Harold B. Cousins

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Harold B. Cousins (born June 3, 1916 in Washington, DC , † 1992 in Brussels , Belgium ), was an American sculptor . He was an important exponent of abstract art after the Second World War.

Harold Cousins ​​studied at Howard University in Washington, DC , where he was inspired by the writings of Alain Locke . After serving in the United States Coast Guard from 1943 to 1945 in the Second World War , he returned to Washington and began studying art at Howard University, which he graduated in 1947. He worked as a sculptor from 1946.

In 1948, Cousins ​​moved to New York City and studied at the Art Students League with William Zorach , Reginald Marsh and Will Barnett . In 1949 Cousins ​​left the USA permanently, moved to Paris and studied with Ossip Zadkine at the Académie de la Grande Chaumière .

Cousins ​​began his sculpting with sculptures made of terracotta and wood. He later switched to metal sculpture. In the 1950s he learned the technique of welded steel sculptures from Shinkichi Tajiri . In 1957, Cousins ​​began to manufacture his “ plaitons ”: sculptures that consisted of welded metal plates and that from then on characterized his work. During this time his art received international attention and recognition. In 1952, Cousins ​​participated in exhibitions in New York, Toronto , Paris and other European cities. His first solo exhibition took place in Amsterdam . In 1959 Harold Cousins ​​participated in documenta II in Kassel .

His works in the 1950s and 1960s are characterized by politically critical content, for example the titles of some of the sculptures: Political Prisoner (1954) or Slave (1963).

Cousins ​​lived in Paris until 1967, after which he moved to Brussels , where he lived and worked until the end of his life in 1992.

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