Hans Otto Jung

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Hans Otto Jung (born September 17, 1920 in Lorch ; † April 22, 2009 in Rüdesheim am Rhein ) was a German entrepreneur, jazz musician and patron .

Live and act

Jung grew up in a musical family; his father regularly organized chamber music concerts at home in Rüdesheim. Musicians and composers like Paul Hindemith went in and out there; The latter, in order to congratulate his parents on Jung's birth, sent them a greeting card with several bars of a self-composed ragtime , which was entitled Young Lorch Fellow. Ragtime. Jung learned piano from 1925, partly taught by Emma Lübbecke-Job , and later violin and viola, and appeared in public for the first time in 1935. As a student of social sciences, he co-founded and pianist the Frankfurt Hotclub Combo in 1941 , in which he performed with Carlo Bohländer , Emil Mangelsdorff , Hans Podehl and Charly Petry. In 1943 he learned to play the double bass as an autodidact, and then from 1945 to 1948 he played as a bassist in the Hotclub Sextet. In 1946/47 he had his own radio show on Hessischer Rundfunk , where he played as a solo pianist in the style of Teddy Wilson . After completing his doctorate in business administration on “Die Handelsspanne ”, he took over the family's winery. Despite concentrating on managing the winery, which specialized in the production of non-alcoholic wine and brandy, he often attended jazz and chamber music concerts in the Rhine-Main area. He also invited musicians (especially pianists) to Boosenburg Castle to play music together on his two Steinway grand pianos. As a lover and promoter of jazz and classical music, he headed the Wiesbaden Association of Artists and Art Friends from 1976 ; then he was one of the members of the board of trustees of the Rheingau Music Festival and one of the region's cultural sponsors.

He did not recover from a fall that he suffered in the winter of 2008/2009 while visiting a concert by his friend Menahem Pressler in Hamburg. His jazz collection is located in the Darmstadt Jazz Institute .

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Web links

Individual evidence

  1. Michael Kater Daring Game - Jazz in National Socialism , Cologne 1995, pp. 149ff.