera, production, direction together with Margot Neubert-Maric)
  • 2005–2007: Pictures that last (co-director, camera, editing)
  • 2008–2011: BINGO - toletzt decided jümmers dat Glück (camera, direction together with Margot Neubert-Maric)
  • 2013–2015: Utbüxen can keeneen (nobody can run away) (camera, direction together with Margot Neubert-Maric)

Awards

Web links

personal data
SURNAME Tuchtenhagen, Gisela
BRIEF DESCRIPTION German camerawoman, film editor and film director
DATE OF BIRTH October 31, 1943
PLACE OF BIRTH Koslin